{"title":"Client Collection: Studio Kennon","description":"\u003cp\u003eLittle Lonsdale Street\u003c\/p\u003e","products":[{"product_id":"ted-secombe-large-crystalline-glaze-pot-in-red","title":"Ted Secombe — Large Crystalline Glaze Pot in Red","description":"\u003cp\u003eAfter 4 decades at his potter’s wheel, Ted Secombe says that making pots is more challenging now than when he first began, as his motivation is the purely the expression of his ideas and creativity. He has now developed a mastery of the medium that allows him to take his experimentation further than ever before.\u003c\/p\u003e\n\u003cp\u003eTed likes to work with different shapes and now prefers much simpler forms, forms with the sense of an easy curve, ‘like a brush stroke’. ‘My inspiration comes when the clay is on the wheel and I am looking at the sensuousness of the curve,’ he says. Sometimes he is influenced by the structure of plants and leaves. Ted’s other passion is gardening, and he has created a glorious garden around his studio.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is well known for his beautiful crystalline glazes, as well as his pots of cobalt blue and deep crimson. He works with a huge range of colours and, as with his forms, Ted is always experimenting and developing new ranges of glazes, some of which are reminiscent of ancient Chinese glazes. The glazes involve different firing procedures as Ted is always attempting to achieve the best possible results by altering time, temperatures and heating rates to his firings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e— \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ecrystalline glazed ceramic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 50cm x 38cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":42738169053402,"sku":"C-TES013","price":3800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_041.jpg?v=1723770003"},{"product_id":"max-copolov-rt4a-floor-lamp-2025","title":"Max Copolov — RT4A Floor Lamp, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDONE\/UNDONE \u003cbr\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/b\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eRT4A is a floor lamp constructed from a single plank of Victorian Ash timber with a mild steel base, brushed aluminium shade, and inlaid with a floral composition made of timber veneer marquetry. The lamp's industrial construction and monolithic silhouette stands in contrast to the ornate illustrations that decorate the lamp stand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eMax Copolov (b. 1992) is a Melbourne based interior and furniture designer interested in the intersection of classical and contemporary modes of expression. Copolov’s work is driven by a fascination with traditional techniques, craftsmanship and forms borrowed from the past, and a strong desire to make these qualities resonate with audiences today.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"7qj7n\"\u003e\u003cem\u003eWith a background in art history and production design for film, Copolov imbues his work with a tactility and sense of nostalgia that is reminiscent of a bygone era, before the advent of mass manufacturing.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan\u003eVictorian Ash Timber, Mild Steel, Brushed Aluminium, various timber veneers \u0026amp; Red Nylon cord set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e120 x 24 x 24cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eShipping costs may be estimates. Please contact us via\u003c\/i\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cspan\u003e\u003ci\u003eshop@craft.org.au\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e \u003ci\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Max Copolov","offers":[{"title":"Default Title","offer_id":47005753278682,"sku":"F-MC001","price":6500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_041.jpg?v=1760400636"},{"product_id":"max-copolov-rt4b-floor-lamp-2025","title":"Max Copolov — RT4B Floor Lamp, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDONE\/UNDONE \u003cbr\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/b\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eRT4B is a floor lamp constructed from a single plank of Victorian Ash timber with a mild steel base, brushed aluminium shade, and inlaid with a floral composition made of timber veneer marquetry. The lamp's industrial construction and monolithic silhouette stands in contrast to the ornate illustrations that decorate the lamp stand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eMax Copolov (b. 1992) is a Melbourne based interior and furniture designer interested in the intersection of classical and contemporary modes of expression. Copolov’s work is driven by a fascination with traditional techniques, craftsmanship and forms borrowed from the past, and a strong desire to make these qualities resonate with audiences today.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"7qj7n\"\u003e\u003cem\u003eWith a background in art history and production design for film, Copolov imbues his work with a tactility and sense of nostalgia that is reminiscent of a bygone era, before the advent of mass manufacturing.