{"title":"Client Collection: Golden","description":"\u003cp\u003e4 The Quarterdeck, Noosa\u003c\/p\u003e\n\u003cp\u003eAugust 2026\u003c\/p\u003e","products":[{"product_id":"ferro-forma-big-spoons-in-sterling-silver","title":"Ferro Forma — Big Spoons in Stainless Steel","description":"\u003cp\u003eA set of two large stainless steel serving spoons.\u003c\/p\u003e\n\u003cp\u003eThe Big Spoons are imagined for serving plates of delicious home-cooked food to family and friends gathered around the table.\u003c\/p\u003e\n\u003cp\u003eThe Big Spoons are designed to be use in two ways, the flatter side of the spoons facing inwards when serving from a flat open dish and use the curved side facing inwards to catch those sneaky tomatoes at the bottom of a deep salad bowl.\u003c\/p\u003e\n\u003cp\u003ePresented in a gift box.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eStainless steel\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 8cm x 27cm\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":41428815970472,"sku":"P-FF001","price":260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/FerroForma-Flatware-BigSpoonsSQR_Master72dpi_1200x_52c0b099-0082-4fd4-afd9-07c2ca471081f.jpg?v=1732500076"},{"product_id":"ferro-forma-cheese-tools-in-stainless-steel","title":"Ferro Forma — Cheese Tools in Stainless Steel","description":"\u003cp\u003eA set of three handcrafted stainless steel Cheese knives.\u003c\/p\u003e\n\u003cp\u003eCarefully crafted, they play on the manipulation of a single flat sheet of metal through a combination of folds, to create a functional and intriguing piece of cutlery -\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ea deceptively simple structure for the simple pleasure of savouring cheese.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cem\u003e \u003c\/em\u003eCheese Tools are perfect for cutting into a gooey camembert or smoky cheddar, even spreading dips onto crisp crackers. Contemporary and architectural in design, they are a stunning accompaniment to you cheese platters and perfect for food lovers.\u003c\/p\u003e\n\u003cp\u003eThe set includes three knives, a hard cheese knife, a soft cheese knife and a spreading knife.\u003c\/p\u003e\n\u003cp\u003ePresented in a gift box \u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eStainless steel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 21cm each\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":41428921680040,"sku":"P-FF006","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/FerroForma-Flatware-CheeseKnivesSQR_2000px72dpi_1200x_013317dc-c458-4271-a1b1-588bda0d3cb0.jpg?v=1732499616"},{"product_id":"owen-rye-pink-jar-3-20","title":"Owen Rye — Blue Jar","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of a curated selection of significant works from master potter, Owen Rye. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335559739\":160,\"335559740\":259}'\u003e———\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOwen Rye (b 1944) from Australia is a member of the International Academy of Ceramics. He is known internationally for being at the forefront of the contemporary woodfiring movement. Through his artwork, his writing and his teaching many ceramic artists have been inspired to follow the woodfirer’s path. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently for health reasons he has ceased woodfiring and is working with a variety of glazes on stoneware, and photography and sculpture projects. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompleting his doctorate in 1970, the first in Australia in the ceramic arts, he worked with archaeologists at the Smithsonian Institution in Washington DC and the Prehistory Department, ANU. From 1980 he taught ceramics in art schools for 25 years, at the Canberra School of Art and then at Monash University Gippsland, there mainly supervising postgraduate students. About 80 of them graduated. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis teaching has included giving workshops on woodfiring in Australia, the USA and Europe and many public lectures. He has curated woodfire survey exhibitions and he organised the first Australian woodfiring conference in 1986, the precursor to many woodfire conferences and to the Gulgong ceramics events. He retired from art school teaching in 2004. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe has exhibited in Australia and internationally and is represented in public collections in USA, China, Korea, Germany, France, and many Australian collections including the Australian National Gallery, most state and many regional galleries, and in private collections. His recent artist-in-residency stints were in China, Korea, USA and Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis extensive writing has been published in many ceramics magazines around the world, and he is author of five books including The Art of Woodfire, published in 2011. The most recent are a memoir, Beyond Short Street, published by Australian Scholarly; and a book on Palestinian potters; both 2021 publications. He has conducted online and in person workshops on writing. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e——\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"12sdm\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/p\u003e\n\u003cp data-block-key=\"fhtm\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/p\u003e\n\u003cp data-block-key=\"a24ca\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e——\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003estoneware, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eapprox. 39cm x 23cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eContact a Craft consultant shop@craft.org.au for more information or to commission a similar work \u003c\/span\u003e\u003c\/p\u003e","brand":"Owen Rye","offers":[{"title":"Default Title","offer_id":42483146948826,"sku":"C-OR106","price":1495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_061.jpg?v=1728440381"},{"product_id":"anastasia-la-fey-the-uncertain-behaviour-of-clouds-2021","title":"Anastasia La Fey — 'The Uncertain Behaviour of Clouds 1', 2021","description":"\u003cp\u003e\u003cem\u003eThe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUncertain Behaviour of Clouds\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eproject, proposes to build upon the conceptual framework of an existing body of work to develop and create a small series of new \"light and sculpture\" objects that sit at the nexus of contemporary sculpture, environmental art and functional craft. Using research around the concept of \"Cloud Feedback\" and how the clouds are changing alongside meteorological\/ atmospherically optics as inspiration, artist\/maker Anastasia La Fey and collaborator, lighting designer Darcy Jones (Studio Mungo) propose to bring together complex material manipulations and sustainable design methodologies to create works not only embedded with both form and function but that encourage deeper consideration about the environment we inhabit and our impact upon it. Sustainable design methodologies and environmental concerns are to be embedded into these works at every level. They embody a holistic design approach that weaves together artistic value, design integrity, social \u0026amp; environmental idealism and an understanding that the objects we make impact the world we place them in.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAnastasia La Fey is a multidisciplinary artist based in Naarm\/Melbourne on \u003cspan data-mce-fragment=\"1\"\u003eWurundjeri Woi-wurrung\u003c\/span\u003e Country. La Fey is working across realms of textile artistry, inhabitable sculpture, installations and photography to create ephemeral, environmental and collaborative multi-form works. Her work is exploratory and experimental, investigating concepts of inhabitation, isolation, transmutation, relationship to self and the environment.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLa Fey began her career as a couturier and costumier before pivoting to an art-based practice, freeing her from a particular way of making things.