{"title":"Client Collection: Simone Haag x Somers","description":"\u003cp\u003eSomers | Quote Request\u003c\/p\u003e\n\u003cp\u003eJune 2026\u003c\/p\u003e","products":[{"product_id":"lauren-joffe-equilibrium-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 31 x 42 x 47cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":44521551691994,"sku":"C-LAJ012","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_E-COMMERCE_SF_240205.jpg?v=1707440166"},{"product_id":"thannie-phan-a-distension-2-sculptural-vessel","title":"Thannie Phan — 'A Distension 2', Sculptural Vessel","description":"\u003cp\u003e\u003cspan\u003e“A Distension” is an assembly of very thin coils that have been stacked, joined, and pinched upward to slowly create its form. The surface is stamped with diluted oxides and glazes, and scratched back with the edge of a metal rib prior to the second firing. The vessel grows bloated in the middle, then tries to fold inwards, closing onto itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThannie Phan of ‘Gốm Maker’ is an artist and ceramicist born in Kien Giang, Vietnam. She grew up in Sai Gon and Singapore, lived in Auckland, Sydney (Gadigal Country) and now based in Naarm (Melbourne, Australia).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer works are hand-built through the technique of pinching coils, using layers of slips, oxides, and glazing thorugh brushing or stamping. The vessels are light, the edges are raw and the palette is restrained. \u003c\/em\u003e\u003cem\u003eHer practice is a physical interpretation of the stories she writes on where she is, where she was, and the people surrounding her life.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, slip, glaze\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 24 x 25 x 25cm\u003c\/p\u003e","brand":"Thannie Phan","offers":[{"title":"Default Title","offer_id":44561947492570,"sku":"C-TP005","price":1760.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/186_E-Commerce_SF_240219.jpg?v=1708651173"},{"product_id":"jessica-sellinger-wave-bowl-in-butter-and-gold","title":"Jessica Sellinger— 'Wave Bowl' in Butter and Gold","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eJessica Sellinger is a ceramic Artist currently located in Brisbane, Australia. She naturally found clay after finishing her studies in Interior Architecture in 2019. Working with clay as her current medium, Jess is a one woman show creating all of her pieces delicately by hand in her home studio. _Her current work consists of both minimal and bold sculptures, vessels and furniture objects that are constantly evolving in design and functionality. Her pieces aim to encapsulate the viewer and make even the simplest of spaces seem artistic. Jess experiments with bright colour palettes and sculptural forms to create a contemporary approach to traditional methods. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, gold lustre, unglazed butter matte. Air dust only\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 33 x 13cm\u003c\/p\u003e","brand":"Jessica Sellinger","offers":[{"title":"Default Title","offer_id":44723796902106,"sku":"C-JES020","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/038_PetshopExhibition_CraftVictoria240312_987e69df-fa88-4786-8007-4aa9dbaeb4b4.jpg?v=1711503338"},{"product_id":"jane-sawyer-storm-gatherer-sculptural-vessel-2024","title":"Jane Sawyer – 'Storm Gatherer' Sculptural Vessel, 2024","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eUsing humble vessels, particularly the bucket form, that serve humanity by the practical goal of collecting, storing, cooling and purifying water have become symbolic to Jane Sawyer in the human challenge for survival. Seeking to honour and elevate these vessels status whilst provoking consideration of how we use and value water. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe warming of our planet presents a climate emergency threatening all life as we know it. In Australia where we have experienced searing droughts and raging floods for centuries, climate change presents us with the horrific spectre of increased frequency and intensity of these catastrophic events. Water, whether lack of or abundance of, is central as it is essential to life. Water politics debates rage while water rights are sold as a commodity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI choose to work with a local natural terracotta clay for environmental and aesthetic reasons. It matures at a low temperature therefore using less fuel than other clays and is easily sourced locally using minimum carbon miles. Its intense red ochre colour is symbolic of the Australian outback. I also wish to share some of its lesser-known environmentally-sound properties such as the evaporative cooling and heat-insulating capacities that arise from its porous nature. Terracotta is truly an amazing clay that we all know through roof tiles to water pipes but within the ceramic craft spectrum it has often been seen as somewhat \"lessor\". In using it I seek to draw attention not only to its value but the need for urgent climate action\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMelbourne based maker, Jane Sawyer, is known for her ceramic objects where the line between function and sculpture is questioned and her works are conceptually underpinned by research and enquiry. Informed by traditional studio apprenticeships (in Australia 1982-85) and Japan (1985-87) Sawyer also holds an MFA by Research titled The Evocative Object (2002) which presented the object's power to engage the body through the sense of touch, fluidity and gesture. Sawyer's objects invite multiple ways of 'seeing' yet she chooses to work within a narrow material set both to address environmental concerns and to enable a deep and naturally evolving exploration over a long period. She exhibits nationally and internationally, and her work has won awards and is held in many public and private collections including Shepparton Art Museum, Hikawa City, Japan, and Clay Ceramic Museum, Denmark. She contributes to professional boards and is a member of the International Academy of Ceramics.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e\u003cem\u003eA committed educator, Sawyer is the founding director of Slow Clay Centre, Melbourne. She is a member of Clay Matters collective, a group established to research and communicate responsible ceramic practice. Sawyer's practice encompasses working toward exhibitions, limited edition series and bespoke commissions\u003c\/em\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial Provenance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAtrium\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 2 – June 15 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eClay Matters\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e presents ‘Material Provenance’, an exhibition featuring \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003efour Melbourne ceramicists \u003cspan\u003ein Craft’s Atrium comprising outcomes from an international research project created by past and present members of the Clay Matters artist collective.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/material-provenance\/\" target=\"_blank\"\u003eRead more here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta clay, slip, pigment\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions: \u003c\/strong\u003e25 x 15 x 15cm\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jane Sawyer","offers":[{"title":"Default Title","offer_id":45052616835290,"sku":null,"price":690.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/178_E-Commerce_CraftVictoria_240415.jpg?v=1713839517"},{"product_id":"jane-sawyer-holy-buck-it-sculptural-vessel-2024","title":"Jane Sawyer – 'Holy Buck-it' Sculptural Vessel, 2024","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eUsing humble vessels, particularly the bucket form, that serve humanity by the practical goal of collecting, storing, cooling and purifying water have become symbolic to Jane Sawyer in the human challenge for survival. Seeking to honour and elevate these vessels status whilst provoking consideration of how we use and value water. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe warming of our planet presents a climate emergency threatening all life as we know it. In Australia where we have experienced searing droughts and raging floods for centuries, climate change presents us with the horrific spectre of increased frequency and intensity of these catastrophic events. Water, whether lack of or abundance of, is central as it is essential to life. Water politics debates rage while water rights are sold as a commodity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI choose to work with a local natural terracotta clay for environmental and aesthetic reasons. It matures at a low temperature therefore using less fuel than other clays and is easily sourced locally using minimum carbon miles. Its intense red ochre colour is symbolic of the Australian outback. I also wish to share some of its lesser-known environmentally-sound properties such as the evaporative cooling and heat-insulating capacities that arise from its porous nature. Terracotta is truly an amazing clay that we all know through roof tiles to water pipes but within the ceramic craft spectrum it has often been seen as somewhat \"lessor\". In using it I seek to draw attention not only to its value but the need for urgent climate action\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMelbourne based maker, Jane Sawyer, is known for her ceramic objects where the line between function and sculpture is questioned and her works are conceptually underpinned by research and enquiry. Informed by traditional studio apprenticeships (in Australia 1982-85) and Japan (1985-87) Sawyer also holds an MFA by Research titled The Evocative Object (2002) which presented the object's power to engage the body through the sense of touch, fluidity and gesture. Sawyer's objects invite multiple ways of 'seeing' yet she chooses to work within a narrow material set both to address environmental concerns and to enable a deep and naturally evolving exploration over a long period. She exhibits nationally and internationally, and her work has won awards and is held in many public and private collections including Shepparton Art Museum, Hikawa City, Japan, and Clay Ceramic Museum, Denmark. She contributes to professional boards and is a member of the International Academy of Ceramics.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e\u003cem\u003eA committed educator, Sawyer is the founding director of Slow Clay Centre, Melbourne. She is a member of Clay Matters collective, a group established to research and communicate responsible ceramic practice. Sawyer's practice encompasses working toward exhibitions, limited edition series and bespoke commissions\u003c\/em\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial Provenance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAtrium\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 2 – June 15 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eClay Matters\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e presents ‘Material Provenance’, an exhibition featuring \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003efour Melbourne ceramicists \u003cspan\u003ein Craft’s Atrium comprising outcomes from an international research project created by past and present members of the Clay Matters artist collective.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/material-provenance\/\" rel=\"noopener\" target=\"_blank\"\u003eRead more here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta clay, slip,\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions: \u003c\/strong\u003e26.5 x 19.5 x 18cm\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jane Sawyer","offers":[{"title":"Default Title","offer_id":45052647866586,"sku":null,"price":690.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/173_E-Commerce_CraftVictoria_240415.jpg?v=1713839781"},{"product_id":"jane-sawyer-overflow-sculptural-vessel-2024","title":"Jane Sawyer – 'Overflow' Sculptural Vessel, 2024","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eUsing humble vessels, particularly the bucket form, that serve humanity by the practical goal of collecting, storing, cooling and purifying water have become symbolic to Jane Sawyer in the human challenge for survival. Seeking to honour and elevate these vessels status whilst provoking consideration of how we use and value water. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e“\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eThe warming of our planet presents a climate emergency threatening all life as we know it. In Australia where we have experienced searing droughts and raging floods for centuries, climate change presents us with the horrific spectre of increased frequency and intensity of these catastrophic events. Water, whether lack of or abundance of, is central as it is essential to life. Water politics debates rage while water rights are sold as a commodity.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI choose to work with a local natural terracotta clay for environmental and aesthetic reasons. It matures at a low temperature therefore using less fuel than other clays and is easily sourced locally using minimum carbon miles. Its intense red ochre colour is symbolic of the Australian outback. I also wish to share some of its lesser-known environmentally-sound properties such as the evaporative cooling and heat-insulating capacities that arise from its porous nature. Terracotta is truly an amazing clay that we all know through roof tiles to water pipes but within the ceramic craft spectrum it has often been seen as somewhat \"lessor\". In using it I seek to draw attention not only to its value but the need for urgent climate action\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e.”\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMelbourne based maker, Jane Sawyer, is known for her ceramic objects where the line between function and sculpture is questioned and her works are conceptually underpinned by research and enquiry. Informed by traditional studio apprenticeships (in Australia 1982-85) and Japan (1985-87) Sawyer also holds an MFA by Research titled The Evocative Object (2002) which presented the object's power to engage the body through the sense of touch, fluidity and gesture. Sawyer's objects invite multiple ways of 'seeing' yet she chooses to work within a narrow material set both to address environmental concerns and to enable a deep and naturally evolving exploration over a long period. She exhibits nationally and internationally, and her work has won awards and is held in many public and private collections including Shepparton Art Museum, Hikawa City, Japan, and Clay Ceramic Museum, Denmark. She contributes to professional boards and is a member of the International Academy of Ceramics.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e\u003cem\u003eA committed educator, Sawyer is the founding director of Slow Clay Centre, Melbourne. She is a member of Clay Matters collective, a group established to research and communicate responsible ceramic practice. Sawyer's practice encompasses working toward exhibitions, limited edition series and bespoke commissions\u003c\/em\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial Provenance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAtrium\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 2 – June 15 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e\u003cem\u003eClay Matters\u003c\/em\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003e presents ‘Material Provenance’, an exhibition featuring \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003efour Melbourne ceramicists \u003cspan\u003ein Craft’s Atrium comprising outcomes from an international research project created by past and present members of the Clay Matters artist collective.