{"title":"Client Collection: Homeroom Studio","description":"\u003cp\u003eWallaby Holtz Rd\u003c\/p\u003e\n\u003cp\u003eJuly 2026\u003c\/p\u003e","products":[{"product_id":"owen-rye-pink-jar-3-20","title":"Owen Rye — Blue Jar","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of a curated selection of significant works from master potter, Owen Rye. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335559739\":160,\"335559740\":259}'\u003e———\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOwen Rye (b 1944) from Australia is a member of the International Academy of Ceramics. He is known internationally for being at the forefront of the contemporary woodfiring movement. Through his artwork, his writing and his teaching many ceramic artists have been inspired to follow the woodfirer’s path. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently for health reasons he has ceased woodfiring and is working with a variety of glazes on stoneware, and photography and sculpture projects. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompleting his doctorate in 1970, the first in Australia in the ceramic arts, he worked with archaeologists at the Smithsonian Institution in Washington DC and the Prehistory Department, ANU. From 1980 he taught ceramics in art schools for 25 years, at the Canberra School of Art and then at Monash University Gippsland, there mainly supervising postgraduate students. About 80 of them graduated. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis teaching has included giving workshops on woodfiring in Australia, the USA and Europe and many public lectures. He has curated woodfire survey exhibitions and he organised the first Australian woodfiring conference in 1986, the precursor to many woodfire conferences and to the Gulgong ceramics events. He retired from art school teaching in 2004. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe has exhibited in Australia and internationally and is represented in public collections in USA, China, Korea, Germany, France, and many Australian collections including the Australian National Gallery, most state and many regional galleries, and in private collections. His recent artist-in-residency stints were in China, Korea, USA and Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis extensive writing has been published in many ceramics magazines around the world, and he is author of five books including The Art of Woodfire, published in 2011. The most recent are a memoir, Beyond Short Street, published by Australian Scholarly; and a book on Palestinian potters; both 2021 publications. He has conducted online and in person workshops on writing. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e——\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"12sdm\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/p\u003e\n\u003cp data-block-key=\"fhtm\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/p\u003e\n\u003cp data-block-key=\"a24ca\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e——\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003estoneware, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eapprox. 39cm x 23cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eContact a Craft consultant shop@craft.org.au for more information or to commission a similar work \u003c\/span\u003e\u003c\/p\u003e","brand":"Owen Rye","offers":[{"title":"Default Title","offer_id":42483146948826,"sku":"C-OR106","price":1495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_061.jpg?v=1728440381"},{"product_id":"anastasia-la-fey-the-uncertain-behaviour-of-clouds-2021","title":"Anastasia La Fey — 'The Uncertain Behaviour of Clouds 1', 2021","description":"\u003cp\u003e\u003cem\u003eThe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUncertain Behaviour of Clouds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eproject, proposes to build upon the conceptual framework of an existing body of work to develop and create a small series of new \"light and sculpture\" objects that sit at the nexus of contemporary sculpture, environmental art and functional craft. Using research around the concept of \"Cloud Feedback\" and how the clouds are changing alongside meteorological\/ atmospherically optics as inspiration, artist\/maker Anastasia La Fey and collaborator, lighting designer Darcy Jones (Studio Mungo) propose to bring together complex material manipulations and sustainable design methodologies to create works not only embedded with both form and function but that encourage deeper consideration about the environment we inhabit and our impact upon it. Sustainable design methodologies and environmental concerns are to be embedded into these works at every level. They embody a holistic design approach that weaves together artistic value, design integrity, social \u0026amp; environmental idealism and an understanding that the objects we make impact the world we place them in.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnastasia La Fey is a multidisciplinary artist based in Naarm\/Melbourne on \u003cspan data-mce-fragment=\"1\"\u003eWurundjeri Woi-wurrung\u003c\/span\u003e Country. La Fey is working across realms of textile artistry, inhabitable sculpture, installations and photography to create ephemeral, environmental and collaborative multi-form works. Her work is exploratory and experimental, investigating concepts of inhabitation, isolation, transmutation, relationship to self and the environment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa Fey began her career as a couturier and costumier before pivoting to an art-based practice, freeing her from a particular way of making things.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSilk\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eapprox. 140cm x 65cm\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePlease note: \u003c\/strong\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW232559532 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003eAll works are made to order on an\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003e8-12 week\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003elead time and will vary slightly in dimension.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW232559532 BCX0\" data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}' data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-mce-fragment=\"1\"\u003eContact a Craft consultant\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca class=\"Hyperlink SCXW190045288 BCX0\" href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\" target=\"_blank\" data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun Underlined SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-ccp-charstyle=\"Hyperlink\" data-mce-fragment=\"1\"\u003eshop@craft.org.au\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003efor more information or to commission a similar work.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasia La Fey","offers":[{"title":"Default Title","offer_id":42494760845530,"sku":"14177","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CRAFT_LR-8_5b146c79-1335-49ca-9083-c3aad56d7ba8.jpg?v=1728439020"},{"product_id":"ted-secombe-large-crystalline-glaze-pot-in-red","title":"Ted Secombe — Large Crystalline Glaze Pot in Red","description":"\u003cp\u003eAfter 4 decades at his potter’s wheel, Ted Secombe says that making pots is more challenging now than when he first began, as his motivation is the purely the expression of his ideas and creativity. He has now developed a mastery of the medium that allows him to take his experimentation further than ever before.\u003c\/p\u003e\n\u003cp\u003eTed likes to work with different shapes and now prefers much simpler forms, forms with the sense of an easy curve, ‘like a brush stroke’. ‘My inspiration comes when the clay is on the wheel and I am looking at the sensuousness of the curve,’ he says. Sometimes he is influenced by the structure of plants and leaves. Ted’s other passion is gardening, and he has created a glorious garden around his studio.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is well known for his beautiful crystalline glazes, as well as his pots of cobalt blue and deep crimson. He works with a huge range of colours and, as with his forms, Ted is always experimenting and developing new ranges of glazes, some of which are reminiscent of ancient Chinese glazes. The glazes involve different firing procedures as Ted is always attempting to achieve the best possible results by altering time, temperatures and heating rates to his firings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e— \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ecrystalline glazed ceramic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 50cm x 38cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":42738169053402,"sku":"C-TES013","price":3800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_041.jpg?v=1723770003"},{"product_id":"tantri-mustika-2026","title":"Tantri Mustika — 'Kebakaran Vessel', 2023","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis vessel pays homage to the central importance of fire in Balinese culture, where it symbolises purification, transformation, and a connection between the human and spiritual realms. The choice to use black clay symbolises the contrast of fire being revered for its transformative and purifying qualities, whilst also being associated with dark and chaotic forces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTantri Mustika is a Melbourne-based ceramicist who makes unique and colourful ceramics by incorporating meticulously hand-stained and marbled clays, mimicking characteristics of natural stones. Her interest in the material capabilities of clay can be seen as a catalyst of her practice; producing small batches allows each piece to be unique and one of a kind through the techniques employed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eEveryone’s heard of a dragon \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003eCurated by James Lemon and Bobby Corica\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e11 November  23 – 27 January 24\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/everyones-heard-of-a-dragon\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eRead about the exhibition\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28.5 x 21cm\u003c\/p\u003e","brand":"Tantri Mustika","offers":[{"title":"Default Title","offer_id":44201097199834,"sku":"C-TAM007","price":1650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct-Product_018.jpg?v=1698364507"},{"product_id":"steph-wallace-void-iv-sculptural-vessel-2023","title":"Steph Wallace — 'Void IV' Sculptural Vessel, 2023","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003ci\u003eHolding the Void\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eresponds to this landscape, hollowed by centuries of gold extraction and forever altered both in its physical essence and cultural tapestry. Often challenging the concept of vessel, this collection of sculptural forms contain within only their own negative space, the void. These monolithic forms with expansive rim and abstract surfaces reference this hollowed earth and disrupted terrain in a contemplation of impermanence, erosion and decay.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003eHolding the Void\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003eAtrium\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e25 January – 2 March'24\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"13rw0\"\u003e\u003cspan\u003eCreated in a studio shaken daily by the explosions of contemporary gold mining, these works are an exploration of the land on which the artist resides, Wadawarrung Country, Ballarat.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eRead about the\u003cspan\u003e \u003c\/span\u003eexhibition\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic, glaze, polymer compound, metal leaf. Not watertight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan data-mce-fragment=\"1\"\u003e32cm x 26cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":44437401862362,"sku":"C-SWA006","price":1700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/240115_SF_CRAFTVICTORIA_0087.jpg?v=1705621328"},{"product_id":"lauren-joffe-equilibrium-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 31 x 42 x 47cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":44521551691994,"sku":"C-LAJ012","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_E-COMMERCE_SF_240205.jpg?v=1707440166"},{"product_id":"rachelle-austen-ex-ignes-cryo-preservatio-tenebris-02-sculpture-2023","title":"Rachelle Austen – 'Ex Ignes Cryo Preservatio Tenebris 02' Sculpture, 2023","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cspan\u003e'Ex Ignes', the narrative of hope and resilience depicted in a sculptural carved brick that can be wall mounted or placed upright or laid flat. 'Cryo Preservatio Tenebris' pays homage to medical science and what it offers.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003esolid sliced reclaim clay with maganese oxide matt tin and rutile glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 20 x 10 x 10cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45178842415322,"sku":"C-RA025","price":350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/100_E-Commerce_CraftVictoria_240415.jpg?v=1715303204"},{"product_id":"lauren-joffe-hold-2024","title":"Lauren Joffe — 'Hold', 2024","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e'Hold' is a large sculptural vessel made in response to the artist's feelings about\u003cspan\u003e her self-identity as an immigrant torn between two places of belonging. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eHome and belonging is Cape Town, the place where her ancestors lived, the place of her origin. But she also belongs to home in Melbourne, her safe and secure place, a place of familiarity, comfort, and emotional attachments. This piece encompasses these two sites, the black and white of the glaze representative of her two homes, similar but distinct, separate but more meaningful together. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan data-mce-fragment=\"1\"\u003etoneware, oxides, slips, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox.  68 x 55 x 55cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":45446449070298,"sku":null,"price":6500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/281_E-Commerce_CraftVictoria_240611.jpg?v=1719384748"},{"product_id":"ted-secombe-large-crystalline-glaze-bowl-in-pink-black","title":"Ted Secombe — Large Crystalline Glaze Bowl, in Pink \u0026 Black","description":"\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, wheel-thrown bowl with gloss crystal glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 20 x 36cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":45551158395098,"sku":"C-TES020","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/112_E-Commerce_CraftVictoria240715.jpg?v=1721349242"},{"product_id":"liam-flemming-resting-in-colour-yellow-2023","title":"Liam Fleming — 'Resting in Colour (Yellow)', 2023","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eResting In Colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e embody a sense of restraint and refinement that aligns with the transcendental qualities of minimalism. Resting In Colour can be\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eunderstood as meditations on the physical and metaphoric nature of colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eand light. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eIn this work, colour and glass are one. More specifically, colour is\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003epart of the materiality of each object. Colour is not applied as an \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eadditional\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003edecoration; rather, it is embedded in the fabrication of each object, awaiting\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eits activation by light. In these works, light can be considered as an\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003einternalised philosophical approach to making art through which the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eessence of colour is positioned as the central concern of the work.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW243608469 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW151899798 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eLiam Fleming is a \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eTarntanya\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e (Adelaide) based glassblower, and artist,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ewhos\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ee\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e art practice is characterised by minimalist sculptural objects.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eFleming's work has been \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e extensively, including as an annual\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003efeature in Melbourne Design Week. He has received \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003enumerous\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e grants and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003escholarships in support of his work, including an AGSA artist bursary in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e2020, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eGuildhouse\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e Fellowship in 2021 and a Creative Australia grant in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003esupport of his exhibition Liam Fleming: Light and Colour at AGSA in 2023.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eHis works are held in private collections nationwide and in the public\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ecollections of AGSA, NGV, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eArtbank\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e and the Australian Parliament House\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eCollection.