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"none\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}'\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eSilk\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eapprox. 140cm x 65cm\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003ePlease note: \u003c\/strong\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW232559532 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003eAll works are made to order on an\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"NormalTextRun ContextualSpellingAndGrammarErrorV2Themed SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003e8-12 week\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW232559532 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003elead time and will vary slightly in dimension.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"EOP SCXW232559532 BCX0\" data-ccp-props='{\"201341983\":1,\"335551550\":1,\"335551620\":1,\"335559740\":360}' data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-mce-fragment=\"1\"\u003eContact a Craft consultant\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003ca class=\"Hyperlink SCXW190045288 BCX0\" href=\"mailto:shop@craft.org.au\" data-mce-href=\"mailto:shop@craft.org.au\" target=\"_blank\" data-mce-fragment=\"1\"\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun Underlined SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-ccp-charstyle=\"Hyperlink\" data-mce-fragment=\"1\"\u003eshop@craft.org.au\u003c\/span\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan data-contrast=\"none\" lang=\"EN-AU\" class=\"TextRun SCXW190045288 BCX0\" xml:lang=\"EN-AU\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW190045288 BCX0\" data-mce-fragment=\"1\"\u003e\u003cspan\u003e \u003c\/span\u003efor more information or to commission a similar work.\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Anastasia La Fey","offers":[{"title":"Default Title","offer_id":42494760845530,"sku":"14177","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CRAFT_LR-8_5b146c79-1335-49ca-9083-c3aad56d7ba8.jpg?v=1728439020"},{"product_id":"christopher-plumridge-12-oyster-plate-in-crystaline-matt-black-1","title":"Christopher Plumridge  — '12' Oyster Plate in Crystaline Matt Black","description":"\u003cp\u003e\u003cspan\u003eA perfectly proportioned plate to serve a dozen oysters and a slice or two of lemon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChristopher Plumridge is the artist behind Claystone Pottery in Highett, Victoria. His work is highly regarded for its precision, studied form and exquisite use of glazes. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOriginally studying in the 70s under Chinese, Japanese, English and Australian potters, his work has been featured in countless publications and his thriving practice includes commissions for the likes of Attica and the National Gallery of Australia. His outstanding work with glazes is the result of long term development of formulae he originally began testing as a student and have been refined through years of practice. This extensive research and development ensures that the colour, texture and depth remain utterly unique. His pieces are some of the last of individually made industrial quality, commercial ceramic wares to be created in Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e porcelain, crystaline matt black glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30cm x 25cm\u003c\/p\u003e","brand":"Christopher Plumridge","offers":[{"title":"Default Title","offer_id":44118970859738,"sku":"C-CP550","price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CHris_Plumridge_Oyster_Plate-2_1f607d1f-e021-46da-a596-3f840efb7f67.jpg?v=1696554053"},{"product_id":"christopher-plumridge-12-oyster-plate-in-white-pearl-1","title":"Christopher Plumridge  — '12' Oyster Plate in White Pearl","description":"\u003cp\u003e\u003cspan\u003eA perfectly proportioned plate to serve a dozen oysters and a slice or two of lemon. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChristopher Plumridge is the artist behind Claystone Pottery in Highett, Victoria. His work is highly regarded for its precision, studied form and exquisite use of glazes. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOriginally studying in the 70s under Chinese, Japanese, English and Australian potters, his work has been featured in countless publications and his thriving practice includes commissions for the likes of Attica and the National Gallery of Australia. His outstanding work with glazes is the result of long term development of formulae he originally began testing as a student and have been refined through years of practice. This extensive research and development ensures that the colour, texture and depth remain utterly unique. His pieces are some of the last of individually made industrial quality, commercial ceramic wares to be created in Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e porcelain, pearl white glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 30cm x 25cm\u003c\/p\u003e","brand":"Christopher Plumridge","offers":[{"title":"Default Title","offer_id":44118975119578,"sku":"C-CP549","price":180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CHris_Plumridge_Oyster_Plate-9_9720e0d6-6b80-49c0-a09e-ff1cd3f378c0.jpg?v=1765856965"},{"product_id":"copy-of-katie-ann-houghton-tall-carved-babushka-decanter","title":"Katie-Ann Houghton – Tall Carved 'Babushka' Decanter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCarved Bamboo style Babushka Decantor with black glass stopper.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":44119009067226,"sku":"G-KAH091","price":345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/H-Trumble_Craft-Oct-Product_100.jpg?v=1696548862"},{"product_id":"ferro-forma-serving-tongs-in-brass-and-stainless-steel","title":"Ferro Forma — Serving Tongs in Brass and Stainless Steel","description":"\u003cp\u003eA NEW addition to the handcrafted flatware offering, this collection has some special care notes.\u003cbr data-mce-fragment=\"1\"\u003eFerro Forma's brass handles are waxed, however they will continue to age and patina over time and especially with fingerprints and water droplets. We love this 'living' patina of the brass and the rich unique character it brings to each cutlery piece. The changing patina is a natural and intended part of the product.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estainless steel, brass\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 210 x 50mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":44119383081178,"sku":"P-FF010","price":340.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_211.jpg?v=1698817372"},{"product_id":"tantri-mustika-2026","title":"Tantri Mustika — 'Kebakaran Vessel', 2023","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis vessel pays homage to the central importance of fire in Balinese culture, where it symbolises purification, transformation, and a connection between the human and spiritual realms. The choice to use black clay symbolises the contrast of fire being revered for its transformative and purifying qualities, whilst also being associated with dark and chaotic forces.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTantri Mustika is a Melbourne-based ceramicist who makes unique and colourful ceramics by incorporating meticulously hand-stained and marbled clays, mimicking characteristics of natural stones. Her interest in the material capabilities of clay can be seen as a catalyst of her practice; producing small batches allows each piece to be unique and one of a kind through the techniques employed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003eEveryone’s heard of a dragon \u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003eCurated by James Lemon and Bobby Corica\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e11 November  23 – 27 January 24\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/everyones-heard-of-a-dragon\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eRead about the exhibition\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28.5 x 21cm\u003c\/p\u003e","brand":"Tantri Mustika","offers":[{"title":"Default Title","offer_id":44201097199834,"sku":"C-TAM007","price":1650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct-Product_018.jpg?v=1698364507"},{"product_id":"ferro-forma-server-in-brass-and-stainless-steel","title":"Ferro Forma — Server in Brass and Stainless Steel","description":"\u003cp\u003eA NEW addition to the handcrafted flatware offering, this collection has some special care notes.