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/material-provenance\/\" rel=\"noopener\" target=\"_blank\"\u003eRead more here\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta clay, slip, inlay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions: \u003c\/strong\u003e25 x12.5 x 11cm\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Jane Sawyer","offers":[{"title":"Default Title","offer_id":45052661858522,"sku":null,"price":690.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/175_E-Commerce_CraftVictoria_240415.jpg?v=1713839932"},{"product_id":"lauren-joffe-hold-2024","title":"Lauren Joffe — 'Hold', 2024","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e'Hold' is a large sculptural vessel made in response to the artist's feelings about\u003cspan\u003e her self-identity as an immigrant torn between two places of belonging. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eHome and belonging is Cape Town, the place where her ancestors lived, the place of her origin. But she also belongs to home in Melbourne, her safe and secure place, a place of familiarity, comfort, and emotional attachments. This piece encompasses these two sites, the black and white of the glaze representative of her two homes, similar but distinct, separate but more meaningful together. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan data-mce-fragment=\"1\"\u003etoneware, oxides, slips, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox.  68 x 55 x 55cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":45446449070298,"sku":null,"price":6500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/281_E-Commerce_CraftVictoria_240611.jpg?v=1719384748"},{"product_id":"thannie-phan-simmered-in-this-weighted-air-sculptural-vessel-2024-drafted-for-exhibition-copy","title":"Thannie Phan — 'Simmered in This Weighted Air' Sculptural Vessel, 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003eThis work forms part of a series by Thannie Phan which moves around the thinness and emptiness of the urban life, alongside the relentless pursuit for the strange economy of the ‘art’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the series, stoneware and porcelain vessels are constructed through a meticulous orchestration of coils. Each coil, fine to the point of fragility, is stacked and joined, pinched upward, blending clay molecules into a single structure rather than remaining separate layers. The process spans days, with each vessel starting with a weighted base, anchored by several heavier initial coils, before lighter coils are placed atop slowly, resisting the weight of gravity. Thin layers of diluted glazes are then brushed onto the bisque canvas to preserve the papery texture and weight of the form. Look inside, count the ring marks left on its interior, and you can count the number of coils it takes to build the vessel.\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThannie Phan is a Vietnamese artist potter born in Kien Giang, grew up in Sai Gon \u0026amp; Singapore, lived in Auckland, Gadigal Country (Sydney) and now based in Naarm (Melbourne, Australia). “Gốm Maker” is her ceramic practice, a physical interpretation of the stories she writes about where she is, where she was, and the people surrounding her life. The works are hand-built by pinching coils, using layers of slips, oxides, and glazed by brushing or stamping. The vessels are light, the edges are raw and the palette is restrained. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThree Makers You Should Know\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtrium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanuary 30 - March 1 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis exhibition showcases new works from Claudia Bloxsome, Em Frank and Thannie Phan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/three-makers-you-should-know\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, englobe, interior glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30 x 23 x 23cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Thannie Phan","offers":[{"title":"Default Title","offer_id":46055188758746,"sku":"C-TP007","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Thannie3.jpg?v=1738301545"},{"product_id":"thannie-phan-rhythm-of-the-breeze-sculptural-vessel-2024-drafted-for-exhibition-copy-copy","title":"Thannie Phan — 'Rhythm of the Breeze' Sculptural Vessel, 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003eThis work forms part of a series by Thannie Phan which moves around the thinness and emptiness of the urban life, alongside the relentless pursuit for the strange economy of the ‘art’.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eIn the series, stoneware and porcelain vessels are constructed through a meticulous orchestration of coils. Each coil, fine to the point of fragility, is stacked and joined, pinched upward, blending clay molecules into a single structure rather than remaining separate layers. The process spans days, with each vessel starting with a weighted base, anchored by several heavier initial coils, before lighter coils are placed atop slowly, resisting the weight of gravity. Thin layers of diluted glazes are then brushed onto the bisque canvas to preserve the papery texture and weight of the form. Look inside, count the ring marks left on its interior, and you can count the number of coils it takes to build the vessel.\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThannie Phan is a Vietnamese artist potter born in Kien Giang, grew up in Sai Gon \u0026amp; Singapore, lived in Auckland, Gadigal Country (Sydney) and now based in Naarm (Melbourne, Australia). “Gốm Maker” is her ceramic practice, a physical interpretation of the stories she writes about where she is, where she was, and the people surrounding her life. The works are hand-built by pinching coils, using layers of slips, oxides, and glazed by brushing or stamping. The vessels are light, the edges are raw and the palette is restrained. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThree Makers You Should Know\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAtrium\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJanuary 30 - March 1 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis exhibition showcases new works from Claudia Bloxsome, Em Frank and Thannie Phan\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/three-makers-you-should-know\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, englobe, interior glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 27 x 20 x 20cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Thannie Phan","offers":[{"title":"Default Title","offer_id":46055188857050,"sku":"C-TP008","price":1400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Thannie4.jpg?v=1738301570"},{"product_id":"marian-fox-marking-place-making-space-i-sculptural-vessel","title":"Marian Fox — Marking place, making space I', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e67 x 21 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46194318770394,"sku":"C-MAF003","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_415.jpg?v=1740012749"},{"product_id":"marian-fox-marking-place-making-space-iii-sculptural-vessel","title":"Marian Fox — 'Marking place, making space II', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze pencil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e66 x 22 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46196415693018,"sku":"C-MAF004","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_419.jpg?v=1740012793"},{"product_id":"david-austin-green-waka-pil-sculptural-vessel","title":"David Austin 'Green Waka Pill', Sculptural Vessel","description":"\u003cp\u003eMade in\u003cspan\u003e a raku kiln at low temperatures, this vessel from David Austin shows his signature pill shaped form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unique work is not waterproof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDavid Austin is a ceramic artist\/designer who makes in New Zealand, Australia and England. David is primarily a RAKU maker. This process involves raku clay which is able to withstand the sudden heat change in a gas fired raku kiln. All pieces are bisque fired first and then subjected to heat and then oxidised in a smoke chamber producing an endless array of surface finishes. Austin has New Zealand Māori ancestry and explores Māori concepts such as 'Kitiakitanga' - a concept of looking after our environment and everything in it ; 'Whakapapa', the concept that we are the product of all of ancestors and should acknowledge this. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e r\u003cspan\u003eaku clay, raku glazes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 40 x 20 x 10cm\u003c\/p\u003e","brand":"David Austin","offers":[{"title":"Default Title","offer_id":47042274590938,"sku":"C-DA003","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_401.jpg?v=1761099875"},{"product_id":"lauren-joffe-tall-check-sculptural-vessel","title":"Lauren Joffe — 'Tall Check', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eThe 'Hold' Series is a series of vessels made in response to the artist's feelings about\u003cspan\u003e her self-identity as an immigrant torn between two places of belonging. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eHome and belonging is Cape Town, the place where her ancestors lived, the place of her origin. But she also belongs to home in Melbourne, her safe and secure place, a place of familiarity, comfort, and emotional attachments. This piece encompasses these two sites, the black and white of the glaze representative of her two homes, similar but distinct, separate but more meaningful together. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan data-mce-fragment=\"1\"\u003etoneware, oxides, slips, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox.  58 x 35 x 35cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":47099408384218,"sku":"C-LA015","price":4000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_281.jpg?v=1762742176"},{"product_id":"lorraine-dean-hush-small-sculpture-in-black-2025","title":"Lorraine Dean — 'Hush', Small Sculpture in Black, 2025","description":"\u003cp\u003e\u003cspan\u003eLorraine's creative journey is one of self-discovery, guided by the tactile intimacy of clay. Through relentless experimentation, Dean challenges the material’s limits—sculpting vessels from within to expose a dialogue between vulnerability and strength. Each piece becomes a meditation on the human condition, revealing the layered complexity that shapes who we are. Dean has developed a process that fuses both porcelain and fabric in a single firing, allowing these contrasting materials to merge in delicate tension. Through folds and layers, Dean explores the \"emotional resonance and the quiet threads that connect us— echoes of memory, relationship, and lived experience.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe use of unglazed surfaces allows the material’s raw honesty to emerge, unfiltered and unadorned. These sculptural forms invite an intimate pause. They ask not only to be viewed, but felt—inviting a deeper awareness of self and of others, and of the shifting space we inhabit in both body and memory.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e— \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLorraine is a ceramic artist whose sculptural vessels explore the intricate relationships and shifting dynamics of family. Her practice is rooted in experimentation—challenging the conventions of form, texture, and firing. Often working with single firings and unglazed surfaces, Lorraine allows the clay to speak in its most honest and unembellished state. Through intuitive touch and deliberate mark-making, she captures the quiet intensity that exists within silence, absence, and emotional connection. Her vessels become contemplative forms—expressions of memory, vulnerability, and the unspoken tensions that shape familial bonds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"2tmm2\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e porcelain, cotton\u003c\/p\u003e\n\u003cp data-block-key=\"2tmm2\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eDue to the handmade nature of this item, slight variances occur between pieces.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"2tmm2\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e 9 x 7 x 5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Lorraine Dean","offers":[{"title":"Default Title","offer_id":47129675759834,"sku":"C-LD010","price":250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_556.jpg?v=1763504894"},{"product_id":"steph-wallace-ballarat-landscape-no-3-wall-work","title":"Steph Wallace — 'Ballarat landscape - No. 3' Wall Work","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eA ceramic sketch of the goldfields landscape and submerged historic mining shafts.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eThis work can be wall mounted or displayed on a stand.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, site specific clay slips, glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e19 x 13 x 2\u003c\/span\u003e\u003cspan\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":47149346783450,"sku":"C-SWA049","price":510.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_571.jpg?v=1764030329"},{"product_id":"mali-taylor-vase-bloom-w-white-glaze-med","title":"Mali Taylor — 'Bloom Vase' with White Glaze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis Bloom Vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eMali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 26.5 x 22.5 x 22.5cm\u003c\/p\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":47169875673306,"sku":"C-MT031","price":620.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/223_Fresh_Product_C_Armstrong_2026.jpg?v=1773967547"},{"product_id":"pauline-meade-paper-bowl-series-medium","title":"Pauline Meade - Medium 'Paper Bowl' in Earth Tones","description":"\u003cp\u003e\u003cspan\u003eThis hand built ceramic bowl echoes the texture and form of paper bowls, elevating the everyday disposable into a lasting object. It can serve food or function sculpturally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDue to the handmade nature of this item, slight variances may occur between pieces.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline Meade is a ceramic artist based in Melbourne\/ Naarm, working from her home studio where she both creates and fires her pieces in an electric kiln.