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp class=\"header\" id=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca rel=\"noopener\" title=\"Discover more about Joseph Gardner\" href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" rel=\"noopener\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan\u003eVictorian Ash Timber, Mild Steel, Brushed Aluminium, various timber veneers \u0026amp; Red Nylon cord set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e150 x 24 x 24cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eShipping costs may be estimates. Please contact us via\u003c\/i\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cspan\u003e\u003ci\u003eshop@craft.org.au\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e \u003ci\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Max Copolov","offers":[{"title":"Default Title","offer_id":47005758259418,"sku":"F-MC002","price":6800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_049.jpg?v=1760400825"},{"product_id":"billie-civello-limb-chair-2024","title":"Billie Civello — Limb Chair, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cp\u003eThe Limb Chair is cast in recycled aluminium from branches collected on walks across Melbourne over the past years. These small acts of gathering give mundanity a sense of memory and sentiment, grounding the work in daily experience. Each branch used to create moulds, preserving its irregular structure before being turned into an undying object through aluminium casting. The work dwells in how quotidian moments can be reworked into objects that carry traces of time, locality, and personal experience.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp data-block-key=\"zajnm\"\u003e\u003cem\u003eBillie Civello is a transgender Australian-born furniture designer based on the Kulins nations. Their creative practice explores form through metalwork and sculpture, sitting at the intersection of art and design. Dedicated to crafting objects that embody timelessness and contemporary aesthetics, Billie draws on natural forms and raw materials to create simple yet resonant works, imbuing everyday objects with narrative and character.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eFUTUREOBJEKT — Melbourne Art Fair — February 19 – 22 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/conscious-craft-the-future-is-in-the-making\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003eConscious Craft - The Future is in the Making\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eDesign begins with desire – with the urge to create, to connect and to shape the future. Conscious Craft – The Future is in the Making invites audiences into a space where exceptional design meets deep material intelligence. Curated by Craft, this exhibition showcases the work of four pioneering artists and makers: Isabel Avendaño-Hazbún, Billie Civello, Claire Ellis, and Locki Humphrey.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/conscious-craft-the-future-is-in-the-making\/\"\u003eRead more about the exhibition here:\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eCast recycled aluminium \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan style=\"font-size: 0.875rem;\"\u003e45 x 45 x 110cm\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Billie Civello","offers":[{"title":"Default Title","offer_id":47006350541018,"sku":"F-BC003","price":3500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_008.jpg?v=1761780572"},{"product_id":"claire-ellis-renewable-energy-stimulus-can-create-three-times-as-many-australian-jobs-as-fossil-fuels-ceramic-sculpture-2026","title":"Claire Ellis — 'Renewable energy stimulus can create three times as many Australian jobs as fossil fuels', Ceramic Sculpture, 2026","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003ePart of Break To Open, a series of oversized money jars responding to anti-renewable\u003cbr\u003eand economic disinformation produced and circulated by the fossil fuel industry and its\u003cbr\u003ebeneficiaries.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe “new climate denial” strategy has shifted from disputing the existence of\u003cbr\u003ehuman-caused climate change to undermining solutions and delaying action. Inspired\u003cbr\u003eby medieval British tudor money boxes that collected payments only accessible by\u003cbr\u003ebreaking the container, these sealed ceramic forms serve as a metaphor for restrictions\u003cbr\u003eon public wealth, understanding, and progress.\u003cbr\u003eRecycled green glass blended into recycled clay leaks from the vessels, replacing the\u003cbr\u003etraditional copper and lead green glaze. A continuation of extensive experimentation,\u003cbr\u003ethe coil-built and wheel-thrown forms are single-fired electrically and made using local\u003cbr\u003ecircular materials. Each artwork title references news articles intended as searchable\u003cbr\u003esources for dispelling myths and encouraging informed conversation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem\u003eClaire Ellis is a Canadian–Australian self-taught ceramic artist based in Coburg North,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNaarm. Shaped by her former career as a chef and her experience living and working\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eacross two settler colonies, her practice is grounded in experimentation, material inquiry,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand an ethic of care, alongside a critical engagement with systems, politics, and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eprocesses of change.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eWorking with local by-products and waste streams derived from mined materials, Ellis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eengages ceramics as a way to attend to and revalue what is typically discarded or\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eoverlooked. Her work investigates supply chains and systems change, with a focus on\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eseeking to process and make visible the social, environmental, and often obscured\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eeconomic damage caused by the mining industry in Australia.