\u003cbr data-mce-fragment=\"1\"\u003eFerro Forma's brass handles are waxed, however they will continue to age and patina over time and especially with fingerprints and water droplets. We love this 'living' patina of the brass and the rich unique character it brings to each cutlery piece. The changing patina is a natural and intended part of the product.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estainless steel, brass\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 320 x 65mm\u003c\/span\u003e\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":44217558696154,"sku":"P-FF007","price":325.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/products\/Craft-Oct30_215.jpg?v=1698803851"},{"product_id":"ferro-forma-small-wagtail-scoop-in-stainless-steel","title":"Ferro Forma — Large 'Wagtail' Scoop in Stainless Steel","description":"\u003cp\u003eA NEW addition to Ferro Forma's Signature Flatware Collection. Avaliable in two sizes, each scoop is individually formed into a shallow bowl like shape and the handle hand hammered for a gentle curve and a beautiful texture across its surface. This touch of the makers hand really gives every scoop its own unique character. Simple to care for and dishwasher safe.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFerro Forma is a metalsmithing workshop run by creative duo Alison Jackson and Dan Lorrimer, based in Wigwigly\/Braidwood, NSW. Specialising in handcrafted, small batch edition objects they combine their shared expertise to create contemporary jewellery, flatware and vessels. Using a wide range of traditional and modern metal-forming techniques they pair fine hand skills with hand machining and complex industrial processes, using machinery that spans from the 1850s to today - blending old-world making with contemporary design.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJackson completed a Bachelor of Arts in Gold and Silversmithing with Honours in 2008, and began her independent studio in 2013. Lorrimer completed a Bachelor of sculpture in 2009 and established his own studio in 2011. The duo joined forces creating Ferro Forma in 2021 and were part of Select for Melbourne Design Week, 2022.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estainless steel\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 70mm diameter\u003c\/span\u003e\u003c\/p\u003e","brand":"Ferro Forma","offers":[{"title":"Default Title","offer_id":44217558859994,"sku":"P-FF013","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_228_a561932c-5102-4ce5-9724-b9031efd8f5b.jpg?v=1698817316"},{"product_id":"steph-wallace-void-iv-sculptural-vessel-2023","title":"Steph Wallace — 'Void IV' Sculptural Vessel, 2023","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003ci\u003eHolding the Void\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eresponds to this landscape, hollowed by centuries of gold extraction and forever altered both in its physical essence and cultural tapestry. Often challenging the concept of vessel, this collection of sculptural forms contain within only their own negative space, the void. These monolithic forms with expansive rim and abstract surfaces reference this hollowed earth and disrupted terrain in a contemplation of impermanence, erosion and decay.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003eHolding the Void\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003eAtrium\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e25 January – 2 March'24\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":259}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"13rw0\"\u003e\u003cspan\u003eCreated in a studio shaken daily by the explosions of contemporary gold mining, these works are an exploration of the land on which the artist resides, Wadawarrung Country, Ballarat.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003e\u003cspan data-contrast=\"none\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003eRead about the\u003cspan\u003e \u003c\/span\u003eexhibition\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eceramic, glaze, polymer compound, metal leaf. Not watertight.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan data-mce-fragment=\"1\"\u003e32cm x 26cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":44437401862362,"sku":"C-SWA006","price":1700.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/240115_SF_CRAFTVICTORIA_0087.jpg?v=1705621328"},{"product_id":"lauren-joffe-equilibrium-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 31 x 42 x 47cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":44521551691994,"sku":"C-LAJ012","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_E-COMMERCE_SF_240205.jpg?v=1707440166"},{"product_id":"scott-elk-dusk-and-dust-plate-ii-wall-work-2024-copy","title":"Scott Elk — 'Dusk and Dust Plate II' Wall Work, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003eThis ceramic plate with ascension ring motif is part of Scott's latest series Dusk + Dust, an exploration of grief that began with the creation of a soundscape. The series was initiated by the loss of Scott's father and serves as a meditation on grief and the journey through the grieving process. \u003c\/span\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this body of work, life is depicted as a landscape we traverse, with color acting as a remnant of that life. Life is movement and colour. The recurring ring motif symbolizes the transition of energy up and out into the ether of the great nothingness. Through these themes of grief, the work also speaks to the beauty, harshness, and vitality of a uniquely Australian landscape. The primary form I use in the ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e28 x 28 x 4cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":45911472111834,"sku":"C-SE005","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/333_Craft_Products_241021.jpg?v=1730259559"},{"product_id":"studio-kaytar-table-lamp-1","title":"Studio Kaytar — 'Alter' Table Lamp in Aluminium and Beeswax Linen, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan\u003eHandcrafted by the alchemy of sand-cast metal and beeswax-coated linen, the Alter table lamp symbolises the unity of matter, spirit, and energy. These sculptural light works take their form from alchemic symbols. Like alchemy, which transforms matter and spirit, Kaytar’s process aims to change materials and imbue them with new life. The spheres are solid metal, hand sand-cast, and left raw to develop a natural patina with a living presence. The shade, constructed from flax linen, has been coated in beeswax to create a sculptural quality that emits the soft scent of beeswax to delight the senses. The circular form and materials used in the Alter works represents completeness and unity, symbolising the constant transformation and evolution of matter and energy. The solid metal spheres reflect the idea that all elements and forces in the universe are part of a greater whole, embodying the eternal cycle of creation, destruction, and transformation.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian living on Turrbal and Yuggera country. Since beginning her creative journey in textile design, Kaytar has developed her stylistic vocabulary in the creation of objects and space over more than 20 years. Kaytar’s artistic process is guided by alchemic experimentation and the modification of natural matter. This focus on transformation is borne of her interest in the consciousness of things. Working with materials from nature, such as metal, flax, minerals and beeswax – all selected for their symbolic associations – Kaytar believes that this matter, when imbued with her human touch, becomes animate. This spark of life is not only present during the process of artistic transformation, but also resonates with viewers interacting with Kaytar’s finished forms. The artist’s hope is that her works in lighting, sculpture, textiles and the built environment take us to realms of sensory pleasure, memory and contemplation, allowing us to regain a sense of awe in all things.