{"title":"Client Collection: Eileen Hannaford Architecture X Craft","description":"\u003cp\u003eKinkora Styling I Object sourcing with Craft\u003c\/p\u003e","products":[{"product_id":"katie-ann-houghton-handblown-glass-whisky-vessel-1","title":"Katie-Ann Houghton — Hand Blown Gold Rimmed Drinking Glass","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"\"\u003eAn elegant and contemporary drinking glass with a gold rim. Perfect to enjoy your favourite tipple. \u003c\/p\u003e\n\u003cp class=\"\"\u003e———\u003c\/p\u003e\n\u003cp class=\"\"\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie’s design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eDesigned to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use.\u003c\/p\u003e\n\u003cp class=\"\"\u003eHer contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques.\u003c\/p\u003e\n\u003cp\u003eCompleting a Bachelor of Visual Arts at Sydney College of the Arts in 2011, Katie later became a full-time assistant for Sydney based glass artist Ben Edols. While at college and working with Edols, Katie- Ann exhibited her work in several galleries around Sydney and NSW. Also selected to be a part of the National Student Glass Art prize, where her work was acquired into the gallery’s collection. After her time teaching at SCA, Houghton applied and was accepted into the competitive Associate Training Program at Jam Factory in Adelaide. During the two-year program in the Glass Studio at Jam Factory, Katie-Ann focused on developing distinct design elements and refined her craftsmanship. Her hand blown work engages with contemporary Australian design aesthetics, incorporating minimalism, subtle forms and colour. \u003c\/p\u003e\n\u003cp\u003e———\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHand Blown Australian Glassware \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e9cm height x 7cm diameter\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCare Instructions: \u003c\/b\u003ePlease hand wash in warm water to preserve the gold edging. \u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":8643029499994,"sku":"G-KAH005","price":99.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/KAH-014.jpg?v=1734318461"},{"product_id":"copy-of-ted-secombe-crystalline-ceramic-vase-sculpture","title":"Ted Secombe — Large Crystalline Glaze Ceramic Vase","description":"\u003cp\u003eAfter 4 decades at his potter’s wheel, Ted Secombe says that making pots is more challenging now than when he first began, as his motivation is the purely the expression of his ideas and creativity. He has now developed a mastery of the medium that allows him to take his experimentation further than ever before.\u003c\/p\u003e\n\u003cp\u003eTed likes to work with different shapes and now prefers much simpler forms, forms with the sense of an easy curve, ‘like a brush stroke’. ‘My inspiration comes when the clay is on the wheel and I am looking at the sensuousness of the curve,’ he says. Sometimes he is influenced by the structure of plants and leaves. Ted’s other passion is gardening, and he has created a glorious garden around his studio.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTed Secombe is well known for his beautiful crystalline glazes, as well as his pots of cobalt blue and deep crimson. He works with a huge range of colours and, as with his forms, Ted is always experimenting and developing new ranges of glazes, some of which are reminiscent of ancient Chinese glazes. The glazes involve different firing procedures as Ted is always attempting to achieve the best possible results by altering time, temperatures and heating rates to his firings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ecrystalline glazed ceramic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eheight 36cm, width (at opening) 24cm, width (widest point) 34cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":35514088128680,"sku":"","price":2400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/213_Fresh_Product_C_Armstrong_2026.jpg?v=1774564445"},{"product_id":"katie-ann-houghton-d-susans-serving-bowl-2022","title":"Katie-Ann Houghton – Susan's Serving Bowl, 2022","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eLarge hand blown serving bowl in black glass, with gold-carved battuto pattern on base. An impressive gift or serving bowl. A unique piece\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheers!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 17 – January 7\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cb\u003ePresenting works by Anna Varendorff, Caro Pattle, Drew Spangenberg, Julian Leigh May, Katie-Ann Houghton, Kenny Yong-soo Son, Rowsaan, Studio Dokola, _Three Litres \u0026amp; Yeend Studio \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/b\u003eCheers, salud, bottoms up! Along with the clink of a glass, this is the universally recognised sound of celebration. Ten Australian artists and makers from diverse material practises, have considered the experience of celebration to present one-off and limited-edition vessels and accompanying drinking accessories\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eblown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e12.5 x 22 x 22cm\u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":43456796491994,"sku":"G-KAH078","price":680.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CraftCheers_LR-37_3c195ea1-d6ea-45e6-ad6c-3fdb0234c63e.jpg?v=1734316242"},{"product_id":"katie-ann-houghton-bamboo-whisky-glass","title":"Katie-Ann Houghton – Bamboo Whisky Glass","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHand blown whiskey glass, cold carved to produce a bamboo effect. A stunning tumbler for whiskey or your favourite cocktail.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eblown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e9 x 9 x 9cm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":43487027036378,"sku":"G-KAH071","price":121.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/products\/KAHGlass.jpg?v=1701320074"},{"product_id":"copy-of-katie-ann-houghton-susans-whisky-glass-2022","title":"Katie-Ann Houghton – Handblown Whisky Glass in Smoke","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eHand blown whiskey glass, in a smokey grey. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eblown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e9 x 9 x 9cmcm\u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":43564959957210,"sku":"G-KAH070","price":88.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft25Nov_LR-190_8d7d73de-601b-4f0e-bb25-54af2f83ed45.jpg?v=1734315760"},{"product_id":"ruth-allen-trefoil-vase-in-frosted-peach","title":"Ruth Allen — Trefoil Vase in Frosted Peach","description":"\u003cp class=\"font_8\"\u003eThe Trefoil Vase is an 'ornamental' design of three rounded lobes like a clover leaf. These vases are well balanced, modest to large scale.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e—\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cem\u003eRuth Allen's history stems from the Canberra School of Art where she graduated from a Bachelor of Arts degree in Glass in 1993, Ruth later went on to graduate from Monash University with a Masters of Fine Art in Sculpture \u0026amp; Glass in 2006.  Ruth has exhibited, taught and participated in workshops in prominent glass venues around the world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 22cm x 11cm x 11cm variable\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ruth Allen","offers":[{"title":"Default Title","offer_id":44030455087322,"sku":null,"price":286.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/RuthAllenGlass-5.jpg?v=1691562724"},{"product_id":"copy-of-katie-ann-houghton-tall-carved-babushka-decanter","title":"Katie-Ann Houghton – Tall Carved 'Babushka' Decanter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCarved Bamboo style Babushka Decantor with black glass stopper.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":44119009067226,"sku":"G-KAH091","price":345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/H-Trumble_Craft-Oct-Product_100.jpg?v=1696548862"},{"product_id":"house-editions-petal-plate-size-one-in-peach-bloom","title":"House Editions – Petal Plate (Size One) in Peach Bloom","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe chrysanthemum form can be found as far back as the 10th c. Song dynasty in the ceramic history of China. Rejuvenation, intellectual pursuits, loyalty, perfection, and the sun also find meaning in the chrysanthemum. In China, ancient lore tells of a man who became immortal after drinking dew from its petals, while in Japan, the unfolding of the petals symbolizes perfection and the rays of the sun. Although eating from this dish may not result in immortality, indeed it is a flower and a dish to meditate on.