{"title":"Studio Parcell \/ CRAFT","description":null,"products":[{"product_id":"ferro-forma-serving-tongs-in-brass-and-stainless-steel","title":"Ferro Forma — Serving Tongs in Brass and Stainless Steel","description":"\u003cp\u003eA NEW addition to the handcrafted flatware offering, this collection has some special care notes.\u003cbr data-mce-fragment=\"1\"\u003eFerro Forma's brass handles are waxed, however they will continue to age and patina over time and especially with fingerprints and water droplets. We love this 'living' patina of the brass and the rich unique character it brings to each cutlery piece. The changing patina is a natural and intended part of the product.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estainless steel, brass\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 210 x 50mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":44119383081178,"sku":"P-FF010","price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_211.jpg?v=1698817372"},{"product_id":"ferro-forma-cheese-knife-in-brass-and-stainless-steel","title":"Ferro Forma — Cheese Knife in Brass and Stainless Steel","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eA NEW addition to the handcrafted flatware offering, this collection has some special care notes.\u003cbr data-mce-fragment=\"1\"\u003eFerro Forma's brass handles are waxed, however they will continue to age and patina over time and especially with fingerprints and water droplets. We love this 'living' patina of the brass and the rich unique character it brings to each cutlery piece. The changing patina is a natural and intended part of the product.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estainless steel, brass\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 150 x 35mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":44217690685658,"sku":"P-FF011","price":165.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_219.jpg?v=1698817209"},{"product_id":"kenny-yong-soo-son-circular-bronze-vessel-2023","title":"Kenny Yong-soo Son – Circular Bronze Vessel, 2023","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA circular vessel cast in solid bronze. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnobstructive Beauty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 16 – January 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/unobstructive-beauty\/\"\u003e\u003cstrong\u003eRead about the exhibition\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCast bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx 29 x 29 x 3cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 15kg \u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":44261250924762,"sku":"J-KYS017","price":1850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_247.jpg?v=1699936605"},{"product_id":"kenny-yong-soo-son-oval-bronze-vessel-2023","title":"Kenny Yong-soo Son – Oval Bronze Vessel, 2023","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAn oval vessel cast in solid bronze \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnobstructive Beauty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 16 – January 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/unobstructive-beauty\/\"\u003e\u003cstrong\u003eRead about the exhibition\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCast bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx 24 x 17.5 x 5.5cm\u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":44261297258714,"sku":"J-KYS019","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_238.jpg?v=1699936865"},{"product_id":"lachlan-vasic-wallys-tea-tin-2024","title":"Lachlan Vasic — 'Wally's tea tin', 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e“Leave the light on; a continuation of vessels and light shades from my earlier series - Space to hold - exploring the use of hollow forms and their involvement with the space and light around them. I position myself as an observer, examining the balance between positive and negative space and how materials interact with light around them. Through constructing gradual forms and effortless contours, I have created metal vessels in a simple, bold style. I draw focus not just on my artworks but also the space an viewer, creating a holistic experience. I encourage viewers to investigate my vessels from all angles and distances to foster their own playful discovery.” Lachlan Vasic\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cem\u003eLachlan Vasic is a Naarm\/Melbourne-based artist, forming sculptures and objects through his practice of gold and silversmithing. He is inspired by day-to-day urban landscapes and subtle details, from warm ‘50s architecture to ‘90s brutalist sculpture. As he develops his practice, he continues to explore themes of memory and childhood nostalgia through making hollow vessels, light shades and contemporary jewellery. Vasic graduated from RMIT University with a Bachelor of Fine Art (Gold and Silversmithing) in 2024.\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" target=\"_blank\"\u003e\u003cb\u003eFresh 2025!\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Gallery\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFebruary 1 - March 8 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"x_elementToProof x_ContentPasted0\"\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"5gn8q\"\u003eFresh! celebrates the next wave of Victorian graduates in contemporary craft and design.