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e \u003cspan\u003eSand-cast aluminium, flax linen, beeswax, iron An E27 pin plug linen cable cord with on\/off inline switch is included with purchase. Can be made-to-order 8-10 weeks.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e35 x 35 x 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eMade to Order:\u003c\/strong\u003e this work is made to order, with a lead time of 4-6 weeks\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":45922269266138,"sku":"M-SK004","price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_Craft_Products_241021.jpg?v=1730247816"},{"product_id":"allison-mueller-dotty-sculpture-2024","title":"Allison Mueller — 'Dotty' Sculpture, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan\u003eThe surfaces of these works by Manly based artist Allion Mueller are inspired by the mass loss of Ribbon Gum that scar the ridges on the stretch of Highway south of Cooma, haunting the vast open landscape. The surfaces of these works take inspiration from the harsh and colourless, bleached paddocks, which are occasionally blanketed by snow in Winter. Alabaster and ivory from the snow and dried grasses and graphite and charcoal from the decaying trees and strange rocks. Simple wheel formed shapes are altered and joined, the surfaces are contrasted with matt and glossy, rough and smooth, hard and soft. Each piece exists as a reminder of this curious region. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003eraku clay, black clay, glazed\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e36 x 11 x 13cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":45948255174874,"sku":"C-AMU007","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2529_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1731632828"},{"product_id":"angela-hayes-reflections-on-a-bright-day-in-the-city-sculptural-vessel","title":"Angela Hayes — 'Reflections on a Bright Day in the City I' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis handmade ceramic piece originates from a body of work which focused on the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic slab forms. It is watertight to hold exquisite floral display yet departs from purely functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand crafted ceramic, slab built, stoneware, muti-firing, glazes, oxides\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. \u003c\/span\u003e34 x 20 x 8.5 cm\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":45976449646810,"sku":"C-AH018","price":1320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2733_Craft_Product_KateShanasy_Oct2024_lores_71aaa1a7-a382-4caa-b766-7bc95bfcacfa.jpg?v=1752195584"},{"product_id":"katie-ann-houghton-square-carved-babushka-decanter","title":"Katie-Ann Houghton – Square Carved 'Babushka' Decanter","description":"\u003cp\u003eCarved Bamboo style Babushka Decantor with smoke black glass stopper.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":46006371713242,"sku":"G-KAH097","price":345.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/2461_Craft_Product_KateShanasy_Oct2024_lores.jpg?v=1732667581"},{"product_id":"steph-wallace-fragment-sculptural-vessel-2024","title":"Steph Wallace — 'Fragment' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eIn an exploration of sustainable studio practices this sculptural work has been smoke fired in a reduction environment lending it a surface permanently imbued with carbon. Referencing traditional methods of pottery repair the work has been imbedded with hand formed brass staples. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, 12k gold lustre, brass, microcrystalline wax\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e25 x 18 x 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023735279834,"sku":"C-SWA023","price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_089.jpg?v=1733186182"},{"product_id":"steph-wallace-specimen-sculptural-vessel-2024","title":"Steph Wallace — 'Specimen' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan\u003eA sculptural form inspired by the historical gold diggings above which the artists studio is situated. The artist seeks to investigate the contemporary and historical context of the landscape. This work may not be completely watertight so caution should be advised.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, slip, stain, glaze, 12k gold lustre\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e33 x 26 x 26\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023773683930,"sku":"C-SWA029","price":1800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_094.jpg?v=1733187715"},{"product_id":"kate-jones-pink-singlet-on-sculptural-vessel-2024","title":"Kate Jones – 'Pink Singlet On', Sculptural Vessel, 2024","description":"\u003cp\u003e\u003cem\u003eKate Jones is a Melbourne-based artist with a practice grounded in clay. She has written about ceramic practice, material ethics, and impulses for making. Teaching is an integral part of her practice. In 2021, she completed a residency at Study in Brunswick called the Provenance Project, which combined politics, poetry, and pottery. Kate was also commissioned to create work for the inaugural exhibition From Impulse to Action at Bundanon Museum of Art in 2022 and through Craft, for Melbourne Now at the NGV in 2023. Currently, she is the president of The Australian Ceramics Association and is undertaking an MFA at VCA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta, slips, glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e approx.\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e66 x 34 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kate Jones","offers":[{"title":"Default Title","offer_id":46024042152154,"sku":"C-KAJ060","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_180.jpg?v=1733199786"},{"product_id":"mali-taylor-large-orbit-ornamental-vessel","title":"Mali Taylor — Large 'Orbit', Ornamental Vessel","description":"\u003cp\u003eThis Orbit Vase has been constructed through the methodical process of hand roll d coils using earthy stoneware clays that exhibit flecks of glossy minerals. The interior has been sealed with a lustrous white glaze which contrasts the organic matte exterior making this piece perfect to display your favourite collection of flowers. Each piece is innately unique and transcends the divide between art object and functional ware. \u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis large ornamental Orbit Vase has been constructed through the methodical process of hand rolled coils using earthy stoneware clays that exhibit flecks of glossy minerals.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Mali Taylor is a ceramic artist based in Naarm\/Melbourne. Her hand coiled works are inspired by dendrochronology (the study of tree rings), ripples in water and strata levels exposed in cliff faces and mountain ranges. The forms of her sculptural pieces are heavily influenced by topographical maps of mountains and natural landforms such as boulders, rocks, rivers and termite mounds. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Taylor was a finalist in Craft Victoria fresh! 2019 and received the Sofitel Melbourne on Collins, Emerging Craft Practitioner Award, 2019. Taylor completed a Bachelor of Fine Arts (Ceramics) at RMIT, 2019.