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHouse Editions is a ceramic design and production studio offering select pieces of ‘the refined domestic’, both strong and fragile in their beauty. Bending classic and traditional ceramic processes, their technique straddles the unique and the modular. Handcraft is important as their practice looks to a sensibility built on centuries of culture and an exchange of tacit knowledge. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eHouse Editions continues the porcelain tradition of Jingdezhen to construct a conversation between the preservation and the reinvention of classic motifs, building new relationships between the established and experimental. Their system uses traditional materials and techniques with an edge of contemporaneity, resulting in elevated everyday editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e porcelain, glaze \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 4 x 21cm \u003c\/p\u003e","brand":"House Editions","offers":[{"title":"Default Title","offer_id":44223374065882,"sku":"C-HE015","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Petal_Plate_One_Peach_Bloom_1_4-5.jpg?v=1761882971"},{"product_id":"kenny-yong-soo-son-circular-bronze-vessel-2023","title":"Kenny Yong-soo Son – Circular Bronze Vessel, 2023","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA circular vessel cast in solid bronze. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnobstructive Beauty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 16 – January 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/unobstructive-beauty\/\"\u003e\u003cstrong\u003eRead about the exhibition\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCast bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx 29 x 29 x 3cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 15kg \u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":44261250924762,"sku":"J-KYS017","price":1850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_247.jpg?v=1699936605"},{"product_id":"kenny-yong-soo-son-rectangular-bronze-vessel-2023","title":"Kenny Yong-soo Son – Rectangular Bronze Vessel, 2023","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA rectangular vessel cast in solid bronze \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnobstructive Beauty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 16 – January 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/unobstructive-beauty\/\"\u003e\u003cstrong\u003eRead about the exhibition\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCast bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx 14.5 x 17.5cm \u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":44261279760602,"sku":"J-KYS018","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_241.jpg?v=1699936745"},{"product_id":"hilary-green-entwined-sculptural-vessel-2024","title":"Hilary Green – 'Entwined', Sculptural Vessel, 2024","description":"\u003cp\u003eHand Sculpted stoneware vessel by Hilary Green. Water tight and coated with a rare Japanese lustre and Tenmoku Glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHilary Green is a ceramic artist and painter based in Melbourne. Her sculptures are inspired by the sea, shell fragments found on the sand as well as the shapes and shadows of rocks. In her work, she explores organic forms and imperfection through her drawing practice and translates them into surreal stoneware sculptures. Hilary is especially interested in the tactility of clay and how she can create the sense of fluidity and movement, leaving imprints of the hand in its hardened state. Her sculptural forms manifest mystical ancient shapes mixed with modern colours, playful positions and textures, whilst remaining functional to represent timeless domesticity. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan data-mce-fragment=\"1\"\u003estoneware, lustre glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 39 x 25 x 21cm\u003c\/p\u003e","brand":"Hilary Green","offers":[{"title":"Default Title","offer_id":45178706198746,"sku":"C-HG014","price":1180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/123_E-Commerce_CraftVictoria_240415.jpg?v=1715299865"},{"product_id":"rachelle-austen-forma-naturalis-vas-circuli-herba-silva-vase","title":"Rachelle Austen – 'Forma Naturalis Vas Circuli, Herba Silva' Vase","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003eOne tall slender, recycled clay carved ikebana inspired sculptural vessel with a Triangular side opening lightly glazed to preserve its raw, earthy texture, the piece draws inspiration from the Wombat Herb Forest in the Macedon Ranges, where the artist resides. The form carved to allow easy hand grip and pouring functions for the vessel.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cbr\u003eAbstract brush strokes, made with slips and wild clays, sweep across the surface, echoing the natural beauty and irregularities of the native forest. The spontaneous patterns pay homage to mid-century artists of the 1970s, who embraced freedom and spontaneity in their pottery surface decoration. This vessel captures the essence of nature's imperfections as a source of beauty and inspiration.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003erecycled clay, clay slips, wild clay slips and oxides with a lightly glazed\u003cbr\u003esurface and clear gloss glaze interior\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30 x 10 x 10cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45742548975834,"sku":"C-RA032","price":430.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/0203FormaNaturalisVas4_e9f2aae3-eae7-4e58-a0ab-ca0b77f39f83.jpg?v=1726187447"},{"product_id":"rachelle-austen-knowledge-elevates-i-sculpture","title":"Rachelle Austen – 'Knowledge Elevates I' Sculpture","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003eImpulsum Minima Mundi\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003eInspired by Noguchi's playscapes, Impulsum Minima Mundi captures life's significant experiences in miniature form. The abstract shapes symbolise moments in time, scaled to encourage a shift in perspective. By viewing from a distance, the sculptures suggest that even difficult experiences seem smaller and more manageable. This elevated perspective reflects how life's events, when viewed with reflection, offer a higher presence through experience and knowledge gained.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e grey speckle clay with brass rods and porcelain sphere\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 20 x 10 x 15cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45742564868314,"sku":"C-RA033","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_150.jpg?v=1733184128"},{"product_id":"rachelle-austen-auxiluam-support-sculpture","title":"Rachelle Austen – Auxiluam (Support)' Sculpture","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\"Sine Pondere et Pondere\" translated from Latin as \"weight \u0026amp; weightlessness\". This body of work examines the relationships of the unity of opposites. Each paired form can be positioned in various ways, changing the perception of its weight and weightlessness.