\u003c\/p\u003e\n\u003cp data-block-key=\"fbmad\"\u003ePresented annually since 1993, Fresh! showcases the energy, skill and innovation of some of the best graduating students from craft, design and fine art disciplines. Fresh! provides an important opportunity for graduates beginning their career as makers. The exhibition fosters the potential of graduating students and provides an insight into new directions of contemporary craft.\u003c\/p\u003e\n\u003cp data-block-key=\"fcmjj\"\u003eFresh! 2025 will mark the 32nd iteration of this annual program and exhibition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFinalists -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eYueyun Chen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLucinda Johnson-Cornes (Pitjantjatjara)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAfra Kullu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eQianxun Li\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDee Robinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eIndigo Stuart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLachlan Vasic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fresh-2025\/\" target=\"_blank\"\u003e\u003cb\u003eRead more here\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e brass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 12 x 12 x 16cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Lachlan Vasic","offers":[{"title":"Default Title","offer_id":46174866276570,"sku":"M-LV004","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/175_Craft_Products_Jan2025.jpg?v=1738818228"},{"product_id":"lachlan-vasic-untitled-2024","title":"Lachlan Vasic — 'Untitled I', 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e“Leave the light on; a continuation of vessels and light shades from my earlier series - Space to hold - exploring the use of hollow forms and their involvement with the space and light around them. I position myself as an observer, examining the balance between positive and negative space and how materials interact with light around them. Through constructing gradual forms and effortless contours, I have created metal vessels in a simple, bold style. I draw focus not just on my artworks but also the space an viewer, creating a holistic experience. I encourage viewers to investigate my vessels from all angles and distances to foster their own playful discovery.” Lachlan Vasic\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cem\u003eLachlan Vasic is a Naarm\/Melbourne-based artist, forming sculptures and objects through his practice of gold and silversmithing. He is inspired by day-to-day urban landscapes and subtle details, from warm ‘50s architecture to ‘90s brutalist sculpture. As he develops his practice, he continues to explore themes of memory and childhood nostalgia through making hollow vessels, light shades and contemporary jewellery. Vasic graduated from RMIT University with a Bachelor of Fine Art (Gold and Silversmithing) in 2024.\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" target=\"_blank\"\u003e\u003cb\u003eFresh 2025!\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Gallery\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFebruary 1 - March 8 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"x_elementToProof x_ContentPasted0\"\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"5gn8q\"\u003eFresh! celebrates the next wave of Victorian graduates in contemporary craft and design.\u003c\/p\u003e\n\u003cp data-block-key=\"fbmad\"\u003ePresented annually since 1993, Fresh! showcases the energy, skill and innovation of some of the best graduating students from craft, design and fine art disciplines. Fresh! provides an important opportunity for graduates beginning their career as makers. The exhibition fosters the potential of graduating students and provides an insight into new directions of contemporary craft.\u003c\/p\u003e\n\u003cp data-block-key=\"fcmjj\"\u003eFresh! 2025 will mark the 32nd iteration of this annual program and exhibition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFinalists -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eYueyun Chen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLucinda Johnson-Cornes (Pitjantjatjara)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAfra Kullu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eQianxun Li\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDee Robinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eIndigo Stuart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLachlan Vasic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fresh-2025\/\" target=\"_blank\"\u003e\u003cb\u003eRead more here\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e mild steel, enamel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 8 x 8 x 17cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Lachlan Vasic","offers":[{"title":"Default Title","offer_id":46174870962394,"sku":"M-LV002","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/178_Craft_Products_Jan2025.jpg?v=1738818413"},{"product_id":"lachlan-vasic-untitled-ii-2024","title":"Lachlan Vasic — 'Untitled II', 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e“Leave the light on; a continuation of vessels and light shades from my earlier series - Space to hold - exploring the use of hollow forms and their involvement with the space and light around them. I position myself as an observer, examining the balance between positive and negative space and how materials interact with light around them. Through constructing gradual forms and effortless