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFUTUREOBJEKT — Melbourne Art Fair — \u003c\/strong\u003e\u003cstrong\u003eFebruary 19 – 22 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/conscious-craft-the-future-is-in-the-making\"\u003e\u003cstrong\u003eConscious Craft - The Future is in the Making\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign begins with desire – with the urge to create, to connect and to shape the future. \u003c\/span\u003e\u003ci\u003eConscious Craft – The Future is in the Making\u003c\/i\u003e\u003cspan\u003e invites audiences into a space where exceptional design meets deep material intelligence. Curated by Craft, this exhibition showcases the work of four pioneering artists and makers: Isabel Avendaño-Hazbún, Billie Civello, Claire Ellis, and Locki Humphrey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/conscious-craft-the-future-is-in-the-making\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e\u003cspan\u003eRecycled glass clay body, discontinued Australian pennies, urushi tree resin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  76 \u003cspan\u003ex 61 x 61cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Claire Ellis","offers":[{"title":"Default Title","offer_id":47609446924506,"sku":"C-CEL033","price":6900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/graham_alderton_photography_claire_ellis_No3.jpg?v=1771376067"},{"product_id":"claire-ellis-global-heating-sceptics-now-argue-it-is-more-palatable-with-the-electorate-to-pivot-from-climate-denialism-to-anti-renewable-energy-scepticism-ceramic-sculpture-2026","title":"Claire Ellis — 'Global heating sceptics now argue it is more palatable with the electorate to pivot from climate denialism to anti-renewable energy scepticism', Ceramic Sculpture, 2026","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003ePart of Break To Open, a series of oversized money jars responding to anti-renewable\u003cbr\u003eand economic disinformation produced and circulated by the fossil fuel industry and its\u003cbr\u003ebeneficiaries.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe “new climate denial” strategy has shifted from disputing the existence of\u003cbr\u003ehuman-caused climate change to undermining solutions and delaying action. Inspired\u003cbr\u003eby medieval British tudor money boxes that collected payments only accessible by\u003cbr\u003ebreaking the container, these sealed ceramic forms serve as a metaphor for restrictions\u003cbr\u003eon public wealth, understanding, and progress.\u003cbr\u003eRecycled green glass blended into recycled clay leaks from the vessels, replacing the\u003cbr\u003etraditional copper and lead green glaze. A continuation of extensive experimentation,\u003cbr\u003ethe coil-built and wheel-thrown forms are single-fired electrically and made using local\u003cbr\u003ecircular materials. Each artwork title references news articles intended as searchable\u003cbr\u003esources for dispelling myths and encouraging informed conversation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem\u003eClaire Ellis is a Canadian–Australian self-taught ceramic artist based in Coburg North,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNaarm. Shaped by her former career as a chef and her experience living and working\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eacross two settler colonies, her practice is grounded in experimentation, material inquiry,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand an ethic of care, alongside a critical engagement with systems, politics, and\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eprocesses of change.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eWorking with local by-products and waste streams derived from mined materials, Ellis\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eengages ceramics as a way to attend to and revalue what is typically discarded or\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eoverlooked. Her work investigates supply chains and systems change, with a focus on\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eseeking to process and make visible the social, environmental, and often obscured\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eeconomic damage caused by the mining industry in Australia.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFUTUREOBJEKT — Melbourne Art Fair — \u003c\/strong\u003e\u003cstrong\u003eFebruary 19 – 22 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/conscious-craft-the-future-is-in-the-making\"\u003e\u003cstrong\u003eConscious Craft - The Future is in the Making\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign begins with desire – with the urge to create, to connect and to shape the future. \u003c\/span\u003e\u003ci\u003eConscious Craft – The Future is in the Making\u003c\/i\u003e\u003cspan\u003e invites audiences into a space where exceptional design meets deep material intelligence. Curated by Craft, this exhibition showcases the work of four pioneering artists and makers: Isabel Avendaño-Hazbún, Billie Civello, Claire Ellis, and Locki Humphrey.