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e reclaim clay solid form with oxide over dolomite glaze. porcelain oblate spheroid\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. slab 47 x 7.3 x 14cm, spheroid 10 x 6cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45742604648666,"sku":"C-RA039","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/10Auxilium_SinePondereetPondere1.jpg?v=1726191173"},{"product_id":"scott-elk-dusk-and-dust-plate-ii-wall-work-2024-copy","title":"Scott Elk — 'Dusk and Dust Plate II' Wall Work, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003eThis ceramic plate with ascension ring motif is part of Scott's latest series Dusk + Dust, an exploration of grief that began with the creation of a soundscape. The series was initiated by the loss of Scott's father and serves as a meditation on grief and the journey through the grieving process. \u003c\/span\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this body of work, life is depicted as a landscape we traverse, with color acting as a remnant of that life. Life is movement and colour. The recurring ring motif symbolizes the transition of energy up and out into the ether of the great nothingness. Through these themes of grief, the work also speaks to the beauty, harshness, and vitality of a uniquely Australian landscape. The primary form I use in the ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e28 x 28 x 4cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":45911472111834,"sku":"C-SE005","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/333_Craft_Products_241021.jpg?v=1730259559"},{"product_id":"studio-kaytar-table-lamp-1","title":"Studio Kaytar — 'Alter' Table Lamp in Aluminium and Beeswax Linen, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan\u003eHandcrafted by the alchemy of sand-cast metal and beeswax-coated linen, the Alter table lamp symbolises the unity of matter, spirit, and energy. These sculptural light works take their form from alchemic symbols. Like alchemy, which transforms matter and spirit, Kaytar’s process aims to change materials and imbue them with new life. The spheres are solid metal, hand sand-cast, and left raw to develop a natural patina with a living presence. The shade, constructed from flax linen, has been coated in beeswax to create a sculptural quality that emits the soft scent of beeswax to delight the senses. The circular form and materials used in the Alter works represents completeness and unity, symbolising the constant transformation and evolution of matter and energy. The solid metal spheres reflect the idea that all elements and forces in the universe are part of a greater whole, embodying the eternal cycle of creation, destruction, and transformation.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian living on Turrbal and Yuggera country. Since beginning her creative journey in textile design, Kaytar has developed her stylistic vocabulary in the creation of objects and space over more than 20 years. Kaytar’s artistic process is guided by alchemic experimentation and the modification of natural matter. This focus on transformation is borne of her interest in the consciousness of things. Working with materials from nature, such as metal, flax, minerals and beeswax – all selected for their symbolic associations – Kaytar believes that this matter, when imbued with her human touch, becomes animate. This spark of life is not only present during the process of artistic transformation, but also resonates with viewers interacting with Kaytar’s finished forms. The artist’s hope is that her works in lighting, sculpture, textiles and the built environment take us to realms of sensory pleasure, memory and contemplation, allowing us to regain a sense of awe in all things.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e \u003cspan\u003eSand-cast aluminium, flax linen, beeswax, iron An E27 pin plug linen cable cord with on\/off inline switch is included with purchase. Can be made-to-order 8-10 weeks.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e35 x 35 x 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMade to Order:\u003c\/strong\u003e this work is made to order, with a lead time of 4-6 weeks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":45922269266138,"sku":"M-SK004","price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_Craft_Products_241021.jpg?v=1730247816"},{"product_id":"astrid-salomon-unititled-sculptural-vessel","title":"Astrid Salomon – 'Untitled', Sculptural Vessel","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoil built stoneware vases, telling a story through my hands, varied in shape and size and always one of a kind. The layering glazes resulted in a purple hue with mottled black \u003cbr\u003eand blue flashes. An ongoing series. High fired. Watertight. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAstrid Salomon is a ceramic artist based in Melbourne. There are different series she approaches with the ceramic practice, always exploring a new angle through a limited body of work. The ideas for her work often draw inspiration in the emotional experience and the various stages and of the human condition. Like experiments, one shape informs the next and with that a diversity of characters evolve. It is not primarily the function of the vessel that interests her, but the space it holds in the world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand built, high fired stoneware, layered glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  approx. 25 x 34cm\u003c\/p\u003e","brand":"Astrid Salomon","offers":[{"title":"Default Title","offer_id":45954585002202,"sku":"C-BC021","price":1400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2562_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1731633156"},{"product_id":"studio-kaytar-rockpool-sculptural-catchall-dish","title":"Studio Kaytar — 'Rockpool' Sculptural Catchall Dish, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp class=\"MsoNormal\"\u003eRockpool references the rugged beauty of coastal rock formations in a sandcast metal sculpture. Its contours reflect the organic forms shaped by nature's elements and the shallow crevices provide a sanctuary for treasured items.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eThis solid metal piece was sand cast by hand. Due to the nature of the material, the uniquely poured ripples, and pitting are to be celebrated for their individual beauty. Raw aluminium, brass and bronze will naturally develop a patina over time, adding to its living inherent beauty. If desired, a high-quality metal polish can be used to restore original brightness and shine.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian living on Turrbal and Yuggera country. Since beginning her creative journey in textile design, Kaytar has developed her stylistic vocabulary in the creation of objects and space over more than 20 years. Kaytar’s artistic process is guided by alchemic experimentation and the modification of natural matter. This focus on transformation is borne of her interest in the consciousness of things. Working with materials from nature, such as metal, flax, minerals and beeswax – all selected for their symbolic associations – Kaytar believes that this matter, when imbued with her human touch, becomes animate. This spark of life is not only present during the process of artistic transformation, but also resonates with viewers interacting with Kaytar’s finished forms. The artist’s hope is that her works in lighting, sculpture, textiles and the built environment take us to realms of sensory pleasure, memory and contemplation, allowing us to regain a sense of awe in all things.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e s\u003cspan\u003eand-cast aluminum \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e14 x 12 x 4cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":45996969689306,"sku":"M-SK007","price":320.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/173_Craft_Products_241021.jpg?v=1732490470"},{"product_id":"tracy-muirhead-medium-pebble-bowl-in-muted-grey-burnt-earth","title":"Tracy Muirhead —  Medium 'Pebble Bowl' in Muted Grey Burnt Earth","description":"\u003cp\u003eA flat hand built, vessel with organic raised edges. Finished with a textured muted grey interior with burnt earth glaze details around its edges. Beautiful as a standalone piece or as part of a stackable set featuring other Tracy Muirhead vessels. \u003cstrong\u003eDue to the handmade nature of this item, variances may occur between pieces \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tracy Muirhead is a ceramic artist born in South Africa and based on the Mornington Peninsula, Victoria. Her practice involves collaborating with the clay, with minimal manipulation, to aid it in finding its own expression. Using a variety of clays and glazes combined with hand building techniques, she sculpts functional wares that are a result of playful discovery. Creating unique and individual pieces she applies special consideration to how they may enhance the environments they end up in, in a timeless way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Muirhead has exhibited as part of the Victorian Craft Awards at Craft Victoria, 2015 and 2016, and has exhibited throughout Victoria. She completed a Diploma of Arts (Ceramics) at Box Hill Tafe in 2010.