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW151899798 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/luminosity\" target=\"_blank\"\u003eLuminosity\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAugust 10 - September 21 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ci\u003eLuminosity\u003c\/i\u003e\u003cspan\u003e presents the work of four artists engaging with light through material practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emould blown glass, coldworked, slumped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 63 x 28 x 18cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Liam Fleming","offers":[{"title":"Default Title","offer_id":45618407506138,"sku":"G-LF019","price":7000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/003_LiamFlemming_CraftVictoria240705_1400x_e16d66de-1c36-4564-a5fa-c1f315b08132.webp?v=1722561505"},{"product_id":"liam-flemming-resting-in-colour-cyan-2023","title":"Liam Fleming — 'Resting in Colour (Cyan)', 2023","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eResting In Colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e embody a sense of restraint and refinement that aligns with the transcendental qualities of minimalism. Resting In Colour can be\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eunderstood as meditations on the physical and metaphoric nature of colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eand light. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eIn this work, colour and glass are one. More specifically, colour is\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003epart of the materiality of each object. Colour is not applied as an \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eadditional\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003edecoration; rather, it is embedded in the fabrication of each object, awaiting\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eits activation by light. In these works, light can be considered as an\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003einternalised philosophical approach to making art through which the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eessence of colour is positioned as the central concern of the work.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW243608469 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW151899798 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eLiam Fleming is a \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eTarntanya\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e (Adelaide) based glassblower, and artist,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ewhos\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ee\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e art practice is characterised by minimalist sculptural objects.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eFleming's work has been \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e extensively, including as an annual\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003efeature in Melbourne Design Week. He has received \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003enumerous\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e grants and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003escholarships in support of his work, including an AGSA artist bursary in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e2020, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eGuildhouse\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e Fellowship in 2021 and a Creative Australia grant in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003esupport of his exhibition Liam Fleming: Light and Colour at AGSA in 2023.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eHis works are held in private collections nationwide and in the public\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ecollections of AGSA, NGV, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eArtbank\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e and the Australian Parliament House\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eCollection.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW151899798 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/luminosity\" target=\"_blank\"\u003eLuminosity\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAugust 10 - September 21 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ci\u003eLuminosity\u003c\/i\u003e\u003cspan\u003e presents the work of four artists engaging with light through material practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emould blown glass, coldworked, slumped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 57 x 28 x 18cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Liam Fleming","offers":[{"title":"Default Title","offer_id":45618441683162,"sku":"G-LF022","price":7000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/003_LiamFlemming_CraftVictoria240702_1400x_fe640256-0be3-4e36-9f63-28fd9b8e075d.webp?v=1722561662"},{"product_id":"liam-flemming-resting-in-colour-magenta-2023","title":"Liam Fleming — 'Resting in Colour (Magenta)', 2023","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"TextRun SCXW243608469 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eResting In Colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e embody a sense of restraint and refinement that aligns with the transcendental qualities of minimalism. Resting In Colour can be\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eunderstood as meditations on the physical and metaphoric nature of colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eand light. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan class=\"TextRun SCXW243608469 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eIn this work, colour and glass are one. More specifically, colour is\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003epart of the materiality of each object. Colour is not applied as an \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eadditional\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003edecoration; rather, it is embedded in the fabrication of each object, awaiting\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eits activation by light. In these works, light can be considered as an\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003einternalised philosophical approach to making art through which the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eessence of colour is positioned as the central concern of the work.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}' class=\"EOP SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW151899798 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eLiam Fleming is a \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eTarntanya\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e (Adelaide) based glassblower, and artist,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ewhos\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ee\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e art practice is characterised by minimalist sculptural objects.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eFleming's work has been \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e extensively, including as an annual\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003efeature in Melbourne Design Week. He has received \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003enumerous\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e grants and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003escholarships in support of his work, including an AGSA artist bursary in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e2020, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eGuildhouse\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e Fellowship in 2021 and a Creative Australia grant in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003esupport of his exhibition Liam Fleming: Light and Colour at AGSA in 2023.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eHis works are held in private collections nationwide and in the public\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ecollections of AGSA, NGV, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eArtbank\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e and the Australian Parliament House\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eCollection.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}' class=\"EOP SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/luminosity\" rel=\"noopener\" target=\"_blank\"\u003eLuminosity\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAugust 10 - September 21 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ci\u003eLuminosity\u003c\/i\u003e\u003cspan\u003e presents the work of four artists engaging with light through material practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emould blown glass, coldworked, slumped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 59 x 28 x 18cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Liam Fleming","offers":[{"title":"Default Title","offer_id":45618443419866,"sku":"G-LF018","price":7000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/003_LiamFlemming_CraftVictoria240704_1400x_dd2d21ed-d404-4714-9938-cdc46a5bef2b.webp?v=1722561718"},{"product_id":"liam-flemming-resting-in-colour-grey-2023","title":"Liam Fleming — 'Resting in Colour (Grey)', 2023","description":"\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e‘\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eResting In Colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e’\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e embody a sense of restraint and refinement that aligns with the transcendental qualities of minimalism. Resting In Colour can be\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eunderstood as meditations on the physical and metaphoric nature of colour\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eand light. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW243608469 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eIn this work, colour and glass are one. More specifically, colour is\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003epart of the materiality of each object. Colour is not applied as an \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eadditional\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003edecoration; rather, it is embedded in the fabrication of each object, awaiting\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eits activation by light. In these works, light can be considered as an\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003einternalised philosophical approach to making art through which the\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW243608469 BCX0\"\u003eessence of colour is positioned as the central concern of the work.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW243608469 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan data-contrast=\"auto\" lang=\"EN-AU\" class=\"TextRun SCXW151899798 BCX0\" xml:lang=\"EN-AU\"\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eLiam Fleming is a \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eTarntanya\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e (Adelaide) based glassblower, and artist,\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ewhos\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ee\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e art practice is characterised by minimalist sculptural objects.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eFleming's work has been \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eexhibited\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e extensively, including as an annual\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003efeature in Melbourne Design Week. He has received \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003enumerous\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e grants and\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003escholarships in support of his work, including an AGSA artist bursary in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e2020, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eGuildhouse\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e Fellowship in 2021 and a Creative Australia grant in\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003esupport of his exhibition Liam Fleming: Light and Colour at AGSA in 2023.\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eHis works are held in private collections nationwide and in the public\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003ecollections of AGSA, NGV, \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW151899798 BCX0\"\u003eArtbank\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e and the Australian Parliament House\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW151899798 BCX0\"\u003eCollection.\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW151899798 BCX0\" data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":276}'\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/luminosity\" target=\"_blank\"\u003eLuminosity\u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAugust 10 - September 21 2024\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ci\u003eLuminosity\u003c\/i\u003e\u003cspan\u003e presents the work of four artists engaging with light through material practice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/luminosity\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003emould blown glass, coldworked, slumped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 67.5 x 28 x 18cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Liam Fleming","offers":[{"title":"Default Title","offer_id":45618455347418,"sku":"G-LF021","price":7000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/003_LiamFlemming_CraftVictoria240703_1400x_160cae15-24cf-4ade-8ea4-126f6074dc35.webp?v=1722561847"},{"product_id":"rachelle-austen-knowledge-elevates-i-sculpture","title":"Rachelle Austen – 'Knowledge Elevates I' Sculpture","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003eImpulsum Minima Mundi\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003eInspired by Noguchi's playscapes, Impulsum Minima Mundi captures life's significant experiences in miniature form. The abstract shapes symbolise moments in time, scaled to encourage a shift in perspective. By viewing from a distance, the sculptures suggest that even difficult experiences seem smaller and more manageable. This elevated perspective reflects how life's events, when viewed with reflection, offer a higher presence through experience and knowledge gained.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e grey speckle clay with brass rods and porcelain sphere\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 20 x 10 x 15cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45742564868314,"sku":"C-RA033","price":600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_150.jpg?v=1733184128"},{"product_id":"rachelle-austen-auxiluam-support-sculpture","title":"Rachelle Austen – Auxiluam (Support)' Sculpture","description":"\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\"Sine Pondere et Pondere\" translated from Latin as \"weight \u0026amp; weightlessness\". This body of work examines the relationships of the unity of opposites. Each paired form can be positioned in various ways, changing the perception of its weight and weightlessness.\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cem style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen of ‘Tiny Time’ is a a ceramic artist, living and working on her bush block \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ein the Macedon Ranges on Dja Dja Wurrung country. Rachelle pushes her material to the extremes with the intent of causing cracks and fissures into the delicately thin androbust solid forms, pushing the material before and beyond breaking, a metaphor for the resilience of existence, the fragility of life and most importantly, the beauty that may be found in the broken, and finding acceptance in imperfections. She has a background in Industrial Design, graduating from a Bachelors at Monash University.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e reclaim clay solid form with oxide over dolomite glaze. porcelain oblate spheroid\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. slab 47 x 7.3 x 14cm, spheroid 10 x 6cm\u003c\/p\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":45742604648666,"sku":"C-RA039","price":1000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/10Auxilium_SinePondereetPondere1.jpg?v=1726191173"},{"product_id":"scott-elk-dusk-and-dust-grief-kantharos-sculpture-2024","title":"Scott Elk — 'Dusk and Dust Grief Kantharos' Sculpture, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003eThis ceramic funeral urn within trophy like form is part of Scott's latest series Dusk + Dust, an exploration of grief that began with the creation of a soundscape. The series was initiated by the loss of Scott's father and serves as a meditation on grief and the journey through the grieving process. \u003c\/span\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this body of work, life is depicted as a landscape we traverse, with color acting as a remnant of that life. Life is movement and colour. The recurring ring motif symbolizes the transition of energy up and out into the ether of the great nothingness. Through these themes of grief, the work also speaks to the beauty, harshness, and vitality of a uniquely Australian landscape. The primary form I use in the ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze, and bronze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e83 x 31 x 20cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":45911466148058,"sku":"C-SE002","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/25_Craft_Products_241021.jpg?v=1730160953"},{"product_id":"scott-elk-dusk-and-dust-plate-ii-wall-work-2024-copy","title":"Scott Elk — 'Dusk and Dust Plate II' Wall Work, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003eThis ceramic plate with ascension ring motif is part of Scott's latest series Dusk + Dust, an exploration of grief that began with the creation of a soundscape. The series was initiated by the loss of Scott's father and serves as a meditation on grief and the journey through the grieving process. \u003c\/span\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this body of work, life is depicted as a landscape we traverse, with color acting as a remnant of that life. Life is movement and colour. The recurring ring motif symbolizes the transition of energy up and out into the ether of the great nothingness. Through these themes of grief, the work also speaks to the beauty, harshness, and vitality of a uniquely Australian landscape. The primary form I use in the ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e28 x 28 x 4cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":45911472111834,"sku":"C-SE005","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/333_Craft_Products_241021.jpg?v=1730259559"},{"product_id":"allison-mueller-dotty-sculpture-2024","title":"Allison Mueller — 'Dotty' Sculpture, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan\u003eThe surfaces of these works by Manly based artist Allion Mueller are inspired by the mass loss of Ribbon Gum that scar the ridges on the stretch of Highway south of Cooma, haunting the vast open landscape. The surfaces of these works take inspiration from the harsh and colourless, bleached paddocks, which are occasionally blanketed by snow in Winter. Alabaster and ivory from the snow and dried grasses and graphite and charcoal from the decaying trees and strange rocks. Simple wheel formed shapes are altered and joined, the surfaces are contrasted with matt and glossy, rough and smooth, hard and soft. Each piece exists as a reminder of this curious region. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003eraku clay, black clay, glazed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e28 x 24 x 24cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":45948255174874,"sku":"C-AMU007","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2529_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1731632828"},{"product_id":"steph-wallace-fragment-sculptural-vessel-2024","title":"Steph Wallace — 'Fragment' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eIn an exploration of sustainable studio practices this sculptural work has been smoke fired in a reduction environment lending it a surface permanently imbued with carbon. Referencing traditional methods of pottery repair the work has been imbedded with hand formed brass staples. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, 12k gold lustre, brass, microcrystalline wax\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e25 x 18 x 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023735279834,"sku":"C-SWA023","price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_089.jpg?v=1733186182"},{"product_id":"steph-wallace-specimen-sculptural-vessel-2024","title":"Steph Wallace — 'Specimen' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan\u003eA sculptural form inspired by the historical gold diggings above which the artists studio is situated. The artist seeks to investigate the contemporary and historical context of the landscape. This work may not be completely watertight so caution should be advised.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, slip, stain, glaze, 12k gold lustre\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e33 x 26 x 26\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023773683930,"sku":"C-SWA029","price":1800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_094.jpg?v=1733187715"},{"product_id":"kate-jones-pink-singlet-on-sculptural-vessel-2024","title":"Kate Jones – 'Pink Singlet On', Sculptural Vessel, 2024","description":"\u003cp\u003e\u003cem\u003eKate Jones is a Melbourne-based artist with a practice grounded in clay. She has written about ceramic practice, material ethics, and impulses for making. Teaching is an integral part of her practice. In 2021, she completed a residency at Study in Brunswick called the Provenance Project, which combined politics, poetry, and pottery. Kate was also commissioned to create work for the inaugural exhibition From Impulse to Action at Bundanon Museum of Art in 2022 and through Craft, for Melbourne Now at the NGV in 2023. Currently, she is the president of The Australian Ceramics Association and is undertaking an MFA at VCA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta, slips, glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e approx.\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e66 x 34 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kate Jones","offers":[{"title":"Default Title","offer_id":46024042152154,"sku":"C-KAJ060","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_180.jpg?v=1733199786"},{"product_id":"kate-jones-it-was-raining-sculptural-vessel-2024","title":"Kate Jones – 'It Was Raining, Sculptural Vessel, 2024","description":"\u003cp\u003e\u003cem\u003eKate Jones is a Melbourne-based artist with a practice grounded in clay. She has written about ceramic practice, material ethics, and impulses for making. Teaching is an integral part of her practice. In 2021, she completed a residency at Study in Brunswick called the Provenance Project, which combined politics, poetry, and pottery. Kate was also commissioned to create work for the inaugural exhibition From Impulse to Action at Bundanon Museum of Art in 2022 and through Craft, for Melbourne Now at the NGV in 2023. Currently, she is the president of The Australian Ceramics Association and is undertaking an MFA at VCA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta, slips, glazes, brass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e approx.\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e66 x 34 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kate Jones","offers":[{"title":"Default Title","offer_id":46024047329498,"sku":"C-KAJ061","price":2300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_186.jpg?v=1733199843"},{"product_id":"mali-taylor-large-orbit-ornamental-vessel","title":"Mali Taylor — Large 'Orbit', Ornamental Vessel","description":"\u003cp\u003eThis Orbit Vase has been constructed through the methodical process of hand roll d coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers. Each piece is innately unique and transcends the divide between art object and functional ware. \u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis large ornamental Orbit Vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Mali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Taylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 48 x 48 x 20cm\u003c\/p\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":46055152287962,"sku":"C-MT026","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_154.jpg?v=1734306552"},{"product_id":"lauren-joffe-equilibrium-iv-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium IV', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 58 X 42 X 32cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":46121284829402,"sku":"C-LAJ013","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/04_Craft_Products_Jan2025.jpg?v=1736989106"},{"product_id":"marian-fox-marking-place-making-space-i-sculptural-vessel","title":"Marian Fox — Marking place, making space I', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e67 x 21 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46194318770394,"sku":"C-MAF003","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_415.jpg?v=1740012749"},{"product_id":"marian-fox-marking-place-making-space-iii-sculptural-vessel","title":"Marian Fox — 'Marking place, making space II', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze pencil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e66 x 22 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46196415693018,"sku":"C-MAF004","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_419.jpg?v=1740012793"},{"product_id":"ted-secombe-large-crystalline-glaze-bowl-pink-lake","title":"Ted Secombe — Large Crystalline Glaze Bowl, 'Pink Lake'","description":"\u003cp\u003eA substantial wheel thrown bowl with pink crystal glaze and tenmoku glaze internal.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, wheel-thrown bowl with gloss crystal glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 29 x 31cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":46313022816474,"sku":"C-TES021","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/27_Craft_OldSchool_Product_2025_C_Armstrong_95d340b8-735c-48cf-b308-8e01e71e6113.jpg?v=1742516198"},{"product_id":"ted-secombe-large-crystalline-glaze-bowl-night-glazy","title":"Ted Secombe — Large Crystalline Glaze Bowl, 'Night Glazy'","description":"\u003cp\u003eA substantial wheel thrown bowl, with reduction titanium crystal glaze with gold lustre centre.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTed Secombe is a ceramic artist based in Naarm, Melbourne. Originally establishing a studio in Toowoomba, QLD, he moved to the Yarra Valley in 1989. Ted is known for his beautiful and graceful forms, with glazes, including crystalline, that are rich in colour, and delicate in Tetexture and patterning. Some of his glazing is reminiscent of ancient Chinese glazes. The colours in his garden are also an inspiration to him, and his glazes in autumnal colours are a direct response to the autumn season in Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003ep\u003cspan\u003eorcelain, gloss crystal, titanium crystal glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 25 x 35cm\u003c\/p\u003e","brand":"Ted Secombe","offers":[{"title":"Default Title","offer_id":46313062105306,"sku":"C-TES022","price":2800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/24_Craft_OldSchool_Product_2025_C_Armstrong.jpg?v=1742516463"},{"product_id":"astrid-salomon-dots-and-dashes-sculptural-vessel","title":"Astrid Salomon – 'Dots and Dashes', Sculptural Vessel","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCoil built stoneware vases, telling a story through the hands of Astrid Salomon's hands, varied in shape and size and always one of a kind. In this ongoing series of high fired, watertight vessels, Astrid has layered glazes resulting in beautiful depth and stunning hues. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAstrid Salomon is a ceramic artist based in Melbourne. There are different series she approaches with the ceramic practice, always exploring a new angle through a limited body of work. The ideas for her work often draw inspiration in the emotional experience and the various stages and of the human condition. Like experiments, one shape informs the next and with that a diversity of characters evolve. It is not primarily the function of the vessel that interests her, but the space it holds in the world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e hand built, high fired stoneware, layered matte glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  approx. 