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 48 x 48 x 20cm\u003c\/p\u003e","brand":"Mali Taylor","offers":[{"title":"Default Title","offer_id":46055152287962,"sku":"C-MT026","price":1900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_154.jpg?v=1734306552"},{"product_id":"lauren-joffe-equilibrium-iv-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium IV', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 58 X 42 X 32cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":46121284829402,"sku":"C-LAJ013","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/04_Craft_Products_Jan2025.jpg?v=1736989106"},{"product_id":"marian-fox-marking-place-making-space-i-sculptural-vessel","title":"Marian Fox — Marking place, making space I', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e67 x 21 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46194318770394,"sku":"C-MAF003","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_415.jpg?v=1740012749"},{"product_id":"marian-fox-marking-place-making-space-iii-sculptural-vessel","title":"Marian Fox — 'Marking place, making space II', Sculptural Vessel","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eThis hand built sculptural piece is both functional and decorative. The exterior is coated with liquid quartz, an industry product used to protect the surface of ceramics as well as making the work water tight.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e“\u003cspan\u003eThis is a reflection on the paths and roads we choose to take and avoid, our marking of space, the boarders and barriers we create and are confined by\u003c\/span\u003e” – Marian Fox.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eMarian Fox is a ceramic artist based in Ballarat, on Wadawurrung and Dja Dja Wurrung lands. Their practice is intuitive, with each piece emerging as a direct response to mood, focus, and influence at the time of making. Marian’s work often incorporates oxides, underglazes, and engobes, exploring themes of family history, landscape, and memory through color, line, and pattern.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eIn 2024, Marian was a demonstrator at Craft Lab. Previously, they were selected as a UNESCO representative to exhibit at the Traditional Craft and Folk Art Triennale in Jinju, South Korea (2023). That same year, their work was recognized by the National Emerging Art Prize as part of ACB Selects 2023\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fresh-2025\" rel=\"noopener\" target=\"_blank\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/a\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/three-makers-you-should-know\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003emid fired clay with engobe, oxide and underglaze pencil\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e66 x 22 x 21cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Marian Fox","offers":[{"title":"Default Title","offer_id":46196415693018,"sku":"C-MAF004","price":1470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_419.jpg?v=1740012793"},{"product_id":"maia-kreisler-kaihaukai-shared-meal-2025","title":"Maia Kreisler — 'Kaihaukai' (Shared Meal), 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThis work forms part of a major body of sculptural ceramics developed over two years by Māori artist Maia Kreisler.\u003c\/p\u003e\n\u003cp\u003eThis bowl reflects the simplicity and significance of returning home — for a meal, for comfort, for connection. The surface is softly burnished with silver, the inside luminous, like the welcome of a warm whare. A single koru rests on the outer wall, quiet and unembellished — a symbol of growth, return, and familial roots.\u003c\/p\u003e\n\u003cp\u003eKaihaukai gestures toward the act of gathering: sitting at a table, passing food, and speaking stories. It honours whānau, not through grand gesture, but through the objects that anchor us — humble, familiar, and made by hand.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eMaia Kreisler is a cross-disciplinary Māori artist whose practice explores the human condition and our complex relationship with the environment, with a primary focus on value creation through art. Working predominantly with uku (clay), Maia has exhibited both nationally and internationally for over twenty years.\u003cbr\u003eMaia holds a Bachelor of Fine Arts (Honours) from Massey University, Wellington, and a Diploma in Māori Art and Design, awarded in 2017 after studying under renowned Māori uku master, Wi Taepa. Her artworks are held in esteemed public and private collections, including Peter McLeavey Gallery, the Wallace Arts Trust, Wellington Museum, Puke Ariki Museum, the Wellington City Art Collection, and The Dowse Art Museum. In addition to her artistic practice, Maia has held roles within government and local councils, representing her hapū and iwi.  \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKa Mua, Ka Muri - Walking Backwards into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKa Mua, Ka Muri — Walking Backwards into the Future — is a powerful Māori concept that acknowledges the past as a guiding force. We move forward with our backs to the future, eyes fixed on what has come before. The works reflect this ideology, drawing strength and insight from memory, tradition, and ancestral wisdom. Black silhouettes evoke timeless human forms, while intricate kowhaiwhai patterns flow across them, symbolising genealogy, continuity, and the ever-present influence of whakapapa. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/ka-mua-ka-muri-walking-backwards-into-the-future\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHandbuilt ceramic, black iron oxide, silver-painted surface\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  17 \u003cspan\u003ex 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maia Kreisler","offers":[{"title":"Default Title","offer_id":46538815045850,"sku":"C-MRM018","price":1800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/309_Craft_Products_May_C_Armstrong_2025.jpg?v=1749525840"},{"product_id":"laura-velef-specimen-gully-vessel-2","title":"Laura Veleff — 'Specimen Gully' Vessel #2","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with eucalyptus ash glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, eucalyptus ash glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  14 x 14 x 14cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719229722842,"sku":"C-LV002","price":650.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/192_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753323750"},{"product_id":"laura-velef-specimen-gully-vessel-3","title":"Laura Veleff — 'Specimen Gully' Vessel #3","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, , ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  33.5 x 24 x 24cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719294636250,"sku":"C-LV003","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/159_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753324059"},{"product_id":"laura-velef-specimen-gully-vessel-12","title":"Laura Veleff — 'Specimen Gully' Vessel #12","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected rock inclusions. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, collected rocks, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 26 x 12 x 12\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719959400666,"sku":"C-LV012","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/174_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753326977"},{"product_id":"laura-velef-specimen-gully-vessel-22","title":"Laura Veleff — 'Specimen Gully' Vessel #22","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and uses collected white ochre that has been processed by the artist to create a textured slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, white ochre slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32.5 x 22 x 22\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721005519066,"sku":"C-LV022","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/166_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334666"},{"product_id":"laura-velef-specimen-gully-vessel-23","title":"Laura Veleff — 'Specimen Gully' Vessel #23","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and collected yellow ochre that has been processed by the artist to create a textured slip glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, ochre oxide slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32 x 25 x 25\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721036878042,"sku":"C-LV023","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/153_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334814"},{"product_id":"angela-hayes-radiant-1-sculptural-vessel","title":"Angela Hayes — 'Radiant #1' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis ceramic piece originates from a body of work which focuses on the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic handmade forms. The expressive application presents the delights the artist finds in her urban habitat. The vessel is watertight to hold exquisite floral display yet departs from purely functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand-built slab ceramic, stoneware, glazes \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 23.5 x 16.2 x 7.5cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":46723591045338,"sku":"C-AH025","price":910.