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Tracy Muirhead","offers":[{"title":"Default Title","offer_id":46006337831130,"sku":"C-TM374","price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2842_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1732666951"},{"product_id":"tracy-muirhead-smallest-pebble-bowl-in-muted-grey-burnt-earth","title":"Tracy Muirhead —  Smallest 'Pebble Bowl' in Muted Grey Burnt Earth","description":"\u003cp\u003eA flat hand built, vessel with organic raised edges. Finished with a textured muted grey interior with burnt earth glaze details around its edges. Beautiful as a standalone piece or as part of a stackable set featuring other Tracy Muirhead vessels. \u003cstrong\u003eDue to the handmade nature of this item, variances may occur between pieces \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tracy Muirhead is a ceramic artist born in South Africa and based on the Mornington Peninsula, Victoria. Her practice involves collaborating with the clay, with minimal manipulation, to aid it in finding its own expression. Using a variety of clays and glazes combined with hand building techniques, she sculpts functional wares that are a result of playful discovery. Creating unique and individual pieces she applies special consideration to how they may enhance the environments they end up in, in a timeless way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Muirhead has exhibited as part of the Victorian Craft Awards at Craft Victoria, 2015 and 2016, and has exhibited throughout Victoria. She completed a Diploma of Arts (Ceramics) at Box Hill Tafe in 2010.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Tracy Muirhead","offers":[{"title":"Default Title","offer_id":46006346842330,"sku":"C-TM114","price":22.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2846_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1732667149"},{"product_id":"tracy-muirhead-extra-large-flat-platter-in-muted-grey","title":"Tracy Muirhead —  Extra Large 'Flat Platter' in Muted Grey","description":"\u003cp\u003eA flat hand built, vessel with organic raised edges. Finished with a textured muted grey interior with burnt earth glaze details around its edges. Beautiful as a standalone piece or as part of a stackable set featuring other Tracy Muirhead vessels. \u003cstrong\u003eDue to the handmade nature of this item, variances may occur between pieces \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tracy Muirhead is a ceramic artist born in South Africa and based on the Mornington Peninsula, Victoria. Her practice involves collaborating with the clay, with minimal manipulation, to aid it in finding its own expression. Using a variety of clays and glazes combined with hand building techniques, she sculpts functional wares that are a result of playful discovery. Creating unique and individual pieces she applies special consideration to how they may enhance the environments they end up in, in a timeless way.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Muirhead has exhibited as part of the Victorian Craft Awards at Craft Victoria, 2015 and 2016, and has exhibited throughout Victoria. She completed a Diploma of Arts (Ceramics) at Box Hill Tafe in 2010.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Tracy Muirhead","offers":[{"title":"Default Title","offer_id":46006352216282,"sku":"C-TM380","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2854_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1732667275"},{"product_id":"mali-taylor-large-orbit-ornamental-vessel","title":"Mali Taylor — Large 'Orbit', Ornamental Vessel","description":"\u003cp\u003eThis Orbit Vase has been constructed through the methodical process of hand roll d coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers. Each piece is innately unique and transcends the divide between art object and functional ware. \u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis large ornamental Orbit Vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Mali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Taylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 48 x 48 x 20cm\u003c\/p\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":46055152287962,"sku":"C-MT026","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_154.jpg?v=1734306552"},{"product_id":"studio-kaytar-rockpool-sculptural-catchall-dish-in-brass-2024","title":"Studio Kaytar —  'Rockpool' Sculptural Catchall Dish in Brass 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eRockpool sculptural catchall is sand-cast by hand and alchemy to represent the unity of matter, spirit and energy. Rockpool references the rugged beauty of coastal rock formations in a sandcast metal sculpture. Its contours reflect the organic forms shaped by nature's elements and the shallow crevices provide a sanctuary for treasured items and jewellery.\u003c\/p\u003e\n\u003cp\u003eThis solid metal piece was sand cast by hand. Due to the nature of the material, the uniquely poured ripples, and pitting are to be celebrated for their individual beauty. Raw aluminium, brass and bronze will naturally develop a patina over time, adding to its living inherent beauty. If desired, a high-quality metal polish can be used to restore original brightness and shine.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian living on Turrbal and Yuggera country. Since beginning her creative journey in textile design, Kaytar has developed her stylistic vocabulary in the creation of objects and space over more than 20 years. Kaytar’s artistic process is guided by alchemic experimentation and the modification of natural matter. This focus on transformation is borne of her interest in the consciousness of things. Working with materials from nature, such as metal, flax, minerals and beeswax – all selected for their symbolic associations – Kaytar believes that this matter, when imbued with her human touch, becomes animate. This spark of life is not only present during the process of artistic transformation, but also resonates with viewers interacting with Kaytar’s finished forms. The artist’s hope is that her works in lighting, sculpture, textiles and the built environment take us to realms of sensory pleasure, memory and contemplation, allowing us to regain a sense of awe in all things.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e s\u003cspan\u003eand-cast brass\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e14 x 12 x 4cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":46061552271578,"sku":"M-SK008","price":480.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/StudioKaytar-Rockpool-BrassCatchAll-HiRes-1..jpg?v=1734575858"},{"product_id":"angela-hayes-blue-sky-reflections-sculptural-vessel","title":"Angela Hayes — 'Blue Sky Reflections in the City #3' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis handmade piece expresses reflections of the blue sky captured and neatly framed in inner-city windows, puddles and paved lanes.  The series originated from the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic slab constructed forms. It is watertight to hold  a simple floral display yet also departs from the functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand-built slab ceramic, stoneware, glazes \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 29 x24.5 x7.5cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":46211747348698,"sku":"C-AH021","price":1380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_370.jpg?v=1740023795"},{"product_id":"amanda-dziedzic-yumemiru-in-peach-1","title":"Amanda Dziedzic — 'Yumemiru' in Peach","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eAn avid fan of colour and shape, Amanda Dziedzic's glass yumemiru are a response to her travels in Japan. ‘Yumemiru’, roughly translates as ‘to dream of’. These pieces are her version of a Japanese daydream.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eAvailable in the prettiest of hues, they are just as beautiful styled together, as they are as a stand-alone statement.