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline predominantly hand builds her sculptural and functional pieces but is skilled on the pottery wheel and continues to use this as a way of modifying and enhancing her work. Using a combination of glazes, oxides and engobes, where the final firing is in a oxidation kiln. The visual palette and the tactile feel comes from a dry landscape and sclerophyll bush of her childhood that she continuously draws from. Pauline is influenced by the artist John Wolseley who lives and draws in this same Pyrenees region of Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer most recent work, a series of tableware hand formed and altered on the wheel , is a way of creating a cohesive link between sculptural and functional, both for the table and the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estoneware, glaze\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e 6 x 15 x 15cm\u003c\/p\u003e","brand":"Pauline Meade","offers":[{"title":"Default Title","offer_id":47173034934490,"sku":"C-PAM004","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/360_Fresh_Product_C_Armstrong_2026.jpg?v=1772599033"},{"product_id":"caro-pattle-laminae-blue-bowl-2025","title":"Caro Pattle — Laminae - Blue Bowl, 2025","description":"\u003cp\u003eLaminae - Blue Bowl is handwoven in Pattle’s signature blue velvet. The weave structure has two faces, and the vessel can be turned inside out to produce a new form. The work is a result of a cyclical studio process; a larger sculpture was un-woven and the velvet knotted once more into a new form. Laminae is a series of works that explore the constancy of material within a world which experiences perpetual recreation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eCaro Pattle is a textile artist based in Naarm\/Melbourne. Her experimental object-based practice explores handcraft processes through a lens of contemporary materiality. She draws from a range of craft disciplines to create works that joyfully muddle organic and synthetic, past and present and functional and non-functional binaries. Her work is underpinned by ongoing research into historical and current, material culture, animism, and domestic worlds. Embedded across all of her output is a sense of pleasure and play. Pattle's practice spans large-scale public art installation through to objects for interiors.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNamed the Australian Textile Graduate of the Year by the Design Institute of Australia, 2020 Pattle has had her work presented at the inaugural NGV Melbourne Design Fair and selected for the group exhibitions: Improper Structures, By\/Product and Welcome. Pattle completed a Bachelor of Fine Arts, 2009 and a Bachelor of Textiles, 2019 at RMIT.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003evelvet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 36 x 22 x 23cm\u003c\/p\u003e","brand":"Caro Pattle","offers":[{"title":"Default Title","offer_id":47178947068122,"sku":"T-CP045","price":2000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/401_Fresh_Product_C_Armstrong_2026.jpg?v=1773376089"},{"product_id":"caro-pattle-laminae-brown-bowl-2025","title":"Caro Pattle — Laminae - Brown Bowl, 2025","description":"\u003cp\u003eLaminae - Brown Bowl is handwoven in a rich coffee-coloured velvet. The weave structure has two faces, and the vessel can be turned inside out to produce a new form. The work is a result of a cyclical studio process; a larger sculpture was un-woven and the velvet knotted once more into a new form. Laminae is a series of works that explore the constancy of material within a world which experiences perpetual recreation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eCaro Pattle is a textile artist based in Naarm\/Melbourne. Her experimental object-based practice explores handcraft processes through a lens of contemporary materiality. She draws from a range of craft disciplines to create works that joyfully muddle organic and synthetic, past and present and functional and non-functional binaries. Her work is underpinned by ongoing research into historical and current, material culture, animism, and domestic worlds. Embedded across all of her output is a sense of pleasure and play. Pattle's practice spans large-scale public art installation through to objects for interiors.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNamed the Australian Textile Graduate of the Year by the Design Institute of Australia, 2020 Pattle has had her work presented at the inaugural NGV Melbourne Design Fair and selected for the group exhibitions: Improper Structures, By\/Product and Welcome. Pattle completed a Bachelor of Fine Arts, 2009 and a Bachelor of Textiles, 2019 at RMIT.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003evelvet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 36 x 22 x 23cm\u003c\/p\u003e","brand":"Caro Pattle","offers":[{"title":"Default Title","offer_id":47179023810778,"sku":"T-CP046","price":2800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/405_Fresh_Product_C_Armstrong_2026.jpg?v=1773377247"},{"product_id":"caro-pattle-laminae-spotted-bowl-2025","title":"Caro Pattle — Laminae - Spotted Bowl, 2025","description":"\u003cp\u003eLaminae - Spotted Bowl is handwoven in a mix of leopard-print velvets. The weave structure has two faces, and the vessel can be turned inside out to produce a new form. The work is a result of a cyclical studio process; a larger sculpture was un-woven and the velvet knotted once more into a new form. Laminae is a series of works that explore the constancy of material within a world which experiences perpetual recreation.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eCaro Pattle is a textile artist based in Naarm\/Melbourne. Her experimental object-based practice explores handcraft processes through a lens of contemporary materiality. She draws from a range of craft disciplines to create works that joyfully muddle organic and synthetic, past and present and functional and non-functional binaries. Her work is underpinned by ongoing research into historical and current, material culture, animism, and domestic worlds. Embedded across all of her output is a sense of pleasure and play. Pattle's practice spans large-scale public art installation through to objects for interiors.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNamed the Australian Textile Graduate of the Year by the Design Institute of Australia, 2020 Pattle has had her work presented at the inaugural NGV Melbourne Design Fair and selected for the group exhibitions: Improper Structures, By\/Product and Welcome. Pattle completed a Bachelor of Fine Arts, 2009 and a Bachelor of Textiles, 2019 at RMIT.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003evelvet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 36 x 22 x 23cm\u003c\/p\u003e","brand":"Caro Pattle","offers":[{"title":"Default Title","offer_id":47179023876314,"sku":"T-CP047","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/404_Fresh_Product_C_Armstrong_2026.jpg?v=1773377401"},{"product_id":"mali-taylor-prima-vessel-ii","title":"Mali Taylor — 'Prima Vessel II'","description":"\u003cp\u003e\u003cspan\u003eThe Prima Vessel series have been inspired by the forms of ancient Roman vessels. Each vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers. Each piece is innately unique and transcends the divide between art object and functional ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eMali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e19.5 x 12cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":47199971967194,"sku":"C-MT034","price":380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/280_Fresh_Product_C_Armstrong_2026.jpg?v=1773964114"},{"product_id":"mali-taylor-prima-vessel-vi","title":"Mali Taylor — 'Prima Vessel VI'","description":"\u003cdiv class=\"page\" title=\"Page 4\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Prima Vessel series have been inspired by the forms of ancient Roman vessels. Each vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers. Each piece is innately unique and transcends the divide between art object and functional ware.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eMali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTaylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e40 x 22cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":47199979110618,"sku":"C-MT038","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/226_Fresh_Product_C_Armstrong_2026.jpg?v=1773963689"},{"product_id":"jessica-sellinger-wave-in-chocolate-matte-wall-hanging","title":"Jessica Sellinger — 'Wave' in Chocolate Matte, Wall Hanging","description":"\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eJessica Sellinger is a ceramic Artist currently located in Brisbane, Australia. She naturally found clay after finishing her studies in Interior Architecture in 2019. Working with clay as her current medium, Jess is a one woman show creating all of her pieces delicately by hand in her home studio. _Her current work consists of both minimal and bold sculptures, vessels and furniture objects that are constantly evolving in design and functionality. Her pieces aim to encapsulate the viewer and make even the simplest of spaces seem artistic. Jess experiments with bright colour palettes and sculptural forms to create a contemporary approach to traditional methods.