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/389_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753410654"},{"product_id":"angela-hayes-radiant-2-sculptural-vessel","title":"Angela Hayes — 'Radiant #2' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis ceramic piece originates from a body of work which focuses on the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic handmade forms. The expressive application presents the delights the artist finds in her urban habitat. The vessel is watertight to hold exquisite floral display yet departs from purely functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand-built slab ceramic, stoneware, glazes \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 23.3 x 16.3 x 7cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":46723596681434,"sku":"C-AH026","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/387_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753410762"},{"product_id":"allison-mueller-journey-4-sculpture","title":"Allison Mueller — 'Journey #4' Sculpture","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eA decorative, wheel formed ceramic sculpture. Handmade raku additions are individually placed into the initial form creating a strip of abundant texture.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003ewhite raku, paper clay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 50\u003cspan\u003e x 10cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":46816764100826,"sku":"C-AMU011","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/028_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756256884"},{"product_id":"allison-mueller-journey-1-sculpture","title":"Allison Mueller — 'Journey #1' Sculpture","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cspan\u003eA decorative, wheel formed ceramic sculpture. Handmade raku additions are individually placed into the initial form creating a strip of abundant texture.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eOriginally trained as an Interior Designer, Allison’s career was as a Freelance Photographic Stylist. She worked for several major interior design magazines as a Contributor and Editor then moved to advertising, primarily consulting to Domayne as Stylist \/ Creative Director. Allison has completed a Diploma of Ceramics and in addition to her home studio she creates two days a week in the open studio program at northern beaches TAFE. While styling interiors, homewares and food shoots Allison became obsessed with vessels and decorative ceramic forms. The foundation shapes of her work are wheel formed then she adds, changes, alters or attaches elements to achieve interesting pieces. As a perfectionist she deliberately avoids this in her ceramic process. Her development of glazes and surfaces always provide visual interest, mixing matt with glossy, rough with smooth with a limited black or white palette she adds surface texture or glaze to wheel formed shapes designed to be decorative and not functional.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003ewhite raku, paper clay\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 50\u003cspan\u003e x 10cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Allison Mueller","offers":[{"title":"Default Title","offer_id":46816768852186,"sku":"C-AMU013","price":650.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/037_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756257351"},{"product_id":"corbet-kepler-tray-in-bronze","title":"Corbet — 'Kepler Tray', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe elliptical flat Kepler Tray features a bowl to house the small things we use every day: rings, keys or trinkets. \u003c\/span\u003e\u003cspan\u003eInspired by Johannes Kepler's first law of planetary motion from 1605, the tray pays homage to a lifelong love of space and to the impact of science on the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kepler tray is visually light and streamlined, almost floating, like the planets in their elliptical dance across the sky, that was accurately described by Kepler over 400 years ago.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 28 x 18 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.5kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817336197338,"sku":"M-SC005","price":550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/142_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275346"},{"product_id":"corbet-ufo-catchall-in-bronze","title":"Corbet — 'UFO Catchall', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eInspired by the shape of flying saucers from early science fiction, the UFO Catchall neatly balances on any shelf with a structural curved base. \u003c\/span\u003e\u003cspan\u003ePerfect for keys or coins, on a desk or side table. Also very inviting to play with.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced in sand cast bronze, each piece is finished by hand in our workshop before being rumble polished.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 13 x 13 x 2.5cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 0.7kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817353302234,"sku":"M-SC007","price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/138_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275729"},{"product_id":"corbet-backgammon-set-in-brass-and-american-walnut-1","title":"Corbet — 'Backgammon Set', in Brass and American Walnut","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThere is backgammon, and then there is backgammon. Designed as a feature piece for any room, this unique handmade walnut and brass set is a movable feast for the eyes and mind.\u003cbr\u003eA walnut base encloses a solid brass machined board with a hand aged and waxed finish, complimented by both raw and hand aged brass tokens and dice. After gameplay, the tokens and dice seamlessly slot back into place to restore the set as a decorative room feature.\u003cbr\u003eEach of these boards is hand made in small batches, subtle variations may occur.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCustomized engraving available.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e A\u003cspan\u003emerican walnut, raw and hand-aged brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 44 x 38 x 35cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 10kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46837551169754,"sku":"M-SC004","price":3790.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/184_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756274707"},{"product_id":"belle-thierry-monument-i-2025","title":"Belle Thierry — 'Monument I', 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e\u003cspan\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e—\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThese works stand as two mirroring monuments. A stacked assemblage of varying textures and materials all which are salvaged and imbued with their own history. \u003c\/p\u003e\n\u003cp\u003eThe stone which includes limestone, bluestone and sandstone has been sourced from a heritage stonemason: offcuts and discarded fragments from previous restorations. The time worn fragments have been exposed to the elements leaving behind a trace of their former lives.  