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmanda Dziedzic is a Narrm\/Melbourne based glass artist who founded HotHaus Glass Studio with fellow artist Laurel Kohut. \u003cspan\u003eIndependently, they both trained as glass associates, undertaking the glass training program at Jam Factory Contemporary Craft and Design in Adelaide. Having been both trained at the Jam, both have production glass blowing training, exceptional work ethics and a nurtured passion for the material of glass.\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 14 x 12 x 12cm\u003c\/p\u003e","brand":"Amanda Dziedzic","offers":[{"title":"Default Title","offer_id":46693403918554,"sku":"J-AD087","price":275.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/099_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1752716465"},{"product_id":"juan-castro-la-vendimia-pendant","title":"Juan Castro —  'Sacrosanto' Candle Holder in Gunmetal","description":"\u003cp\u003eThe Sacrosanto series is inspired by objects and artefacts from Catholic churches. Little altars where the light of the candle is embraced by rounded curves with a simple and beautiful symmetrical pattern. Castro follows the traditional forms of a candle, mostly narrow and tall or short and broad, to achieve an object that seems to wrap around the candle. The sand casting texture and the semi polished finished of the metal reflect the flame in different levels as the candle burns out, projecting the light of the flame on the different angles and surfaces, as if the flame carries its own Halo.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJuan Castro is a social and cultural anthropologist, who studied at the University of Seville, Spain. Juan moved to Melbourne in 2011 and completed an Advanced Diploma of Jewelry and Object Design at Melbourne Polytechnic in 2016. The connection between anthropology and contemporary jewelry design arose from his final thesis, which focused on adornments and body modification through different cultures and the way in which it develops in contemporary society. His body of work is based on traditional techniques and the inspiration of antique jewelry, all seen from a contemporary point of view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e solid cast gunmetal\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30 x 10 x 15cm\u003c\/p\u003e","brand":"Juan Castro","offers":[{"title":"Default Title","offer_id":46697956737242,"sku":"J-JC038","price":2750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/119_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1752809102"},{"product_id":"juan-castro-sacrosanto-candle-holder-in-aluminum","title":"Juan Castro —  'Sacrosanto' Candle Holder in Aluminum","description":"\u003cp\u003eThe Sacrosanto series is inspired by objects and artefacts from Catholic churches. Little altars where the light of the candle is embraced by rounded curves with a simple and beautiful symmetrical pattern. Castro follows the traditional forms of a candle, mostly narrow and tall or short and broad, to achieve an object that seems to wrap around the candle. The sand casting texture and the semi polished finished of the metal reflect the flame in different levels as the candle burns out, projecting the light of the flame on the different angles and surfaces, as if the flame carries its own Halo.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJuan Castro is a social and cultural anthropologist, who studied at the University of Seville, Spain. Juan moved to Melbourne in 2011 and completed an Advanced Diploma of Jewelry and Object Design at Melbourne Polytechnic in 2016. The connection between anthropology and contemporary jewelry design arose from his final thesis, which focused on adornments and body modification through different cultures and the way in which it develops in contemporary society. His body of work is based on traditional techniques and the inspiration of antique jewelry, all seen from a contemporary point of view.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e solid cast aluminum\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30 x 10 x 15cm\u003c\/p\u003e","brand":"Juan Castro","offers":[{"title":"Default Title","offer_id":46698028663002,"sku":"J-JC039","price":1980.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/122_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1752809282"},{"product_id":"clae-studio-heirloom-vessel-in-matte-white","title":"Clae Studio  — 'Heirloom' Vessel in Matte White","description":"\u003cp\u003eAn ode to personal history, this piece was inspired by a vessel in the home of where the maker grew up. It is hoped that this piece can become a part of your family's story and be enjoyed by generations. The clay this piece is made from is porous and may become damp when holding water. It is suggested that this piece be used for holding dried flora or simply as a sculptural object. This vessel is made from a speckled clay and finished in Clae\u003cbr\u003eStudio's signature white drippy matte glaze.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClae Studio is the project of artist Britt Neech, based on the Mornington Peninsula. Her sculptural and playful pieces reference art, history and nature. Using minimalistic forms, she creates each piece by hand with careful consideration to the textures and colours of the clay showcasing the intrinsic beauty of the material. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNeech participated in the group exhibitions 'Shaped' and 'Clay Connected' at Craft Victoria, as well as her solo exhibition 'Finding Form' at the Michael Reid Clay Gallery, NSW. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic, glaze\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 17 x 9cm \u003c\/p\u003e","brand":"Clae Studio","offers":[{"title":"Default Title","offer_id":46713334464730,"sku":"C-BN023","price":245.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/455_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753161108"},{"product_id":"clae-studio-ellery-dish-in-matte-white","title":"Clae Studio  — 'Ellery' Dish in Matte White","description":"\u003cp\u003eAn elevated addition to your bedside table, living space or bathroom.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClae Studio is the project of artist Britt Neech, based on the Mornington Peninsula. Her sculptural and playful pieces reference art, history and nature. Using minimalistic forms, she creates each piece by hand with careful consideration to the textures and colours of the clay showcasing the intrinsic beauty of the material. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNeech participated in the group exhibitions 'Shaped' and 'Clay Connected' at Craft Victoria, as well as her solo exhibition 'Finding Form' at the Michael Reid Clay Gallery, NSW. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic, glaze\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 5 x 14cm \u003c\/p\u003e","brand":"Clae Studio","offers":[{"title":"Default Title","offer_id":46713369231578,"sku":"C-BN025","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/464_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753161889"},{"product_id":"clae-studio-miro-dish-in-matte-white","title":"Clae Studio  — 'Miro' Dish in Matte White","description":"\u003cp\u003eAn elevated addition to your bedside table, living space or bathroom.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClae Studio is the project of artist Britt Neech, based on the Mornington Peninsula. Her sculptural and playful pieces reference art, history and nature. Using minimalistic forms, she creates each piece by hand with careful consideration to the textures and colours of the clay showcasing the intrinsic beauty of the material. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNeech participated in the group exhibitions 'Shaped' and 'Clay Connected' at Craft Victoria, as well as her solo exhibition 'Finding Form' at the Michael Reid Clay Gallery, NSW. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic, glaze\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 5 x 11cm \u003c\/p\u003e","brand":"Clae Studio","offers":[{"title":"Default Title","offer_id":46713378668762,"sku":"C-BN026","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/460_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753162066"},{"product_id":"asahi-so-small-footed-budvase-in-burgundy-1","title":"Asahi So —  Small Footed Budvase in Burgundy #1","description":"\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003eA small footed budvase, thrown in two parts and then joined. It is finished in a rich burgundy glaze.