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/conscious-craft-the-future-is-in-the-making\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e\u003cspan\u003eR\u003cmeta charset=\"utf-8\"\u003eecycled glass clay body, recycled glass glaze, second life basalt, discontinued Australian pennies, urushi tree resin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  82 \u003cspan\u003ex 57 x 57cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Claire Ellis","offers":[{"title":"Default Title","offer_id":47609447547098,"sku":"C-CEL035","price":7200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/graham_alderton_photography_claire_ellis_No5.jpg?v=1771375702"},{"product_id":"ted-secombe-blossom-jarl-ivory-pink-large-vessel","title":"Ted Secombe —  Large Crystalline Glaze Jar 'Blossom'","description":"\u003cp\u003eA striking wheel thrown vase with a reduction crystalline glaze. This is a significant and highly collectible work from Ted Secombe. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, silver reduction crystalline glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 48 x 32cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":47720081850586,"sku":"C-TES058","price":3800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/183_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1777529304"},{"product_id":"femme-brutale-ember-light-totem","title":"Femme Brutale — 'Ember Light Totem', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fQLpxn eoOGDx\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Ember Light Totem' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials into gold. Femme Brutale’s base\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ematerials are glass, leather and wood. Formal\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eBrutalism affords the system; this is then subverted\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ebeyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ein mythology and folklore. Medusa and the Sirens\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003edisrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003eHand chiselled salvaged blackwood, waxed. etched pony hide, whip stitched. hand blown acid etched glass orb.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 114 x 37 x 37cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":47823600124122,"sku":"F-FB001","price":13000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/023_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1778210391"},{"product_id":"joy-wilfred-we-sitting-together-in-the-shade-and-peeling-the-pandanus-woven-chair-248-23-numbulwar-numburindi-arts","title":"Joy Wilfred — 'We Sitting Together in the Shade and Peeling the Pandanus' Woven Chair, 248-23, Numbulwar Numburindi Arts","description":"\u003cp\u003e\u003cspan\u003eBased in in the Gulf of Carpentaria, master weaver Joy Wilfred has reimagined Tait’s Tidal chair, using discarded ghost fishing nets that wash up on the shores of their remote Numbulwar community. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ngilipitji is my Country, that's where I grew up. From Ngilipitji we went to Walker River, walking on foot. My language is Yolngu Matha. My clan is Wagilak on my father's side, Ritharrngu on my mother's side. My totems are wild honey and black crow.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003eJoy Wilfred is a Ritharrngu artist who lives and works with her sisters and niece in Numbulwar. Joy’s artistic practice is heavily influenced by her grandmother, who took her out bush to harvest and peel pandanus for wulbung (basket) weaving, and to dig and prepare dye materials to colour the pandanus. Joy is renowned for her tireless work ethic, weaving at all hours of the day and through the night.\u003cbr\u003ePrimarily using traditional pandanus techniques for her wulbung (baskets), epic pandanus mats and dilly bags (which Joy remembers her family using to hold wild honey), Joy is also known to experiment with ghost nets and shade cloth for\u003cbr\u003eanother form of bag known as yir, using acrylics to paint culturally significant designs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNumbulwar Numburindi Arts x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-contrast=\"none\"\u003eBuilt on self-determination, Numbulwar Numburindi Arts (NNA) is a collective of artists whose mission is to keep culture strong. Established in 2019, Numbulwar’s first art centre is 100 percent owned and controlled by the community. Born from the community’s desire to practice and engage with traditional culture, NNA is a space for artistic and cultural expression. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNumbulwar sits on the Rose River and belongs to the Nunggayinbala clan, one of the Wubuy or Nunggubuyu speaking clans from the region. Ceremonial activities are still very important within the region and occur regularly.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eGhost net, rope and twine, steel chair frame from Tait Furniture\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  55 \u003cspan\u003ex 55 x 70cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 248-23\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eAdditional Shipping Fees:\u003c\/strong\u003e This item may incur extra shipping charges depending on the delivery location. After placing your order, we will contact you with a location‑based shipping quote for approval before dispatch.\u003c\/span\u003e\u003c\/p\u003e","brand":"Numbulwar Numburindi","offers":[{"title":"Default Title","offer_id":47965009084634,"sku":"T-NN050","price":2650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/402_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1781058441"},{"product_id":"curtis-bloxsidge-side-chair-2026","title":"Curtis Bloxsidge — 'Side Chair', 2026","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003eThis piece follows the archetype of the classic side chair. It possesses a long hind leg that protrudes up through the seat transitioning into the backrest and embedded with a playful composition of knit inlays. The simple form is held also by two bold front legs set into a triangular seat.