Atop the arrangement sits a hand carved sphere shaped from a small remnant of Statuario marble. The carving process revealing the stones inherent character and material qualities. Stone waste generated during this process has been repurposed to form the plinth, grounding the composition in a closed cycle of transformation and reuse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelle Thierry is an Australian artist and sculptor. Thierry graduated with a bachelor of fine art from RMIT university in 2021. Her practice is grounded in a sensitive engagement with natural materials, particularly stone. Rather than imposing form, Thierry allows each piece to emerge through an intuitive process of refinement and reduction, where the original essence of the stone is honoured yet transformed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough subtle reductions and careful shaping, she highlights both fragility and strength, achieving a quiet harmony between intervention and preservation. Her sculptures invite a deeper awareness of the material world and the slow, often unseen processes that shape it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan\u003eGypsum with stone waste and earth pigment, salvaged Limestone, Statuario marble.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e65cm x 25cm x 25cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Belle Thierry","offers":[{"title":"Default Title","offer_id":47006435672282,"sku":"C-BT007","price":6200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_070.jpg?v=1762477725"},{"product_id":"sam-woo-ram-choi-forgotten-wood-reborn-i-2025","title":"Sam Woo-Ram Choi — Forgotten Wood, Reborn I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cp class=\"container\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003eForgotten wood, once abandoned, was broken, burned, and scarred. In this process of destruction and repair, new patterns and colours surfaced, revealing the quiet resilience of the material.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/p\u003e\n\u003cp\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePohutukawa (New Zealand native timber), brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 15.5 x 26 x 26cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47011923263706,"sku":"W-SWC001","price":2400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_184.jpg?v=1760582288"},{"product_id":"sam-woo-ram-choi-forgotten-wood-reborn-ii-2025","title":"Sam Woo-Ram Choi — Forgotten Wood, Reborn II, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cp class=\"container\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003eForgotten wood, once abandoned, was broken, burned, and scarred. In this process of destruction and repair, new patterns and colours surfaced, revealing the quiet resilience of the material.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePohutukawa (New Zealand native timber), brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 21 x 31 x 31cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47011925295322,"sku":"W-SWC002","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_177.jpg?v=1760582444"},{"product_id":"julienne-lewis-by-the-window-3-from-the-wind-series-2025","title":"Julienne Lewis — Fallout Series II - 043, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003eThe Fallout Series from Julienne Lewis explores vessels that are a potent symbol of culture, reflecting a society's values and ethics.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eJulienne reinterprets this fundamental artifact to reflect the current climate, aiming to elicit an emotional response from the viewer. The hand-built sculptural vessels she creates are surprisingly light, embodying both fragility and strength. Through layered slips and multiple firings, she explores sustainability, form and texture, producing a range of vessels to illuminate our moment in time.\u003c\/p\u003e\n\u003cp\u003eCreated from the desire to seek beauty as a form of protest against injustice much is hidden in these pieces and only revealed with time and attention. The fossil-like quality connects with the past and the gaps in the forms remind us of our own impermanence. We are bonded by this reality of impending decay; we live in the ‘fallout’.\u003c\/p\u003e\n\u003cp\u003e‘In such ugly times, the only true protest is beauty.’ Phil Ochs\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJulienne Lewis’s ceramics reflect a lifelong pursuit of beauty as a counterbalance to life's injustices. Crafted from the earth, her pieces are intended to evoke a sense of the organic, referencing the human form, culture and emotions. Their timeless, fossil-like quality gives the pieces the\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eimpression of having been ‘unearthed’ rather than created.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe study of anthropology provided an opportunity for Julienne to hone her appreciation of the link between culture and landscape, deeply influencing her approach to colour, form and texture. Refining her artistic expression through garden design and jewellery making, eventually lead to the discovery of life-changing ceramics training at the School of Clay and Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv\u003e—\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSelection of clays, slips including iron oxide, copper, French black, black cobalt underglaze and kusnik. Multiple glazes and firings in oxidation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 36 x 19 x 15cm\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Julienne Lewis","offers":[{"title":"Default Title","offer_id":47012026384602,"sku":"C-JLE038","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_256.jpg?v=1760589886"},{"product_id":"julienne-lewis-fallout-series-ii-044-2025","title":"Julienne Lewis — Fallout Series II - 044, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003eThe Fallout Series from Julienne Lewis explores vessels that are a potent symbol of culture, reflecting a society's values and ethics.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eJulienne reinterprets this fundamental artifact to reflect the current climate, aiming to elicit an emotional response from the viewer. The hand-built sculptural vessels she creates are surprisingly light, embodying both fragility and strength. Through layered slips and multiple firings, she explores sustainability, form and texture, producing a range of vessels to illuminate our moment in time.\u003c\/p\u003e\n\u003cp\u003eCreated from the desire to seek beauty as a form of protest against injustice much is hidden in these pieces and only revealed with time and attention. The fossil-like quality connects with the past and the gaps in the forms remind us of our own impermanence. We are bonded by this reality of impending decay; we live in the ‘fallout’.\u003c\/p\u003e\n\u003cp\u003e‘In such ugly times, the only true protest is beauty.’ Phil Ochs\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJulienne Lewis’s ceramics reflect a lifelong pursuit of beauty as a counterbalance to life's injustices. Crafted from the earth, her pieces are intended to evoke a sense of the organic, referencing the human form, culture and emotions. Their timeless, fossil-like quality gives the pieces the\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eimpression of having been ‘unearthed’ rather than created.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe study of anthropology provided an opportunity for Julienne to hone her appreciation of the link between culture and landscape, deeply influencing her approach to colour, form and texture. Refining her artistic expression through garden design and jewellery making, eventually lead to the discovery of life-changing ceramics training at the School of Clay and Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSelection of clays, slips including iron oxide, copper, French black, black cobalt underglaze and kusnik. Multiple glazes and firings in oxidation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 31 x 20 x 15cm\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Julienne Lewis","offers":[{"title":"Default Title","offer_id":47012027957466,"sku":"C-JLE039","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_249.jpg?v=1760590058"},{"product_id":"julienne-lewis-fallout-series-ii-047-2025","title":"Julienne Lewis — Fallout Series II - 047, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cp class=\"container\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003eThe Fallout Series from Julienne Lewis explores vessels that are a potent symbol of culture, reflecting a society's values and ethics.