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 29 x 42cm. Wire backing system attached (hangs vertical)\u003c\/p\u003e","brand":"Jessica Sellinger","offers":[{"title":"Default Title","offer_id":47200016367834,"sku":"C-JES009","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/428_Fresh_Product_C_Armstrong_2026.jpg?v=1774583738"},{"product_id":"jessica-sellinger-wave-in-terracotta-matte-wall-hanging","title":"Jessica Sellinger — 'Wave' in Terracotta Matte, Wall Hanging","description":"\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eJessica Sellinger is a ceramic Artist currently located in Brisbane, Australia. She naturally found clay after finishing her studies in Interior Architecture in 2019. Working with clay as her current medium, Jess is a one woman show creating all of her pieces delicately by hand in her home studio. _Her current work consists of both minimal and bold sculptures, vessels and furniture objects that are constantly evolving in design and functionality. Her pieces aim to encapsulate the viewer and make even the simplest of spaces seem artistic. Jess experiments with bright colour palettes and sculptural forms to create a contemporary approach to traditional methods.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware Air dust only\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 29 x 42cm. Wire backing system attached (hangs vertical)\u003c\/p\u003e","brand":"Jessica Sellinger","offers":[{"title":"Default Title","offer_id":47200017088730,"sku":"C-JES010","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/430_Fresh_Product_C_Armstrong_2026.jpg?v=1774583766"},{"product_id":"ted-secombe-small-crystalline-glaze-bowl-iron-red-crystal","title":"Ted Secombe — Small Crystalline Glaze Bowl 'Iron Red Crystal'","description":"\u003cp\u003eA striking wheel thrown footed bowl with a reduction crystalline glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, silver reduction crystalline glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 14 x 13cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":47531833688282,"sku":"C-TES046","price":450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/243_Fresh_Product_C_Armstrong_2026.jpg?v=1774566795"},{"product_id":"ted-secombe-crystalline-glaze-bottle-pinnacle-forest-satin-matt","title":"Ted Secombe — Crystalline Glaze Bottle 'Pinnacle Forest'","description":"\u003cp\u003eA striking wheel thrown vase with a reduction crystalline glaze.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, silver reduction crystalline glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 26 x 20cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":47531841847514,"sku":"C-TES053","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/253_Fresh_Product_C_Armstrong_2026.jpg?v=1774567507"},{"product_id":"georgia-harvey-sculpture-aunty-jack-2026","title":"Georgia Harvey — 'Aunty Jack' Ceramic Sculpture, 2026","description":"\u003cp\u003eA ceramic sculpture showcasing a fantasy animal with a unique, textural glaze. This work is part of Harvey's evolving and highly collectable universe of sculptural creatures.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGeorgia Harvey is a ceramicist drawn to inanimate objects that hint at the potential of anima. Originally studying painting at RMIT, she later trained and worked as a conservator before developing a sculptural practice, inspired by the artefacts encountered in her conservation work. In 2016 she moved to Sharjah (UAE) and spent several years working and exploring in the region. Her idiosyncratic sculptures demonstrate a fondness for ritual objects of the ancient world imbued with quiet humour, with surfaces and textures that elicit touch.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e midfired clay, glaze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 14 x 21 x 9cm\u003c\/p\u003e","brand":"Georgia Harvey","offers":[{"title":"Default Title","offer_id":47574256943322,"sku":"C-GHA064","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/467_Fresh_Product_C_Armstrong_2026.jpg?v=1772169803"},{"product_id":"pauline-meade-sculpture-back-paddock","title":"Pauline Meade — 'Back Paddock' Sculptural Ceramic","description":"\u003cp\u003ePauline hand forms her sculptural pieces using a slab technique then the surfaces are separated into sections using a resist, glazes and oxides are gradually layered onto each individual  surface.\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline Meade is a ceramic artist based in Melbourne\/ Naarm, working from her home studio where she both creates and fires her pieces in an electric kiln.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline predominantly hand builds her sculptural and functional pieces but is skilled on the pottery wheel and continues to use this as a way of modifying and enhancing her work. Using a combination of glazes, oxides and engobes, where the final firing is in a oxidation kiln. The visual palette and the tactile feel comes from a dry landscape and sclerophyll bush of her childhood that she continuously draws from. Pauline is influenced by the artist John Wolseley who lives and draws in this same Pyrenees region of Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer most recent work, a series of tableware hand formed and altered on the wheel , is a way of creating a cohesive link between sculptural and functional, both for the table and the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estoneware, glaze oxides and reduction fired\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e 35 x 35 x 35cm\u003c\/p\u003e","brand":"Pauline Meade","offers":[{"title":"Default Title","offer_id":47624542683354,"sku":"C-PAM006","price":1350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/229_Fresh_Product_C_Armstrong_2026.jpg?v=1772600606"},{"product_id":"pauline-meade-fruit-bowl-large","title":"Pauline Meade — Fruit Bowl Large","description":"\u003cp\u003ePauline hand forms her sculptural pieces using a slab technique then the surfaces are separated into sections using a resist, glazes and oxides are gradually layered onto each individual  surface.\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline Meade is a ceramic artist based in Melbourne\/ Naarm, working from her home studio where she both creates and fires her pieces in an electric kiln.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline predominantly hand builds her sculptural and functional pieces but is skilled on the pottery wheel and continues to use this as a way of modifying and enhancing her work. Using a combination of glazes, oxides and engobes, where the final firing is in a oxidation kiln. The visual palette and the tactile feel comes from a dry landscape and sclerophyll bush of her childhood that she continuously draws from. Pauline is influenced by the artist John Wolseley who lives and draws in this same Pyrenees region of Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer most recent work, a series of tableware hand formed and altered on the wheel , is a way of creating a cohesive link between sculptural and functional, both for the table and the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e \u003c\/em\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estoneware, glaze oxides and reduction fired\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e 15 x 40 x 40cm\u003c\/p\u003e","brand":"Pauline Meade","offers":[{"title":"Default Title","offer_id":47624544256218,"sku":"C-PAM007","price":1100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/234_Fresh_Product_C_Armstrong_2026.jpg?v=1772600873"},{"product_id":"david-austin-earth-vase-large","title":"David Austin — 'Earth Vase' Sculptural Vessel","description":"\u003cp\u003eMade in\u003cspan\u003e a raku kiln at low temperatures, this vessel from David Austin's work often represents the concept of being a guardian of our environment and everything in it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unique work is not waterproof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDue to the handmade nature of this item, slight variances may occur between pieces.