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking between traditional handcraft and contemporary processes, Curtis' focus on natural materials to create bold, minimal pieces that are grounded, quiet, and enduring.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis work is informed by personal and sentimental histories with each piece approached not just as an object but also as a character, shaped by restraint, proportion, and touch. Curtis' designs draw subtle references from the natural world and classical furniture archetypes, distilled into reduced forms that feel both familiar and considered with emphasis placed on material honesty, surface, and shadow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurtis was the recipient of the 2025\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eVIVID Emerging Designer Awards: Winner in Lighting and the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eVIVID Emerging Designer Awards: Commendation Award in Furniture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Jarrah, cotton, hardwax oil\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 101 x 44 x 44cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Curtis Bloxsidge","offers":[{"title":"Default Title","offer_id":47965332242650,"sku":"F-CUB003","price":3500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/011_Craft_Product_June_2026_C_Armstrong.jpg?v=1782181024"},{"product_id":"femme-brutale-smoke-light-totem-offcuts-architectural-lamp-copy","title":"Femme Brutale — 'Smoke Light Totem - Medii', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Smoke Light Totem' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base materials into gold. Femme Brutale’s base materials are glass, leather and wood. Formal Brutalism affords the system; this is then subverted beyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting in mythology and folklore. Medusa and the Sirens disrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003eRaku, thrice fired, in-house petrol glaze. Salvaged hand chiselled blackwood, yakisugi, wax finish. Hand blown Queen-Bee glass orb in smoke\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 14 x 14 x 72cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":48089562579162,"sku":"F-FB013","price":3100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/063_Craft_Product_June_2026_C_Armstrong.jpg?v=1782179982"},{"product_id":"femme-brutale-smoke-light-totem-amplus-architectural-lamp","title":"Femme Brutale — 'Smoke Light Totem - Amplus', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Smoke Light Totem' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base materials into gold. Femme Brutale’s base materials are glass, leather and wood. Formal Brutalism affords the system; this is then subverted beyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting in mythology and folklore. Medusa and the Sirens disrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003eRaku, thrice fired, in-house petrol glaze. Salvaged hand chiselled blackwood, yakisugi, wax finish. Hand blown Queen-Bee glass orb in smoke\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 14 x 14 x 95cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":48089569165530,"sku":"F-FB014","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/054_Craft_Product_June_2026_C_Armstrong.jpg?v=1782180208"},{"product_id":"freda-ali-an-gujechiya-fish-trap-68-26-maningrida-arts-and-culture","title":"Freda Ali — 'An-gujechiya (Fish Trap)' 68-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eFreda Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra \/ Countru:Yilan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFreda is the eldest daughter of senior artist and weaver Lorna Jin-gubarrangunyja and sister to Bonnie Burarngrara and Freda Ali (Wayartja). Freda spend her time between living in Maningrida and at Ji-balbal outstation, her husbands country.\u003c\/p\u003e\n\u003cp\u003eTaught by her sisters and mother to weaver Freda only became weaving artworks to sell in 2021. Her artworks are bright and colourful using pandanus that has been vividly dye using natural botanicals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eJungle Vine (Malaisia Scandens) and Kurrajong (Brachychiton Diversifolius)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  167 x 22 x 22cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 68-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092839968986,"sku":"T-MAC016","price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82414052-e.png?v=1782276699"},{"product_id":"bonnie-burarngarra-an-gujechiya-fish-trap-123-26-maningrida-arts-and-culture","title":"Bonnie Burarngarra — 'An-gujechiya (Fish Trap)' 123-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eBonnie Burarngarra\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra Yan-nhaŋu \/ Clan: Gamarl \/ Moiety:Yirrchinga \/ Country: Yilan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBonnie Burangarra belongs to the Burarra \/ Walamangu people and is a internationally celebrated fibre artist. Bonnie grew up, and continues to live, on her ancestral country at Yilan in the Cape Stewart area. She is a Traditional owner of Yilan as well as\u003cbr\u003eYurrwi (Milingimbi Island).