contours, I have created metal vessels in a simple, bold style. I draw focus not just on my artworks but also the space an viewer, creating a holistic experience. I encourage viewers to investigate my vessels from all angles and distances to foster their own playful discovery.” Lachlan Vasic\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cem\u003eLachlan Vasic is a Naarm\/Melbourne-based artist, forming sculptures and objects through his practice of gold and silversmithing. He is inspired by day-to-day urban landscapes and subtle details, from warm ‘50s architecture to ‘90s brutalist sculpture. As he develops his practice, he continues to explore themes of memory and childhood nostalgia through making hollow vessels, light shades and contemporary jewellery. Vasic graduated from RMIT University with a Bachelor of Fine Art (Gold and Silversmithing) in 2024.\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" target=\"_blank\"\u003e\u003cb\u003eFresh 2025!\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMain Gallery\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFebruary 1 - March 8 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"x_elementToProof x_ContentPasted0\"\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"5gn8q\"\u003eFresh! celebrates the next wave of Victorian graduates in contemporary craft and design.\u003c\/p\u003e\n\u003cp data-block-key=\"fbmad\"\u003ePresented annually since 1993, Fresh! showcases the energy, skill and innovation of some of the best graduating students from craft, design and fine art disciplines. Fresh! provides an important opportunity for graduates beginning their career as makers. The exhibition fosters the potential of graduating students and provides an insight into new directions of contemporary craft.\u003c\/p\u003e\n\u003cp data-block-key=\"fcmjj\"\u003eFresh! 2025 will mark the 32nd iteration of this annual program and exhibition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"x_elementToProof\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eFinalists -\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eYueyun Chen\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLucinda Johnson-Cornes (Pitjantjatjara)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eAfra Kullu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eQianxun Li\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDee Robinson\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eIndigo Stuart\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eLachlan Vasic\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fresh-2025\/\" target=\"_blank\"\u003e\u003cb\u003eRead more here\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e mild steel, enamel, merbau\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 8 x 8 x 15cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Lachlan Vasic","offers":[{"title":"Default Title","offer_id":46174878105818,"sku":"M-LV003","price":500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/181_Craft_Products_Jan2025.jpg?v=1738818577"},{"product_id":"laura-velef-specimen-gully-vessel-3","title":"Laura Veleff — 'Specimen Gully' Vessel #3","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, , ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  33.5 x 24 x 24cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719294636250,"sku":"C-LV003","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/159_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753324059"},{"product_id":"emma-shepherd-bark-form-woven-textile-2025","title":"Emma Shepherd — 'Bark Form' Woven Textile, 2025","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fQLpxn eoOGDx\"\u003eBark Form weaves together banana fibre and linen to explore transparency, texture, and lightness. Both delicate and grounded, the piece reflects an interest in how material honesty and subtle structure can define space with quiet presence.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cp\u003e\u003cem\u003eWorking from her Flinders (VIC) studio, weaver Emma Shepherd practices one of the world's oldest crafts with the sensibility of an artist deeply embedded in her environment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThinking through fabric, its strength and its structure, Shepherd has acquired an innate understanding of textiles as a universal language, and the long history of weaving as a site of innovation, intuition, and intimacy. The Bauhaus ethos remains central to Shepherd’s practice, where art, craft and design are seamlessly integrated without hierarchy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCarefully selected yarn affords Shepherd the opportunity to reflect on the deeper lineage of fibre, allowing each material - especially those collected from sites around the studio - to shape the work in a gentle yet deliberate way. She sensitively honours the landscape within which she lives and works by periodically folding in colours resembling the verdant foliage, the dark tones of tree trunks, the neutrals of the sand and stone of her coastal hometown.\u003c\/em\u003e\u003c!-- [if !supportLineBreakNewLine]--\u003e\u003c!