\u003c\/div\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsahi So is a ceramic artist based in Sydney\/Warrang. Having initially trained and worked as a florist both in Australia and overseas, his love of flora has been carried over into his current ceramic work, with a focus often placed on creating vessels for flowers and foliage.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe completed an Advanced Diploma in Ceramics through the Hornsby campus of Northern Sydney Institute TAFE in 2022, and in 2019 won the Gosford Ceramics prize. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eglazed stoneware, glaze\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e 17.4 x 8cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Asahi So","offers":[{"title":"Default Title","offer_id":46723494379738,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/482_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753405555"},{"product_id":"scott-elk-landscape-urn-2025","title":"Scott Elk — 'Landscape' Urn, 2025","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this work, life is depicted as a landscape we traverse, with colour acting as a remnant of that life. Life is movement and colour. The primary form Elk uses in his ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 38\u003cspan\u003e x 26 x 26cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":46816777666778,"sku":"C-SE006","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/017_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756258530"},{"product_id":"corbet-kepler-tray-in-bronze","title":"Corbet — 'Kepler Tray', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe elliptical flat Kepler Tray features a bowl to house the small things we use every day: rings, keys or trinkets. \u003c\/span\u003e\u003cspan\u003eInspired by Johannes Kepler's first law of planetary motion from 1605, the tray pays homage to a lifelong love of space and to the impact of science on the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kepler tray is visually light and streamlined, almost floating, like the planets in their elliptical dance across the sky, that was accurately described by Kepler over 400 years ago.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 28 x 18 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.5kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817336197338,"sku":"M-SC005","price":550.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/142_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275346"},{"product_id":"corbet-eccentric-bowl-in-bronze","title":"Corbet — 'Eccentric Bowl', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eEccentric Bowl in sand cast bronze. Perfect as a decorative object or a dynamic sculptural catchall for keys and trinkets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHemispherical in form, the internal bowl is ex-centric, shifting the centre of gravity to balance at an angle, making it easy to spin and play with.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 15 x 15 x 15cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.5kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817349009626,"sku":"M-SC006","price":690.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/140_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275489"},{"product_id":"corbet-ufo-catchall-in-bronze","title":"Corbet — 'UFO Catchall', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eInspired by the shape of flying saucers from early science fiction, the UFO Catchall neatly balances on any shelf with a structural curved base. \u003c\/span\u003e\u003cspan\u003ePerfect for keys or coins, on a desk or side table. Also very inviting to play with.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced in sand cast bronze, each piece is finished by hand in our workshop before being rumble polished.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 13 x 13 x 2.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.7kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817353302234,"sku":"M-SC007","price":175.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/138_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275729"},{"product_id":"alana-wilson-bizen-form-i-2025","title":"Alana Wilson —  Bizen Form I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThese works from Alana express a sense of iterative sequencing or reassemblage through ceramic, etching, and bronze. They take an antagonistic view to a medium and archetype so integral to her practice - to represent something whole or complete as fragile, repaired, reassembled. \u003c\/p\u003e\n\u003cp\u003eThe ceramic works allude to the fragile and fragmented qualities of the medium. Some pieces have been broken intentionally, yet some broken by accident have undergone kintsugi repair - highlighting the beauty to be found in their imperfections and flaws. In addition, these ceramic works subvert the archetype of the vessel to hold, carry or enclose something inside of it. Functionality is removed and one must consider its history and future, based on its scars and seams. Both the bronze and etching work follow a natural, fibonacci-esque spiral to express iteration, momentum and plurality - a philosophy innately present in the studio making process, yet often not felt in final, singular works.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eAlana Wilson works primarily in ceramic, her studio practice also encompasses sculpture, photography, and printmaking. Forming a visual and conceptual lineage across mediums, the Australian-born, New Zealand-raised artist questions the relationship between humans and their environments, and the scale at which we exist in nature. Drawing on natural, biographical, art historical, and anthropological sources, Wilson’s work is visceral, intimate, and tactile. Her practice combines philosophical enquiry with material investigation, following instinct and experimentation. Firing to 1260ºC allows the metamorphosis of surface degradation to be captured, preserving the transformations that occur in the kiln's atmosphere. Wilson’s oeuvre alludes to the interconnectedness of all life, from the intimate to the universal.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBizen-yaki (wood fired Bizen clay fired with Bizen red pine wood), kintsugi repair\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 2\u003cspan style=\"font-size: 0.875rem;\"\u003e7 x 13 x 13cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alana Wilson","offers":[{"title":"Default Title","offer_id":47006312956122,"sku":"C-AW006","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_214.jpg?v=1760414352"},{"product_id":"alana-wilson-bizen-form-ii-2025","title":"Alana Wilson —  Bizen Form II, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThese works from Alana express a sense of iterative sequencing or reassemblage through ceramic, etching, and bronze. They take an antagonistic view to a medium and archetype so integral to her practice - to represent something whole or complete as fragile, repaired, reassembled. \u003c\/p\u003e\n\u003cp\u003eThe ceramic works allude to the fragile and fragmented qualities of the medium. Some pieces have been broken intentionally, yet some broken by accident have undergone kintsugi repair - highlighting the beauty to be found in their imperfections and flaws. In addition, these ceramic works subvert the archetype of the vessel to hold, carry or enclose something inside of it. Functionality is removed and one must consider its history and future, based on its scars and seams. Both the bronze and etching work follow a natural, fibonacci-esque spiral to express iteration, momentum and plurality - a philosophy innately present in the studio making process, yet often not felt in final, singular works.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eAlana Wilson works primarily in ceramic, her studio practice also encompasses sculpture, photography, and printmaking. Forming a visual and conceptual lineage across mediums, the Australian-born, New Zealand-raised artist questions the relationship between humans and their environments, and the scale at which we exist in nature. Drawing on natural, biographical, art historical, and anthropological sources, Wilson’s work is visceral, intimate, and tactile. Her practice combines philosophical enquiry with material investigation, following instinct and experimentation. Firing to 1260ºC allows the metamorphosis of surface degradation to be captured, preserving the transformations that occur in the kiln's atmosphere. Wilson’s oeuvre alludes to the interconnectedness of all life, from the intimate to the universal.