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eJulienne reinterprets this fundamental artifact to reflect the current climate, aiming to elicit an emotional response from the viewer. The hand-built sculptural vessels she creates are surprisingly light, embodying both fragility and strength. Through layered slips and multiple firings, she explores sustainability, form and texture, producing a range of vessels to illuminate our moment in time.\u003c\/p\u003e\n\u003cp\u003eCreated from the desire to seek beauty as a form of protest against injustice much is hidden in these pieces and only revealed with time and attention. The fossil-like quality connects with the past and the gaps in the forms remind us of our own impermanence. We are bonded by this reality of impending decay; we live in the ‘fallout’.\u003c\/p\u003e\n\u003cp\u003e‘In such ugly times, the only true protest is beauty.’ Phil Ochs\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJulienne Lewis’s ceramics reflect a lifelong pursuit of beauty as a counterbalance to life's injustices. Crafted from the earth, her pieces are intended to evoke a sense of the organic, referencing the human form, culture and emotions. Their timeless, fossil-like quality gives the pieces the\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eimpression of having been ‘unearthed’ rather than created.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe study of anthropology provided an opportunity for Julienne to hone her appreciation of the link between culture and landscape, deeply influencing her approach to colour, form and texture. Refining her artistic expression through garden design and jewellery making, eventually lead to the discovery of life-changing ceramics training at the School of Clay and Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSelection of clays, slips including iron oxide, copper, French black, black cobalt underglaze and kusnik. Multiple glazes and firings in oxidation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 32 x 23 x 13cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Julienne Lewis","offers":[{"title":"Default Title","offer_id":47012031791322,"sku":"C-JLE047","price":3000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_237.jpg?v=1760590598"},{"product_id":"julienne-lewis-fallout-series-ii-052-2025","title":"Julienne Lewis — Fallout Series II - 052, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003eThe Fallout Series from Julienne Lewis explores vessels that are a potent symbol of culture, reflecting a society's values and ethics.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eJulienne reinterprets this fundamental artifact to reflect the current climate, aiming to elicit an emotional response from the viewer. The hand-built sculptural vessels she creates are surprisingly light, embodying both fragility and strength. Through layered slips and multiple firings, she explores sustainability, form and texture, producing a range of vessels to illuminate our moment in time.\u003c\/p\u003e\n\u003cp\u003eCreated from the desire to seek beauty as a form of protest against injustice much is hidden in these pieces and only revealed with time and attention. The fossil-like quality connects with the past and the gaps in the forms remind us of our own impermanence. We are bonded by this reality of impending decay; we live in the ‘fallout’.\u003c\/p\u003e\n\u003cp\u003e‘In such ugly times, the only true protest is beauty.’ Phil Ochs\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJulienne Lewis’s ceramics reflect a lifelong pursuit of beauty as a counterbalance to life's injustices. Crafted from the earth, her pieces are intended to evoke a sense of the organic, referencing the human form, culture and emotions. Their timeless, fossil-like quality gives the pieces the\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eimpression of having been ‘unearthed’ rather than created.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe study of anthropology provided an opportunity for Julienne to hone her appreciation of the link between culture and landscape, deeply influencing her approach to colour, form and texture. Refining her artistic expression through garden design and jewellery making, eventually lead to the discovery of life-changing ceramics training at the School of Clay and Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eSelection of clays, slips including iron oxide, copper, French black, black cobalt underglaze and kusnik. Multiple glazes and firings in oxidation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 19 x 14 x 12cm\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Julienne Lewis","offers":[{"title":"Default Title","offer_id":47012052435162,"sku":"C-JLE052","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_222.jpg?v=1762477958"},{"product_id":"steve-lees-ash-line-2025","title":"Steve Lees —  Ash Line, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDONE\/UNDONE \u003cbr\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/b\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003eThis hand-built sculptural wall installation doubles as a set of vessel for minimal floral arrangements or a standalone wall sculpture.\u003c\/p\u003e\n\u003cp\u003eThe work explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. The forms echo this principle of removal: each begins whole, then is carved back and altered, the subtraction of material revealing new detail and marks in the clay.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, porcelain slip, oxides, glaze, wood ash \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan style=\"font-size: 0.875rem;\"\u003e76 x 150 x 5cm, 1 artwork made up of 10 vessels\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030236709082,"sku":"C-SL012","price":12000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_679_20fc9f58-a8a5-4b49-9a40-893a3119c8d3.jpg?v=1760659957"},{"product_id":"steve-lees-bleach-round-vase-i-2025","title":"Steve Lees —  Bleach Round Vase I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 19 x 17 x 17cm\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030242083034,"sku":"C-SL013","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_117.jpg?v=1760660472"},{"product_id":"steve-lees-bleach-round-vase-ii-2025","title":"Steve Lees —  Bleach Round Vase II, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 24 x 20 x 20cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030244376794,"sku":"C-SL014","price":660.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_120.jpg?v=1760660552"},{"product_id":"steve-lees-bleach-round-vase-iii-2025","title":"Steve Lees —  Bleach Round Vase III, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp class=\"header\" id=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca rel=\"noopener\" title=\"Discover more about Joseph Gardner\" href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" rel=\"noopener\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 34 x 19 x 19cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030246703322,"sku":"C-SL015","price":720.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_123.jpg?v=1760660589"},{"product_id":"steve-lees-bleach-faceted-vase-i-2025","title":"Steve Lees — Bleach Faceted Vase I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 34 x 19 x 19cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030247129306,"sku":"C-SL016","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_111.jpg?v=1760660732"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/Done_Undone_Install_08_1_1_0c3c227b-5b2a-4565-baf1-f195d12430f5.jpg?v=1787107806","url":"https:\/\/shop.craft.org.au\/collections\/client-collection-golden.oembed?page=3","provider":"SHOP@Craft","version":"1.0","type":"link"}