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDavid Austin is a ceramic artist\/designer who makes in New Zealand, Australia and England. David is primarily a RAKU maker. This process involves raku clay which is able to withstand the sudden heat change in a gas fired raku kiln. All pieces are bisque fired first and then subjected to heat and then oxidised in a smoke chamber producing an endless array of surface finishes. Austin has New Zealand Māori ancestry and explores Māori concepts such as 'Kitiakitanga' - a concept of looking after our environment and everything in it ; 'Whakapapa', the concept that we are the product of all of ancestors and should acknowledge this. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e R\u003cspan\u003eaku clay, raku glazes, black sand, aluminium, reduction smoke chamber, gold oil-based paint, and lacquer coat\u003c\/span\u003e. This work is not waterproof. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 42 x 5 x 25cm\u003c\/p\u003e","brand":"David Austin","offers":[{"title":"Default Title","offer_id":47633813536986,"sku":"C-DA011","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/305_Fresh_Product_C_Armstrong_2026.jpg?v=1775090581"},{"product_id":"david-austin-hinaki-ceramic-light","title":"David Austin — 'Hinaki' Ceramic Light","description":"\u003cdiv class=\"elementToProof\"\u003eBased on the Maori eel trap called the 'Hinaki' traditionally made out of supplejack and flax. This piece is made from ceramic.\u003c\/div\u003e\n\u003cdiv class=\"elementToProof\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"elementToProof\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDavid Austin is a ceramic artist\/designer who makes in New Zealand, Australia and England. David is primarily a RAKU maker. This process involves raku clay which is able to withstand the sudden heat change in a gas fired raku kiln. All pieces are bisque fired first and then subjected to heat and then oxidised in a smoke chamber producing an endless array of surface finishes. Austin has New Zealand Māori ancestry and explores Māori concepts such as 'Kitiakitanga' - a concept of looking after our environment and everything in it ; 'Whakapapa', the concept that we are the product of all of ancestors and should acknowledge this. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e Black clay, powder coated steel, and LED\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 450 X 150 X 100mm\u003c\/p\u003e\n\u003c\/div\u003e","brand":"David Austin","offers":[{"title":"Default Title","offer_id":47698408538330,"sku":"C-DA013","price":1350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/424_Fresh_Product_C_Armstrong_2026.jpg?v=1775095712"},{"product_id":"ted-secombe-beetle-shell-lustre-vase","title":"Ted Secombe — Crystalline Glaze Vase 'Beetle Shell'","description":"\u003cp\u003eA striking wheel thrown vase with a reduction crystalline glaze. This is a significant and highly collectible work from master potter Ted Secombe. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, silver reduction crystalline glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 30cm x 25cm\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":47720080572634,"sku":"C-TES057","price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/233_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1777600506"},{"product_id":"ted-secombe-satin-matt-flat-shouldered-vase","title":"Ted Secombe — Crystalline Glaze Vase 'Satin Matte'","description":"\u003cp\u003eA striking wheel thrown vase with a reduction crystalline glaze from the highly collectible master ceramist, Ted Secombe. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, silver reduction crystalline glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":47720088469722,"sku":"C-TES062","price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/236_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1777601598"},{"product_id":"georgia-harvey-fleece-face-2025","title":"Georgia Harvey — 'Fleece Face' 2025","description":"\u003cp\u003eA ceramic sculpture showcasing a fantasy animal with a unique, textural glaze. This work is part of Harvey's evolving and highly collectable universe of sculptural creatures.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGeorgia Harvey is a ceramicist drawn to inanimate objects that hint at the potential of anima. Originally studying painting at RMIT, she later trained and worked as a conservator before developing a sculptural practice, inspired by the artefacts encountered in her conservation work. In 2016 she moved to Sharjah (UAE) and spent several years working and exploring in the region. Her idiosyncratic sculptures demonstrate a fondness for ritual objects of the ancient world imbued with quiet humour, with surfaces and textures that elicit touch.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Midfire ceramic\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 13 x 20 x 19cm\u003c\/p\u003e","brand":"Georgia Harvey","offers":[{"title":"Default Title","offer_id":47746220490970,"sku":"C-GHA075","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/GHarvey_Fleeceface.png?v=1775801798"},{"product_id":"theodosius-ng-untitled-sculpture","title":"Theodosius Ng - 'Untitled' Sculpture, 2024","description":"\u003cp\u003eA significant work from Theodosius Ng. In their iconic brutalist from this piece is glazed in a sticking gun metal platinum lustre.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTheodosius Ng is a ceramic artist and designer based in Melbourne\/Naarm. Inspired by their queerness, chronic illness and immigrant experience, Ng is curious\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eabout exploring the extraneous within the familiar through cultural, ritual, and spiritual\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003econcepts - revealing an inherent need to find pattern, beauty, and ritual. Their works blur the boundary between form and function and aims to co-create and collaborate with nature and community. He has an associate Degree, Interior Decoration and Design from RMIT and attended School of Clay \u0026amp; Art, Brunswick. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003eStoneware clay, glaze, platinum lustre\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 21.5 x 21.5 x 22.5cm\u003c\/p\u003e","brand":"Theodosius Ng","offers":[{"title":"Default Title","offer_id":47806104469722,"sku":"C-TN017","price":3250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/241_Craft_Felled_Product_2026_C_ARMSTRONG.jpg?v=1778041625"},{"product_id":"guy-keulemens-x-kyoko-hashimoto-paperchain-no-2-feral-olive-tree-2026","title":"Guy Keulemans and Kyoko Hashimoto — 'Paperchain No.2' in Feral Olive Tree, 2026","description":"\u003cp\u003ePaperchain No.2, feral olive tree is a contemporary neckpiece using animist inspired concepts to explore the place, materiality and spirit of changing Australian ecologies. The work is a large-scale paper mâché chain made from feral olive tree paper, presented in its natural tone and in colours dyed using leaves from olive and eucalyptus trees.