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBizen-yaki (wood fired Bizen clay fired with Bizen red pine wood), kintsugi repair\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 2\u003cspan style=\"font-size: 0.875rem;\"\u003e7 x 12 x 12 cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alana Wilson","offers":[{"title":"Default Title","offer_id":47006318297306,"sku":"C-AW007","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_212_90a2ab02-7efe-4187-8b3b-28462039505e.jpg?v=1760414561"},{"product_id":"alana-wilson-bizen-form-iii-2025-copy","title":"Alana Wilson —  Bizen Form III, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThese works from Alana express a sense of iterative sequencing or reassemblage through ceramic, etching, and bronze. They take an antagonistic view to a medium and archetype so integral to her practice - to represent something whole or complete as fragile, repaired, reassembled. \u003c\/p\u003e\n\u003cp\u003eThe ceramic works allude to the fragile and fragmented qualities of the medium. Some pieces have been broken intentionally, yet some broken by accident have undergone kintsugi repair - highlighting the beauty to be found in their imperfections and flaws. In addition, these ceramic works subvert the archetype of the vessel to hold, carry or enclose something inside of it. Functionality is removed and one must consider its history and future, based on its scars and seams. Both the bronze and etching work follow a natural, fibonacci-esque spiral to express iteration, momentum and plurality - a philosophy innately present in the studio making process, yet often not felt in final, singular works.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eAlana Wilson works primarily in ceramic, her studio practice also encompasses sculpture, photography, and printmaking. Forming a visual and conceptual lineage across mediums, the Australian-born, New Zealand-raised artist questions the relationship between humans and their environments, and the scale at which we exist in nature. Drawing on natural, biographical, art historical, and anthropological sources, Wilson’s work is visceral, intimate, and tactile. Her practice combines philosophical enquiry with material investigation, following instinct and experimentation. Firing to 1260ºC allows the metamorphosis of surface degradation to be captured, preserving the transformations that occur in the kiln's atmosphere. Wilson’s oeuvre alludes to the interconnectedness of all life, from the intimate to the universal.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eBizen-yaki (wood fired Bizen clay fired with Bizen red pine wood), kintsugi repair\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 2\u003cspan style=\"font-size: 0.875rem;\"\u003e7 x 11 x 11cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Alana Wilson","offers":[{"title":"Default Title","offer_id":47006337728730,"sku":"C-AW008","price":990.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_210_fc3b45d0-75e4-471d-b18b-e5c96aededec.jpg?v=1760414665"},{"product_id":"steve-lees-ash-line-2025","title":"Steve Lees —  Ash Line, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDONE\/UNDONE \u003cbr\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/b\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis hand-built sculptural wall installation doubles as a set of vessel for minimal floral arrangements or a standalone wall sculpture.\u003c\/p\u003e\n\u003cp\u003eThe work explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. The forms echo this principle of removal: each begins whole, then is carved back and altered, the subtraction of material revealing new detail and marks in the clay.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, porcelain slip, oxides, glaze, wood ash \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan style=\"font-size: 0.875rem;\"\u003e76 x 150 x 5cm, 1 artwork made up of 10 vessels\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030236709082,"sku":"C-SL012","price":12000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_679_20fc9f58-a8a5-4b49-9a40-893a3119c8d3.jpg?v=1760659957"},{"product_id":"steve-lees-bleach-round-vase-i-2025","title":"Steve Lees —  Bleach Round Vase I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 19 x 17 x 17cm\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030242083034,"sku":"C-SL013","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_117.jpg?v=1760660472"},{"product_id":"steve-lees-bleach-round-vase-ii-2025","title":"Steve Lees —  Bleach Round Vase II, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 24 x 20 x 20cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030244376794,"sku":"C-SL014","price":660.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_120.jpg?v=1760660552"},{"product_id":"steve-lees-bleach-round-vase-iii-2025","title":"Steve Lees —  Bleach Round Vase III, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp class=\"header\" id=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca rel=\"noopener\" title=\"Discover more about Joseph Gardner\" href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" rel=\"noopener\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 34 x 19 x 19cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030246703322,"sku":"C-SL015","price":720.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_123.jpg?v=1760660589"},{"product_id":"steve-lees-bleach-faceted-vase-i-2025","title":"Steve Lees — Bleach Faceted Vase I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 34 x 19 x 19cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030247129306,"sku":"C-SL016","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_111.jpg?v=1760660732"},{"product_id":"steve-lees-bleach-faceted-vase-ii-2025","title":"Steve Lees — Bleach Faceted Vase II, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 27 x 15.5 x 15.5cm\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030248243418,"sku":"C-SL017","price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_114.jpg?v=1760660794"},{"product_id":"steve-lees-table-wall-vase-2025","title":"Steve Lees — Table \/ Wall Vase, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 6 x 37 x 5cm\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030249423066,"sku":"C-SL018","price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_142.jpg?v=1760660955"},{"product_id":"rachelle-austen-untitled-pending-information","title":"Rachelle Austen — Acceptio - Naturalis Mutatio, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e“It’s best to accept life as it really is and not as I imagined it to be.” - Paulo Coelho\u003c\/p\u003e\n\u003cp\u003eThe beauty of life is that it’s unpredictable. Nothing is permanent; things change, and of course, a lot of things can happen that can transform who you are and your perceptions of how your life might be. Acceptio ~ Acceptance representation of a journey of acceptance and new perspectives.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen is a ceramic sculptural artist based in the Macedon Ranges on Dja Dja Wurrung Country. With a background in Industrial Design and over eight years of exploring and working with clay, Austen combines design rigour with artisan hand-building. Working primarily in dense, slab-built clay, she assembles abstract series through slab construction and various components, incorporating controlled cracking, surface finishing, and considered firing. Her practice maintains a dialogue between contrasts—light and dark, delicacy and solidity, control and chance—shaping objects that embody tactile tension and quiet balance, creating space for reflection. Light and repetition are central to her work, where shifting daylight and subtle variations reveal new contours, inviting a slowing of time. Austen’s work exists between material investigation and poetic resonance.