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eBonnie and her late husband Jacky Maranbarra are two of few remaining Master Anguchechiya (fish trap) makers. Examples of their work are held in many public and private collections. Bonnie also makes beautiful gulukurr (bathi or dilly bags) and Bamagral nanmarra (conical mat with functions including wrapping or covering babies, womens skirt or covering for young girls during coming of age ceremony).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eBonnie has the wisdom, strength and gentleness of a women that has spent her entire life living on her homeland with her ancestral culture engrained in her everyday life. Her artwork has been exhibited extensively and Bonnie is represented by both Maningrida Arts and Milingimbi Art and Culture\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eJungle Vine (Malaisia Scandens) and Kurrajong (Brachychiton Diversifolius)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  137 x 26 x 26cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 123-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092849471706,"sku":"T-MAC017","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82417904-e.png?v=1782276651"},{"product_id":"maureen-ali-an-gujechiya-fish-trap-167-26-maningrida-arts-and-culture","title":"Maureen Ali — 'An-gujechiya (Fish Trap)' 167-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaureen Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra (Martay) \/ Clan: Gamarl \/ Moiety:Yirrchinga \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaureen Ali learned to weave under the guidance of her sister Bonny Burarn.garra, a highly skilled fibre artist who has exhibited in commercial galleries around Australia since the 1990s. She also learned from her watching her mother, leading fibre artist Lorna Jin-gubarrangunyja, who won the Wandjuk Marika Award at the 20th Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 2013 with a colourful pandanus fish trap.\u003c\/p\u003e\n\u003cp\u003eMaureen has been practicing since 2006. She is Burarra, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. She is particularly renowned for the use of mirlarl, (malaisia scandens), a type of vine that grows in the coastal jungle. The use of this vine to manufacture fish traps, barriers and large strong dillybags is unique to this region.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eSand Palm (Livistonia Humilis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  133 x 16 x 16cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 167-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092852388058,"sku":"T-MAC018","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82420149-e.png?v=1782276616"},{"product_id":"maureen-ali-an-gujechiya-fish-trap-169-26-maningrida-arts-and-culture","title":"Maureen Ali — 'An-gujechiya (Fish Trap)' 169-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaureen Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra (Martay) \/ Clan: Gamarl \/ Moiety:Yirrchinga \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaureen Ali learned to weave under the guidance of her sister Bonny Burarn.garra, a highly skilled fibre artist who has exhibited in commercial galleries around Australia since the 1990s. She also learned from her watching her mother, leading fibre artist Lorna Jin-gubarrangunyja, who won the Wandjuk Marika Award at the 20th Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 2013 with a colourful pandanus fish trap.\u003c\/p\u003e\n\u003cp\u003eMaureen has been practicing since 2006. She is Burarra, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. She is particularly renowned for the use of mirlarl, (malaisia scandens), a type of vine that grows in the coastal jungle. The use of this vine to manufacture fish traps, barriers and large strong dillybags is unique to this region.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eSand Palm (Livistonia Humilis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  149 x 19 x 19cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 169-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092857172186,"sku":"T-MAC019","price":2200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82420151-e.png?v=1782276577"},{"product_id":"freda-ali-an-gujechiya-fish-trap-205-26-maningrida-arts-and-culture","title":"Freda Ali — 'An-gujechiya (Fish Trap)' 205-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eFreda Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra \/ Countru:Yilan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFreda is the eldest daughter of senior artist and weaver Lorna Jin-gubarrangunyja and sister to Bonnie Burarngrara and Freda Ali (Wayartja). Freda spend her time between living in Maningrida and at Ji-balbal outstation, her husbands country.\u003c\/p\u003e\n\u003cp\u003eTaught by her sisters and mother to weaver Freda only became weaving artworks to sell in 2021. Her artworks are bright and colourful using pandanus that has been vividly dye using natural botanicals.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePandanus (Pandanus Spiralis) with natural dyes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  133 x 19 x 19cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 205-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092857598170,"sku":"T-MAC020","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82422875-e.png?v=1782276546"},{"product_id":"maureen-ali-an-gujechiya-fish-trap-206-26-maningrida-arts-and-culture","title":"Maureen Ali — 'An-gujechiya (Fish Trap)' 206-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaureen Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra (Martay) \/ Clan: Gamarl \/ Moiety:Yirrchinga \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaureen Ali learned to weave under the guidance of her sister Bonny Burarn.garra, a highly skilled fibre artist who has exhibited in commercial galleries around Australia since the 1990s. She also learned from her watching her mother, leading fibre artist Lorna Jin-gubarrangunyja, who won the Wandjuk Marika Award at the 20th Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 2013 with a colourful pandanus fish trap.