{"title":"Client Collection: Chloe Matters x Craft","description":"\u003cp\u003eSelection of works I May 2026\u003c\/p\u003e","products":[{"product_id":"studio-dokola-d-mezza-forma-short-goblet-150mls","title":"Studio Dokola – Mezza Forma - Short Goblet 150mls","description":"\u003cp\u003e\u003cspan\u003eThese new tableware designs are a continuation of the process created in the series Liquid Stone. They take an experimental and nuanced approach to designing materials that are complementary to the glassblowing process. In doing so attention is focused on conceptualising finished forms in glass through long interactions with a different material. Mezza Forma meaning half form or half mould delineates this bridging of two material worlds but also references naive mould-making in the face of refined industrial craft heritage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReaching back to find provocative period styles, we recycle visual ideas of the past into tableware for new markets. Embracing the dynamic meaning of the word DOKOLA as a concept for objects - Dokola (Doh – kol – ah) can be simplified to mean around \u0026amp; around. Like turning a glassblowing pipe, recycling glass, or the resurgence of a past trend today. We consider this nutshell definition when thinking about designing, process, cyclic values, and trends.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheers!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 17 – January 7\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cb\u003ePresenting works by Anna Varendorff, Caro Pattle, Drew Spangenberg, Julian Leigh May, Katie-Ann Houghton, Kenny Yong-soo Son, Rowsaan, Studio Dokola, _Three Litres \u0026amp; Yeend Studio \u003c\/b\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cb\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/b\u003eCheers, salud, bottoms up! Along with the clink of a glass, this is the universally recognised sound of celebration. Ten Australian artists and makers from diverse material practises, have considered the experience of celebration to present one-off and limited-edition vessels and accompanying drinking accessories\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eAlso featured in:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eblown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e7 x 9.5 x 10cm\u003c\/p\u003e","brand":"Studio Dokola","offers":[{"title":"Default Title","offer_id":43456559481050,"sku":"G-BC013","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CraftCheers_LR-61_aaf0da05-956e-432a-b502-10ca55a992c1.jpg?v=1732573363"},{"product_id":"copy-of-georgia-weitenberg-bent-wood-chair-2021","title":"Georgia Weitenberg  — Bent Wood Chair, 2021","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"TextRun SCXW122793843 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003eBent Wood Chair\u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun SCXW122793843 BCX0\" lang=\"EN-AU\" data-contrast=\"auto\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e is an ironic one-liner\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e:\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003ea\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e wry description of exactly what is perceived, and by allusion, everything the chair is not when a Thonet Bentwood is the measure\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e...\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003ebut what if we \u003c\/span\u003e\u003cspan class=\"NormalTextRun AdvancedProofingIssueV2Themed SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003eactually liked\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e the alternative? A chair that was heavy and stocky and well, awkward? What if it was more relatable, even endearing? \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"TextRun Highlight SCXW122793843 BCX0\" lang=\"EN-AU\" data-contrast=\"none\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003eTh\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003eis\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e chair\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e is an uncanny mix of modernist and vernacular styles. Its distorted proportions challenge conventional taste and add a new, peculiar charm. \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003eP\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003erecision of machine fabrication \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003ehas been\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e combined \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003ewith the character and nostalgia of an archetypal chair to reimagine an object for the home in 2022.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW122793843 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"EOP SCXW187046525 BCX0\" data-ccp-props=\"{}\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"TextRun SCXW227223271 BCX0\" lang=\"EN-AU\" data-contrast=\"none\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"NormalTextRun SCXW227223271 BCX0\" data-mce-fragment=\"1\"\u003eGeorgia \u003c\/span\u003e\u003cspan class=\"NormalTextRun SpellingErrorV2Themed SCXW227223271 BCX0\" data-mce-fragment=\"1\"\u003eWeitenberg\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW227223271 BCX0\" data-mce-fragment=\"1\"\u003e is a Newcastle based furniture designer with technical training at the University of Tasmania Furniture School in Launceston. This backdrop of industry and craft has come to inform her evolving practice which balances invention with tradition. Georgia’s humanistic approach to design imbues her work with a warmth and familiarity that combined with her unique exploration of form and function, instils each piece with its own inherent narrative and the poetics of daily life.