--[endif]--\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/hand-weave\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eBanana fibre, linen, silk\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e145cm x 85cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e \u003c\/p\u003e","brand":"Emma Shepherd","offers":[{"title":"Default Title","offer_id":47083189272794,"sku":"T-ESH009","price":2800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_169.jpg?v=1762311407"},{"product_id":"lucy-tolan-tile-vessel-in-biscuit-with-brown-seams-copy","title":"Lucy Tolan — Tall Tile Vessel in Biscuit with Brown Seams","description":"\u003cp\u003eThe Tile Vessel Series are slab-built vessels. The textured slabs are cut and layered upon one another, slip oozes from in between the slabs. Each vessel is watertight and functions as a vase.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLucy Tolan is a ceramic artist based in Naarm\/Melbourne. Utilising a combination of pinch and slab building techniques she begins hand building each piece before adding repetitive patterns and bold colours to their finishes. Her objects are informed by modernist architecture and textile like qualities, combining soft and hard. She is concerned with juxtaposing form and texture to create both tension and harmony.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTolan has exhibited and participated in the Craft Victoria Member's Vitrine, 2020, Craft Poster Gallery, 2020, Virtual Makers in Residence at Craft, 2020 and Vivid Nostalgia at Modern Times, 2022. Tolan completed a Bachelor of Fine Arts specialising in ceramics at RMIT, 2018.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emidfire clay, underglaze, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 26 x 16 x 14cm\u003c\/p\u003e","brand":"Lucy Tolan","offers":[{"title":"Default Title","offer_id":47099429060826,"sku":"C-LT035","price":600.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_461.jpg?v=1762743365"},{"product_id":"femme-brutale-ember-light-totem-offcuts-t1-architectural-lamp","title":"Femme Brutale — 'Ember Light Totem - Offcuts:T1', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fQLpxn eoOGDx\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Ember Light Totem' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials into gold. Femme Brutale’s base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials are glass, leather and wood. Formal\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBrutalism affords the system; this is then subverted\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ebeyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ein mythology and folklore. Medusa and the Sirens\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003edisrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003e\u003cspan\u003eSalvaged blackwood. Hand blown acid etched glass orb.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 40 x 14 x 14cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":47864346083546,"sku":"F-FB004","price":2050.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/T1_On_093_Craft_Felled_Install_2026_C_Armstrong.jpg?v=1778734147"},{"product_id":"femme-brutale-ember-light-totem-offcuts-t2-architectural-lamp","title":"Femme Brutale — 'Ember Light Totem - Offcuts:T2', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fQLpxn eoOGDx\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Ember Light Totem' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials into gold. Femme Brutale’s base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials are glass, leather and wood. Formal\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBrutalism affords the system; this is then subverted\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ebeyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ein mythology and folklore. Medusa and the Sirens\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003edisrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003e\u003cspan\u003eHand chiselled salvaged blackwood. Hand blown acid etched glass orb\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 32 x 14 x 14cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":47864348377306,"sku":"F-FB005","price":1680.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/T2_On_077_Craft_Felled_Install_2026_C_Armstrong.jpg?v=1778734440"},{"product_id":"sam-woo-ram-choi-walk-in-the-park-stadium-pig-french-oak","title":"Sam Woo-Ram Choi 'Walk In The Park' — Stadium Pig, French Oak","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA small wooden vessel from Walk In The Park’s ongoing Stadium collection. While often used as a salt keeper in the kitchen, its open form invites many interpretations — a place to hold rings, spices, or other small treasures of daily life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBase - French Oak, Lid - stained French Oak\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 7 x 7 x 11cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47934390567130,"sku":"W-SWC011","price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Pig-Oak.jpg?v=1780018065"},{"product_id":"sam-woo-ram-choi-walk-in-the-park-stadium-pig-ash","title":"Sam Woo-Ram Choi 'Walk In The Park' — Stadium Pig, Ash","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eA small wooden vessel from Walk In The Park’s ongoing Stadium collection. While often used as a salt keeper in the kitchen, its open form invites many interpretations — a place to hold rings, spices, or other small treasures of daily life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBase - Ash, Lid - Kauri\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDimensions: \u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eapprox. 