\u003c\/p\u003e\n\u003cp\u003eMaureen has been practicing since 2006. She is Burarra, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. She is particularly renowned for the use of mirlarl, (malaisia scandens), a type of vine that grows in the coastal jungle. The use of this vine to manufacture fish traps, barriers and large strong dillybags is unique to this region.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePandanus (Pandanus Spiralis) with natural dyes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  113 x 17 x 17cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 206-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092859334874,"sku":"T-MAC021","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82422876-e.png?v=1782276506"},{"product_id":"maureen-ali-an-gujechiya-fish-trap-293-26-maningrida-arts-and-culture","title":"Maureen Ali — 'An-gujechiya (Fish Trap)' 293-26, Maningrida Arts and Culture","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eTo make fish traps and fish net fences artists firstly get vine (mirlarl) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra.\u003c\/p\u003e\n\u003cp\u003eA long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (anguwirrpiya), and sand bass (dalakan) in these fish traps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaureen Ali\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkin Name: Gotjan \/ \u003c\/em\u003e\u003cem\u003eLanguage: Burarra (Martay) \/ Clan: Gamarl \/ Moiety:Yirrchinga \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMaureen Ali learned to weave under the guidance of her sister Bonny Burarn.garra, a highly skilled fibre artist who has exhibited in commercial galleries around Australia since the 1990s. She also learned from her watching her mother, leading fibre artist Lorna Jin-gubarrangunyja, who won the Wandjuk Marika Award at the 20th Telstra National Aboriginal and Torres Strait Islander Art Award (NATSIAA) in 2013 with a colourful pandanus fish trap.\u003c\/p\u003e\n\u003cp\u003eMaureen has been practicing since 2006. She is Burarra, one of the east-side language groups who specialise in the customary conical dilly bags, woven string bags and mats. She is particularly renowned for the use of mirlarl, (malaisia scandens), a type of vine that grows in the coastal jungle. The use of this vine to manufacture fish traps, barriers and large strong dillybags is unique to this region.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eManingrida Arts and Culture x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJuly 2 – August 29 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'Manngarre\/Mannga\u003c\/em\u003e brings together fifteen dynamic artists in a landmark collaboration between the Maningrida Arts and Culture and Craft Victoria. This exhibition celebrates fibre works that are more than objects; they carry cultural knowledge, storytelling, and innovation. Each piece reflects generations of practice, individual creativity, and the natural materials of bush and jungle Country, deeply tied to the weaver’s clan estate.\u003c\/p\u003e\n\u003cp\u003eManingrida Arts \u0026amp; Culture is one of Australia's oldest Aboriginal community-controlled art and culture centres, dating back to 1963. Located in central west Arnhem Land, it supports artists from 12 language groups, 32 homelands and 110 clans. \u003cbr\u003e \u003cbr\u003eManngarre, meaning jungle in Kuninjku language, and Mannga its equivalent in Burarra\/Gun-nartpa respectively, is an exhibition of intricately woven works by women fibre artists of the Maningrida region. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" style=\"margin-bottom: 0cm;\"\u003eMaureen Ali \/ Freda Ali \/ Cecille Baker \/ Louwa Bardaluna \/ Bonnie Burarngarra \/ Dorothy Bunibuni \/ Nola Garrba \/ Lorna Jin-gubarrangunyja (Dec) \/ Jocelyn Koyole \/ Samantha Malkudja \/ Sylvia Marrgawaidj \/ Annalese Morris \/ Basma Nulla \/ Jennifer Prudence \/ Philomena Wilson\u003cb\u003e\u003cspan style=\"font-size: 7.0pt; line-height: 107%; font-family: 'Microsoft Sans Serif',sans-serif; mso-fareast-font-family: 'Microsoft Sans Serif'; color: black; mso-themecolor: text1;\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/manngarre-mannga\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePandanus (Pandanus Spiralis), Sand Palm (Livistonia Humilis) and Kurrajong (Brachychiton Populneus)with natural dyes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  143 x 22 x 22cm\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 293-26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maningrida Arts and Culture","offers":[{"title":"Default Title","offer_id":48092860678362,"sku":"T-MAC022","price":2200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/82425293-e3.png?v=1782279101"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/186_Craft_Felled_Product_2026_C_ARMSTRONG_700x_e6394661-cf98-4774-879f-b529449572ee.webp?v=1786415477","url":"https:\/\/shop.craft.org.au\/collections\/client-collection-studio-kennon.oembed","provider":"SHOP@Craft","version":"1.0","type":"link"}