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Solid black clay, danish oil applied to its surface, and a petite porcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 35 x 27 x 10cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":47060919550170,"sku":"C-RA073","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_346.jpg?v=1761616372"},{"product_id":"studio-kaytar-ripple-2025","title":"Studio Kaytar — Ripple, Wall Relief, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003eHandcrafted from aluminium, this wall relief sculpture captures the fleeting patterns of wind-shaped sand. The process began with a 3D capture of a favourite shoreline, later immortalised through the sand casting of molten metal. The organic contours, poured ripples, and subtle pitting are to be celebrated for their individual beauty. This work forms part of an ongoing exploration into the alchemical transformation of matter and spirit.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian artist and designer. Beginning her creative journey in textile design, she has developed a distinctive vocabulary over more than twenty years in the making of objects and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKaytar’s work moves between art and design. Some pieces are pure artistic expression, while others are both sculptural and functional. Her lighting works engage with space through form and illumination, blurring the boundaries between object and atmosphere. Guided by alchemical experimentation, Kaytar transforms natural matter in ways that reveal its inner essence. Sandcast metals, plant fibres, natural dyes, minerals, and beeswax are chosen for their symbolic resonance. When shaped by human touch, this material becomes animate.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe spark of life present in their making extends to the finished works, inviting moments of sensory pleasure, memory, and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Sandcast aluminium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 35 x 35 x 5cm\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":47061342355674,"sku":"M-SK010","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_233.jpg?v=1762123094"},{"product_id":"sarah-nedovic-ridge-light-2025","title":"Sarah Nedovic  — 18110E.3829 - Ridge Light, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003eAs part of her ongoing study into systems of making and the behaviour of extrusion and clay under pressure, Sarah Nedovic presents 18110E.3829, wall light. The piece is defined by a ridged façade that gathers glaze along the face, capturing subtle shifts in tone and depth. Behind its simplicity lies a long technical process: months spent recalibrating an old machine from the 1980’s to move in harmony with the studio’s evolving contemporary practice. The die was re-engineered to consider the balance of compression and expansion until the clay’s rhythm aligned with the mechanism’s force.\u003c\/p\u003e\n\u003cp\u003eClay extrusion is an inherited technology - once a cornerstone of industry, it is used less as a commercial material being replaced by extruded plastics. In the studio, this process now finds new life: a place for craft, experimentation, and renewal. By reawakening an industrial system, Nedovic transforms a tool of repetition into a means of expression.\u003c\/p\u003e\n\u003cp\u003eThe glaze developed for 18110E.3829 was formulated to emphasize the ridged geometry of the form, amplifying its subtle changes in the glaze. From afar, the piece reads as one continuous hue; up close, it reveals layers of variation, inviting a slower encounter with its surface.\u003c\/p\u003e\n\u003cp\u003eIts title, 18110E.3829, functions as a kind of industrial code - part formula, part record. It references the concept, machine, process and material that made this particular extrusion possible.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSarah Nedovic is an artist and designer whose work moves between sculpture, space and light. With a background in textile design and an instinct for rhythm and material, her practice across clay and light is grounded\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ein traditional hand-building techniques — each piece refined and distinct.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom her Melbourne studio, her dedicated team creates collectible lighting and objects in small, considered editions\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e— sculptural works shaped by hand and designed to live with time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e —\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e  Extruded ceramic, glazed wall light. 2 x G9 light globes provided per piece.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan style=\"font-size: 0.875rem;\"\u003e73 x 8.2 x 8.2cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sarah Nedovic","offers":[{"title":"Default Title","offer_id":47075799302362,"sku":"F-SN002","price":2120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_073.jpg?v=1762480118"},{"product_id":"astrid-soloman-vase-3-2025","title":"Astrid Salomon  — Vase #3, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003eBuilding upon her Volume Series, Melbourne based artist Astrid Salomon showcases a collection full of playful contemplation around the emotional weight one carries, deforming, yet often concealed from the outside conversation. The works lure the viewer into a world of emotional tension, recognising the beauty in imperfections and complexity of the human experience.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eLife as the source, experienced in layers. Like coils upon coils.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith a deep passion for ceramics, Astrid Salomon's background in visual Arts has a big influence on her current practice, which she started by setting up her own studio in 2020. Always encouraging the unique voice of a piece, Astrid approaches her work in a conversation with the material, searching for the contradictions of nature, the raw and the refined, the line and the curve, the taking up space, the quiet appearing of a manifestation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e —\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e High fired stoneware, raw exterior, deep brown glazed interior\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 21 x 27cm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Astrid Salomon","offers":[{"title":"Default Title","offer_id":47082493575386,"sku":"C-BC028","price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/VASE3-1.jpg?v=1762304468"},{"product_id":"astrid-soloman-tall-vase-1-2025","title":"Astrid Salomon  — Tall Vase #1, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003eBuilding upon her Volume Series, Melbourne based artist Astrid Salomon showcases a collection full of playful contemplation around the emotional weight one carries, deforming, yet often concealed from the outside conversation. The works lure the viewer into a world of emotional tension, recognising the beauty in imperfections and complexity of the human experience.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eLife as the source, experienced in layers. Like coils upon coils.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWith a deep passion for ceramics, Astrid Salomon's background in visual Arts has a big influence on her current practice, which she started by setting up her own studio in 2020. Always encouraging the unique voice of a piece, Astrid approaches her work in a conversation with the material, searching for the contradictions of nature, the raw and the refined, the line and the curve, the taking up space, the quiet appearing of a manifestation.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e —\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e High fired stoneware, raw exterior, deep brown glazed interior\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 39 x 23cm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Astrid Salomon","offers":[{"title":"Default Title","offer_id":47082497179866,"sku":"C-BC030","price":2200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/TallVase1-4.jpg?v=1762477011"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/Craft_DoneUndone_Product_2025_C_Armstrong_126_1439x1800_jpg.webp?v=1783471397","url":"https:\/\/shop.craft.org.au\/collections\/eileen-hannaford-architecture-x-craft.oembed?page=2","provider":"SHOP@Craft","version":"1.0","type":"link"}