\u003c\/p\u003e\n\u003cp\u003eThe materials are harvested from the artists' own backyard in the Adelaide Hills. Feral olive trees (Olea europaea, subspecies europaea) are a fast-growing, invasive plant in Australia that pose a significant fire hazard due to their dense, low foliage. While eucalyptus terpenes ignite more quickly, oil-rich olive tree bushes create a ‘ladder fuel’ effect that spreads scrub fires up from ground to canopy.\u003c\/p\u003e\n\u003cp\u003eGuy and Kyoko harvested, stripped and processed olive tree plant fibres into paper, extracting a dye from its leaves, complemented with a darker dye made from eucalyptus leaves. The work aligns with place-based making practices and bioregional design principles for resource extraction by focusing on local materials. For the artists, the labour placed into paper-making, sculpting and dyeing, are acts of embodiment. They attempt to enter into a para-sensory relationship with the plant, a bio-cognition, coaxing into emergence the face of a spirit, that can signal to human and non-human species in a shared ecology.\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003ci\u003e—\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eGuy Keulemans\u003c\/strong\u003e and \u003cstrong\u003eKyoko Hashimoto\u003c\/strong\u003e met in 2000 and have since developed their careers individually and together. Their work proposes ethical and aesthetic challenges to paradigms of material practice in art, craft, design and industry, with specific focus on supply chains and the regenerative capacities of local resources. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThey create objects that advocate for new forms of sensory and sustainable engagement with the world. Guy and Kyoko have a love for historical and critical discourse and position their works as tools to open up discussion around materials that transition between the environment, place and the body. Based in Adelaide, Guy and Kyoko are represented by Gallery Sally Dan-Cuthbert, Sydney.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" target=\"_blank\"\u003e\u003cb\u003eFelled\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMain Gallery\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 2 - June 27, 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFelled\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ereimagines timber supply sources in contemporary woodworking practice. Seven makers and designers with a specialised knowledge of timber engage the material beyond newly processed, machined slabs and find possibilities in existing materials including timber waste and plant-debris as furniture and object-design making material.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFelled\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ejoins the discussion on practices of consumption through the exploration of a single material - timber. It considers the environmental impacts of extractive processes and positions new systems of working with existing materials.  The exhibition celebrates makers and their specialised practices as invaluable thinkers. It is through small-scale studio practices where deep connections to and empathy with a material sparks innovation and new thinking.\u003c\/p\u003e\n\u003cp\u003eBig ideas for a better future begin in the studio.\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003eFeral olive tree paper maché, eucalyptus dye, methyl cellulose binder\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 110 x 40 x 2.5 mm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Guy Keulemens x Kyoko Hashimoto","offers":[{"title":"Default Title","offer_id":47806431330522,"sku":"W-GK001","price":8800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HashimotoKeulemans_OliveTreeNeckpeice_12026ConnorPattersonPhotography.jpg?v=1777521371"},{"product_id":"curtis-bloxsidge-knitted-stool-2026","title":"Curtis Bloxsidge — 'Knitted Stool', 2026","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003eThe Knitted Stool is an expansion on previous collaborative work with 2am close, dissecting the relationship between textile and timber crafts. Geometric shapes are wrapped in knitted cotton ladders, using traditional tailoring methods, to prompt associations of natural forms.\u003c\/p\u003e\n\u003cdiv class=\"sc-fQLpxn eoOGDx\"\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking between traditional handcraft and contemporary processes, Curtis' focus on natural materials to create bold, minimal pieces that are grounded, quiet, and enduring.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis work is informed by personal and sentimental histories with each piece approached not just as an object but also as a character, shaped by restraint, proportion, and touch. Curtis' designs draw subtle references from the natural world and classical furniture archetypes, distilled into reduced forms that feel both familiar and considered with emphasis placed on material honesty, surface, and shadow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurtis was the recipient of the 2025\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eVIVID Emerging Designer Awards: Winner in Lighting and the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eVIVID Emerging Designer Awards: Commendation Award in Furniture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Jarrah, cotton, hardwax oil\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 45 x 33 x 33cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Curtis Bloxsidge","offers":[{"title":"Default Title","offer_id":47965312549082,"sku":"F-CUB002","price":4500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/KnittedStool-4.png?v=1781069543"},{"product_id":"curtis-bloxsidge-side-chair-2026","title":"Curtis Bloxsidge — 'Side Chair', 2026","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003eThis piece follows the archetype of the classic side chair. It possesses a long hind leg that protrudes up through the seat transitioning into the backrest and embedded with a playful composition of knit inlays. The simple form is held also by two bold front legs set into a triangular seat.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWorking between traditional handcraft and contemporary processes, Curtis' focus on natural materials to create bold, minimal pieces that are grounded, quiet, and enduring.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis work is informed by personal and sentimental histories with each piece approached not just as an object but also as a character, shaped by restraint, proportion, and touch. Curtis' designs draw subtle references from the natural world and classical furniture archetypes, distilled into reduced forms that feel both familiar and considered with emphasis placed on material honesty, surface, and shadow.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurtis was the recipient of the 2025\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eVIVID Emerging Designer Awards: Winner in Lighting and the\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eVIVID Emerging Designer Awards: Commendation Award in Furniture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Jarrah, cotton, hardwax oil\u003c\/p\u003e\n\u003cp class=\"sc-fQLpxn eoOGDx\"\u003e\u003cbr\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 101 x 44 x 44cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Curtis Bloxsidge","offers":[{"title":"Default Title","offer_id":47965332242650,"sku":"F-CUB003","price":3500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/SideChairV2III.png?v=1781068872"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/KnittedStool-4_1200x_png.webp?v=1781845883","url":"https:\/\/shop.craft.org.au\/collections\/client-collection-simone-haag-x-somers.oembed","provider":"SHOP@Craft","version":"1.0","type":"link"}