7 x 7 x 11cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47934392598746,"sku":"W-SWC010","price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Pig-Ash.jpg?v=1780018440"},{"product_id":"claudia-bloxsome-i-rise-up-empowered","title":"Claudia Bloxsome — 'I Rise Up Empowered' Textile Wall Work","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eA woven form shaped by internal wire, the cloth swelling and narrowing along its length. The surface is sheer — delicate in material, certain in form. Warp threads fall loose at the hem. Strength and fragility held in the same structure.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003ci\u003eClaudia Bloxsome's practice is rooted in the transformative potential of weaving. Inspired by the rich history of weaving, which has both sustained societies through utilitarian constraints and evolved into a contemporary art form, weaving is a lifelong pursuit for Claudia, offering endless possibilities for experimentation. Through meticulous manipulation of fibres, she explores the interplay of time, sentiment and care. Often incorporating metal and timber as scaffolding to elevate woven cloth into sculptural forms.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHer personal experience with mental health also informs her work, providing a therapeutic outlet and a desire to create spaces of visual respite for others.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"Through rhythm, colour, and texture, I aim to evoke a sense of calm and wonder, offering viewers a momentary escape into a world of aesthetic repose.\" - Claudia Bloxsome\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Linen, kibiso silk, wire \u0026amp; seeds\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 35\u003cspan\u003e x 150cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Claudia Bloxsome","offers":[{"title":"Default Title","offer_id":48056484724954,"sku":"T-CB014","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/092_Craft_Product_June_2026_C_Armstrong.jpg?v=1783484623"},{"product_id":"claudia-bloxsome-i-am-also-a-warrior","title":"Claudia Bloxsome — 'I Am Also a Warrior', Texile Wall Work","description":"\u003cp\u003e\u003cem\u003eI am also a Warrio\u003c\/em\u003er challenges conventional weaving. Its stoic, anthropological form contrasts with a delicate, permeable surface, creating a quiet tension. The work, reminiscent of a shedded skin, prompts reflection on what was and the delicate balance between strength and vulnerability.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003ci\u003eClaudia Bloxsome's practice is rooted in the transformative potential of weaving. Inspired by the rich history of weaving, which has both sustained societies through utilitarian constraints and evolved into a contemporary art form, weaving is a lifelong pursuit for Claudia, offering endless possibilities for experimentation. Through meticulous manipulation of fibres, she explores the interplay of time, sentiment and care. Often incorporating metal and timber as scaffolding to elevate woven cloth into sculptural forms.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHer personal experience with mental health also informs her work, providing a therapeutic outlet and a desire to create spaces of visual respite for others.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\"Through rhythm, colour, and texture, I aim to evoke a sense of calm and wonder, offering viewers a momentary escape into a world of aesthetic repose.\" - Claudia Bloxsome\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Linen, kibiso silk, wire \u0026amp; seeds\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e28 x 10 x 180cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Claudia Bloxsome","offers":[{"title":"Default Title","offer_id":48056487510234,"sku":"T-CB015","price":3800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/096_Craft_Product_June_2026_C_Armstrong_0e8e718d-d1dd-471f-ba42-c8fe5a38e321.jpg?v=1783484498"},{"product_id":"maureen-ali-an-gujechiya-fish-trap-167-26-maningrida-arts-and-culture","title":"Maureen Ali — 'An-gujechiya (Fish Trap)' 167-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaureen Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra (Martay) \/ Clan: Gamarl \/ Moiety:Yirrchinga \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaureen Ali learned to weave under the guidance of her sister Bonny Burarn.garra, a highly skilled fibre artist who has exhibited in commercial galleries around Australia since the 1990s. She also learned from her watching her mother, leading fibre artist Lorna Jin-gubarrangunyja, who won the Wandjuk Marika Award at the 20th Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 2013 with a colourful pandanus fish trap.\u003c\/p\u003e\n\u003cp\u003eMaureen has been practicing since 2006. She is Burarra, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. She is particularly renowned for the use of mirlarl, (malaisia scandens), a type of vine that grows in the coastal jungle. The use of this vine to manufacture fish traps, barriers and large strong dillybags is unique to this region.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eSand Palm (Livistonia Humilis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  133 x 16 x 16cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 167-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092852388058,"sku":"T-MAC018","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82420149-e.png?v=1782276616"}],"url":"https:\/\/shop.craft.org.au\/collections\/studio-parcell-craft.oembed","provider":"SHOP@Craft","version":"1.0","type":"link"}