45 x 27cm\u003c\/p\u003e","brand":"Astrid Salomon","offers":[{"title":"Default Title","offer_id":46420508049626,"sku":"C-BC024","price":2100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/112_Craft_Product_FutureAmbition_C_Armstrong_2025.jpg?v=1745983955"},{"product_id":"debra-umala-clay-kin-i-2025","title":"Debra Umala — 'Clay Kin I', 244-25AS, 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eClay Kin brings together seven dynamic artists in a landmark collaboration between the APY Art Centre Collective (APYACC) and Craft Victoria. This exhibition celebrated the expansion of APYACC artists into contemporary ceramics, offering Melbourne audiences a rare glimpse into the evolving material practices of First Nations makers. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eDebra Umala\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCommunity: Mimili, SA. Language: Pitjantjatjara and Yankunytjatjara.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eDebra Umala is a Pitjantjatjara artist from Mimili Community on the APY Lands and now lives between Mimili and Adelaide. Debra's mum is Audrey Umala and is also a painter at the Collective Art Centre Adelaide.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eDebra says \"I was born in Alice Springs in 1979. I paint the waterholes from Victory Hill where mum used to take us when we were little. We still take the children there. We swim in the big one - we swim, dance and drink the fresh water.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI am a mother of five and grandparent of two, and I paint this story because it is important to teach the little ones.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAPY Art Centre Collective x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClay Kin is a testament to the strength of kinship, culture and creative innovation. It marks a significant moment in contemporary Australian ceramics, where ancestral knowledge meets new forms, and where clay becomes a vessel for both tradition and transformation. \u003c\/p\u003e\n\u003cp\u003eArtists in this exhibition represent many communities and art centres which are at the heart of the APY Lands. Founded in 2017, the APY Art Centre Collective is an initiative that provides support, resources, and opportunities for First Nations artists from the APY Lands and beyond. Through exhibitions, workshops, and cultural exchanges, the collective aims to promote Indigenous voices, foster cross-cultural understanding, and generate economic opportunities for Aboriginal communities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eTiarnie Edwards \/ Yatitji Heffernan \/ Jennifer Ingkatji \/ Josina Pumani \/ Debra Umala \/ LeShaye Swan \/ Tjimpuna Williams\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/clay-kin\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eClay sculptural vessel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  \u003cspan\u003e32 x 15 x 12cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 244-25AS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Debra Umala","offers":[{"title":"Default Title","offer_id":46515258065114,"sku":"C-APY024","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/72_Craft_Products_May_C_Armstrong_2025.jpg?v=1749192641"},{"product_id":"yaritji-heffernan-clay-kin-i-2025","title":"Yaritji Heffernan — 'Clay Kin I', 246-25AS, 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eClay Kin brings together seven dynamic artists in a landmark collaboration between the APY Art Centre Collective (APYACC) and Craft Victoria. This exhibition celebrated the expansion of APYACC artists into contemporary ceramics, offering Melbourne audiences a rare glimpse into the evolving material practices of First Nations makers. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cstrong\u003eYaritji Heffernan\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCommunity: Ernabella (Pukatja), SA. Language: Pitjantjatjara\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYaritji Heffernan was born in Mulga Park station near Ernabella. Her parents were both Pitjantjatjara, her father was from Angkatja and her mother was from Umutju. Yaritji moved to Adelaide in 2010 and has been painting at the APY Adelaide Studio since it opened in May 2019. Yaritji paints at the studio on a daily basis and alongside the senior women, she is an important leader and teacher in the centre, encouraging young artists in their emerging practice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cem\u003eKapi Tjukula - The circles of this design represent rock holes, where water collects after the rains. These rock holes were an important source of water during the dry season when most of the water holes and creeks dried up. Water is an essential element in the desert. Knowledge of rock hole sites is passed on from generation to generation and revered by all Anangu (people) Pitjantjatjara.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAPY Art Centre Collective x Craft\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eClay Kin is a testament to the strength of kinship, culture and creative innovation. It marks a significant moment in contemporary Australian ceramics, where ancestral knowledge meets new forms, and where clay becomes a vessel for both tradition and transformation. \u003c\/p\u003e\n\u003cp\u003eArtists in this exhibition represent many communities and art centres which are at the heart of the APY Lands. Founded in 2017, the APY Art Centre Collective is an initiative that provides support, resources, and opportunities for First Nations artists from the APY Lands and beyond. Through exhibitions, workshops, and cultural exchanges, the collective aims to promote Indigenous voices, foster cross-cultural understanding, and generate economic opportunities for Aboriginal communities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eTiarnie Edwards \/ Yatitji Heffernan \/ Jennifer Ingkatji \/ Josina Pumani \/ Debra Umala \/ LeShaye Swan \/ Tjimpuna Williams\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/clay-kin\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eClay sculptural vessel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  28\u003cspan\u003e x 18 x 19cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eCat. no:\u003c\/strong\u003e 246-25AS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Yaritji Heffernan","offers":[{"title":"Default Title","offer_id":46537762144474,"sku":"C-APY027","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/86_Craft_Products_May_C_Armstrong_2025.jpg?v=1749512617"},{"product_id":"maia-kreisler-parihaka-vessel-2025","title":"Maia Kreisler — 'Parihaka' Vessel, 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThis work forms part of a major body of sculptural ceramics developed over two years by Māori artist Maia Kreisler.\u003c\/p\u003e\n\u003cp\u003eKo te Pūtake o te Aho stands as a central pou within this body of work — an anchor in both scale and symbolism. The vessel’s form draws from ceremonial waewae and wharenui silhouettes, asserting its presence with a quiet authority. The silver-painted kōwhaiwhai pattern encircles the body like a karakia in motion, referencing the genealogical spirals of whakapapa and the continual movement of time. The two spherical forms at the vessel’s shoulders gesture toward celestial bodies — atua or tīpuna — watching over and entwined with us. These mirrored orbs reflect back the viewer’s gaze, situating them within the work’s cosmological field. \u003c\/p\u003e\n\u003cp\u003eRendered through pit firing and hand-carving, the textured surface carries the scars and residue of fire, reinforcing its role as both an object of ritual and passive resistance. This piece, like many in this series, resists simple readings. It is not made to be explained but felt — to be approached as a vessel that holds mauri, memory, and speculative futures.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eMaia Kreisler is a cross-disciplinary Māori artist whose practice explores the human condition and our complex relationship with the environment, with a primary focus on value creation through art. Working predominantly with uku (clay), Maia has exhibited both nationally and internationally for over twenty years.\u003cbr\u003eMaia holds a Bachelor of Fine Arts (Honours) from Massey University, Wellington, and a Diploma in Māori Art and Design, awarded in 2017 after studying under renowned Māori uku master, Wi Taepa. Her artworks are held in esteemed public and private collections, including Peter McLeavey Gallery, the Wallace Arts Trust, Wellington Museum, Puke Ariki Museum, the Wellington City Art Collection, and The Dowse Art Museum. In addition to her artistic practice, Maia has held roles within government and local councils, representing her hapū and iwi.  \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKa Mua, Ka Muri - Walking Backwards into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKa Mua, Ka Muri — Walking Backwards into the Future — is a powerful Māori concept that acknowledges the past as a guiding force. We move forward with our backs to the future, eyes fixed on what has come before. The works reflect this ideology, drawing strength and insight from memory, tradition, and ancestral wisdom. Black silhouettes evoke timeless human forms, while intricate kowhaiwhai patterns flow across them, symbolising genealogy, continuity, and the ever-present influence of whakapapa. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/ka-mua-ka-muri-walking-backwards-into-the-future\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePit fired ceramic, silver-painted text\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  27 \u003cspan\u003ex 46cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maia Kreisler","offers":[{"title":"Default Title","offer_id":46538754916570,"sku":"C-MRM012","price":5000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/109_Craft_Products_May_C_Armstrong_2025.jpg?v=1749524893"},{"product_id":"maia-kreisler-kaihaukai-shared-meal-2025","title":"Maia Kreisler — 'Kaihaukai' (Shared Meal), 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThis work forms part of a major body of sculptural ceramics developed over two years by Māori artist Maia Kreisler.\u003c\/p\u003e\n\u003cp\u003eThis bowl reflects the simplicity and significance of returning home — for a meal, for comfort, for connection. The surface is softly burnished with silver, the inside luminous, like the welcome of a warm whare. A single koru rests on the outer wall, quiet and unembellished — a symbol of growth, return, and familial roots.\u003c\/p\u003e\n\u003cp\u003eKaihaukai gestures toward the act of gathering: sitting at a table, passing food, and speaking stories. It honours whānau, not through grand gesture, but through the objects that anchor us — humble, familiar, and made by hand.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eMaia Kreisler is a cross-disciplinary Māori artist whose practice explores the human condition and our complex relationship with the environment, with a primary focus on value creation through art. Working predominantly with uku (clay), Maia has exhibited both nationally and internationally for over twenty years.\u003cbr\u003eMaia holds a Bachelor of Fine Arts (Honours) from Massey University, Wellington, and a Diploma in Māori Art and Design, awarded in 2017 after studying under renowned Māori uku master, Wi Taepa. Her artworks are held in esteemed public and private collections, including Peter McLeavey Gallery, the Wallace Arts Trust, Wellington Museum, Puke Ariki Museum, the Wellington City Art Collection, and The Dowse Art Museum. In addition to her artistic practice, Maia has held roles within government and local councils, representing her hapū and iwi.  \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKa Mua, Ka Muri - Walking Backwards into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKa Mua, Ka Muri — Walking Backwards into the Future — is a powerful Māori concept that acknowledges the past as a guiding force. We move forward with our backs to the future, eyes fixed on what has come before. The works reflect this ideology, drawing strength and insight from memory, tradition, and ancestral wisdom. Black silhouettes evoke timeless human forms, while intricate kowhaiwhai patterns flow across them, symbolising genealogy, continuity, and the ever-present influence of whakapapa. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/ka-mua-ka-muri-walking-backwards-into-the-future\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHandbuilt ceramic, black iron oxide, silver-painted surface\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  17 \u003cspan\u003ex 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maia Kreisler","offers":[{"title":"Default Title","offer_id":46538815045850,"sku":"C-MRM018","price":1800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/309_Craft_Products_May_C_Armstrong_2025.jpg?v=1749525840"},{"product_id":"julienne-lewis-large-fallout-series-vertical-sculpture-2","title":"Julienne Lewis — Large 'Fallout Series', Vertical Sculpture #2","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJulienne Lewis is a ceramic artist whose work has a timeless, fossil-like quality, giving the impression of having been found rather than created. Her art responds powerfully to human experience, aiming to elicit an emotional reaction from the viewer. The hand-built sculptural vessels she creates are surprisingly light, embodying both fragility and strength. Through carving, layered slips and multiple firings, she explores the link between culture and landscape which deeply influences her approach to colour, form and texture. Refining her artistic expression over decades, eventually culminated in formal, life-changing ceramics training at SOCA. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e\u003cspan\u003eceramic, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 14 x 27 x 9cm\u003c\/p\u003e","brand":"Julienne Lewis","offers":[{"title":"Default Title","offer_id":46697299837146,"sku":"C-JLE039","price":1100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/319_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1752803782"},{"product_id":"hamish-donaldson-etheric-clowns-in-red-copy","title":"Hamish Donaldson — 'Etheric Clowns' in Red","description":"\u003cp\u003eSculptural blown glass vessels playfully emerging with etheric nature from a central glass sphere. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHamish Donaldson is a glass artist based in Mornington Peninsula. He comes from a lineage of glass artists, from his grandparent's glass engravings to his parents both being glass blowers. Hamish has been around glass all his life. Gaining his early training in the family's studio before completing the JAM Factory associateship in Adelaide.\u003c\/p\u003e\n\u003cp\u003eHamish is now based back on the Victorian Mornington peninsula where he is working out of the family studio. He is currently focusing on producing a range of production and art works taking inspiration from the natural world and the deeper mysteries lying within it that can remind us of our deeply connected and interwoven oneness.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e Blown Glass\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 31 x16 x16cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Hamish Donaldson","offers":[{"title":"Default Title","offer_id":46711816782042,"sku":"G-HD010","price":1100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/035_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753144652"},{"product_id":"belinda-wiltshire-asterisk-sculpture-2024","title":"Belinda Wiltshire — 'Asterisk' Sculpture, 2024","description":"\u003cp\u003eAsterisk, 2024 is an original, one of a kind sculptural artwork. The piece is comprised of two parts and stands on end supported by a steel rod fixed to a minimal steel base. The piece was made using wheel throwing and hand building techniques and decorated with a series of hand brushed Black Iron Oxide lines.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelinda Wiltshire is a ceramics artist and painter based in Melbourne\/Naarm. \u003c\/em\u003e\u003cem\u003eWiltshire's ceramic sculptures are made predominately on the wheel, she then constructs the final forms by joining and altering sections through hand building. Her pieces are often decorated with a limited palette of metallic glazes and black iron oxide. For more intricate sculptural works she will extend the process after firing to incorporate elements such as steel armature, paint, brass, and epoxy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough the progression of her ceramics practice, Wiltshire has abandoned functionality and moved toward producing purely sculptural artworks. This shift has allowed her to explore interests in architecture, geometry, engineering, and design, and bring rudimentary elements of these influences into the medium of clay in an intentionally human and sympathetic way. A sense of play and spontaneity in design are important to her work, which she introduces through unexpected angles, hidden joins, and the quiet revealing of details. \u003c\/em\u003e\u003cem\u003eRecently Wiltshire featured in The Design Files Studio Visit (2022), as well as two solo exhibitions at Michael Reid Clay, Northern Beaches, NSW \u0026amp; Sorse Gallery, Brunswick, VIC( 2023).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003emidfire clay, black iron oxide, steel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 55 x 16 x 16cm\u003cbr\u003e\u003c\/p\u003e","brand":"Belinda Wiltshire","offers":[{"title":"Default Title","offer_id":46712509169882,"sku":"C-BEW027","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/009_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753150636"},{"product_id":"laura-velef-specimen-gully-vessel-2","title":"Laura Veleff — 'Specimen Gully' Vessel #2","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with eucalyptus ash glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, eucalyptus ash glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  14 x 14 x 14cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719229722842,"sku":"C-LV002","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/192_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753323750"},{"product_id":"laura-velef-specimen-gully-vessel-3","title":"Laura Veleff — 'Specimen Gully' Vessel #3","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, , ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  33.5 x 24 x 24cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719294636250,"sku":"C-LV003","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/159_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753324059"},{"product_id":"laura-velef-specimen-gully-vessel-11","title":"Laura Veleff — 'Specimen Gully' Vessel #11","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 33 x 22.5 x 22.5\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719875285210,"sku":"C-LV011","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/156_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753325680"},{"product_id":"laura-velef-specimen-gully-vessel-12","title":"Laura Veleff — 'Specimen Gully' Vessel #12","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected rock inclusions. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, collected rocks, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 26 x 12 x 12\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719959400666,"sku":"C-LV012","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/174_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753326977"},{"product_id":"laura-velef-specimen-gully-vessel-15","title":"Laura Veleff — 'Specimen Gully' Vessel #15","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 23 x 14 x 14\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46720180060378,"sku":"C-LV015","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/186_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753327414"},{"product_id":"laura-velef-specimen-gully-vessel-17","title":"Laura Veleff — 'Specimen Gully' Vessel #17","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 20 x 16 x 16\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46720932937946,"sku":"C-LV017","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/183_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753333389"},{"product_id":"laura-velef-specimen-gully-vessel-22","title":"Laura Veleff — 'Specimen Gully' Vessel #22","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and uses collected white ochre that has been processed by the artist to create a textured slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, white ochre slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32.5 x 22 x 22\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721005519066,"sku":"C-LV022","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/166_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334666"},{"product_id":"laura-velef-specimen-gully-vessel-23","title":"Laura Veleff — 'Specimen Gully' Vessel #23","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and collected yellow ochre that has been processed by the artist to create a textured slip glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, ochre oxide slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32 x 25 x 25\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721036878042,"sku":"C-LV023","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/153_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334814"},{"product_id":"allison-mueller-journey-4-sculpture","title":"Allison Mueller — 'Journey #4' Sculpture","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eA decorative, wheel formed ceramic sculpture. Handmade raku additions are individually placed into the initial form creating a strip of abundant texture.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003ewhite raku, paper clay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 50\u003cspan\u003e x 10cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":46816764100826,"sku":"C-AMU011","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/028_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756256884"},{"product_id":"allison-mueller-journey-1-sculpture","title":"Allison Mueller — 'Journey #1' Sculpture","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eA decorative, wheel formed ceramic sculpture. Handmade raku additions are individually placed into the initial form creating a strip of abundant texture.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003ewhite raku, paper clay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 50\u003cspan\u003e x 10cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":46816768852186,"sku":"C-AMU013","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/037_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756257351"},{"product_id":"scott-elk-landscape-urn-2025","title":"Scott Elk — 'Landscape' Urn, 2025","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this work, life is depicted as a landscape we traverse, with colour acting as a remnant of that life. Life is movement and colour. The primary form Elk uses in his ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 38\u003cspan\u003e x 26 x 26cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":46816777666778,"sku":"C-SE006","price":2600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/017_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756258530"},{"product_id":"scott-elk-dusk-dust-hydria-urn-2025","title":"Scott Elk — 'Dusk + Dust' Hydria Urn, 2025","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eA colourful Greek inspired hydria vessel. \u003c\/span\u003e\u003cspan\u003eThe vessel is part of a series exploring the processing of grief. While the abstracted landscape depicted in the glazing is Australian, El was inspired by the experience of snow falling on a recent trip to North America. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan\u003e\"As the snow fell, I saw it as this exchange; the snow was falling from the sky bringing with it happiness, as my sadness, my grief, worked in the opposite way, lifting from me and drifting away.\" \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan\u003eThe artwork is referencing the hydria from ancient Greece; used to store, transport, and serve water. The snow is the hydration the hot-landscape depicted needs.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 47 \u003cspan\u003e x 23 x 22cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":46819197419738,"sku":"C-SE006","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/008_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756338389"},{"product_id":"belle-thierry-monument-i-2025","title":"Belle Thierry — 'Monument I', 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e\u003cspan\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e—\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese works stand as two mirroring monuments. A stacked assemblage of varying textures and materials all which are salvaged and imbued with their own history. \u003c\/p\u003e\n\u003cp\u003eThe stone which includes limestone, bluestone and sandstone has been sourced from a heritage stonemason: offcuts and discarded fragments from previous restorations. The time worn fragments have been exposed to the elements leaving behind a trace of their former lives.  Atop the arrangement sits a hand carved sphere shaped from a small remnant of Statuario marble. The carving process revealing the stones inherent character and material qualities. Stone waste generated during this process has been repurposed to form the plinth, grounding the composition in a closed cycle of transformation and reuse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelle Thierry is an Australian artist and sculptor. Thierry graduated with a bachelor of fine art from RMIT university in 2021. Her practice is grounded in a sensitive engagement with natural materials, particularly stone. Rather than imposing form, Thierry allows each piece to emerge through an intuitive process of refinement and reduction, where the original essence of the stone is honoured yet transformed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough subtle reductions and careful shaping, she highlights both fragility and strength, achieving a quiet harmony between intervention and preservation. Her sculptures invite a deeper awareness of the material world and the slow, often unseen processes that shape it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan\u003eGypsum with stone waste and earth pigment, salvaged Limestone, Statuario marble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e65cm x 25cm x 25cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Belle Thierry","offers":[{"title":"Default Title","offer_id":47006435672282,"sku":"C-BT007","price":6200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_070.jpg?v=1762477725"},{"product_id":"sam-woo-ram-choi-forgotten-wood-reborn-i-2025","title":"Sam Woo-Ram Choi — Forgotten Wood, Reborn I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cp class=\"container\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003eForgotten wood, once abandoned, was broken, burned, and scarred. In this process of destruction and repair, new patterns and colours surfaced, revealing the quiet resilience of the material.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/p\u003e\n\u003cp\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePohutukawa (New Zealand native timber), brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 15.5 x 26 x 26cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47011923263706,"sku":"W-SWC001","price":2400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_184.jpg?v=1760582288"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/Done_Undone_Install_08_1_1.jpg?v=1784165100","url":"https:\/\/shop.craft.org.au\/collections\/client-collection-homeroom-studio.oembed","provider":"SHOP@Craft","version":"1.0","type":"link"}