\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\" class=\"EOP SCXW227223271 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"NormalTextRun SCXW108310412 BCX0\" data-mce-fragment=\"1\"\u003es\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW108310412 BCX0\" data-mce-fragment=\"1\"\u003eouthern \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW108310412 BCX0\" data-mce-fragment=\"1\"\u003em\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW108310412 BCX0\" data-mce-fragment=\"1\"\u003eahogany\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e85\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003ex\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e50\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003ex\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e50\u003c\/span\u003e\u003cspan class=\"NormalTextRun SCXW186490774 BCX0\" data-mce-fragment=\"1\"\u003e cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOnly one available. Please enquire with the team at Craft for details shop@craft.org.au or call +61 3 9650 7775\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Georgia Weitenberg","offers":[{"title":"Default Title","offer_id":44083264422106,"sku":null,"price":4500.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Georgia_Weitenberg_127106896_bent_wood_chair_shaped_2021_lauren_bamford_photo_low_res_5c4de00a-0db4-4db3-9ff3-631bda536ba8.jpg?v=1694236005"},{"product_id":"studio-dokola-mezza-forma-pouring-jug-750mls","title":"Studio Dokola – Mezza Forma - Pouring Jug 750mls","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThese new tableware designs are a continuation of the process created in the series Liquid Stone. They take an experimental and nuanced approach to designing materials that are complementary to the glassblowing process. In doing so attention is focused on conceptualising finished forms in glass through long interactions with a different material. Mezza Forma meaning half form or half mould delineates this bridging of two material worlds but also references naive mould-making in the face of refined industrial craft heritage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Reaching back to find provocative period styles, we recycle visual ideas of the past into tableware for new markets. Embracing the dynamic meaning of the word DOKOLA as a concept for objects - Dokola (Doh – kol – ah) can be simplified to mean around \u0026amp; around. Like turning a glassblowing pipe, recycling glass, or the resurgence of a past trend today. We consider this nutshell definition when thinking about designing, process, cyclic values, and trends.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eblown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003e13.5 x 9 x 17cm\u003c\/p\u003e","brand":"Studio Dokola","offers":[{"title":"Default Title","offer_id":44119018111194,"sku":"G-BC014","price":430.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/CraftCheers_LR-58_49fb80ee-9da6-443b-8780-74972b0efe4d.jpg?v=1696553971"},{"product_id":"belle-thierry-monument-ii-2025","title":"Belle Thierry — 'Monument II', 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"layoutArea\"\u003eThese works stand as two mirroring monuments. A stacked assemblage of varying textures and materials all which are salvaged and imbued with their own history. \u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003eThe stone which includes limestone, bluestone and sandstone has been sourced from a heritage stonemason: offcuts and discarded fragments from previous restorations. The time worn fragments have been exposed to the elements leaving behind a trace of their former lives.  Atop the arrangement sits a hand carved sphere shaped from a small remnant of Statuario marble. The carving process revealing the stones inherent character and material qualities. Stone waste generated during this process has been repurposed to form the plinth, grounding the composition in a closed cycle of transformation and reuse.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"layoutArea\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelle Thierry is an Australian artist and sculptor. Thierry graduated with a bachelor of fine art from RMIT university in 2021. Her practice is grounded in a sensitive engagement with natural materials, particularly stone. Rather than imposing form, Thierry allows each piece to emerge through an intuitive process of refinement and reduction, where the original essence of the stone is honoured yet transformed.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough subtle reductions and careful shaping, she highlights both fragility and strength, achieving a quiet harmony between intervention and preservation. Her sculptures invite a deeper awareness of the material world and the slow, often unseen processes that shape it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan\u003eReclaimed Jarrah, salvaged Bluestone and Sandstone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan\u003e78.5cm x 32.5cm x 40cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Belle Thierry","offers":[{"title":"Default Title","offer_id":47006441210074,"sku":"C-BT008","price":6600.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_061_96b633af-49e5-416a-b89d-1e685824b224.jpg?v=1760416669"},{"product_id":"makiko-ryujin-shinki-205-2022","title":"Makiko Ryujin  — Shinki #205, 2022","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003eMakiko Ryujin’s Burning Series are informed by the cultural ceremony of burning traditional sacred ornamental vessels, a ritual she observed as a child. In Japanese the character ‘Shin’ represents God and ‘Ki’ translates as ‘vessel’. The ceremony is rich in symbolism and is undertaken to mark both an end and a beginning; a demarcation of time that allows new plans to be reborn.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRyujin carefully turns the wood on a lathe to create high-sided bowls, urns and platters based on the forms of sacred Japanese temple vessels. During the long air drying process, the forms begin to shift as the green wood loses moisture. The final dramatic transformation takes place as the timber chars and splits during the unpredictable burning process.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMakiko Ryujin is a Naarm\/Melbourne-based artist and woodturner working with timber to create sculptural objects, vessels, installations, and lighting.  Her practice is informed by her Japanese heritage and draws on the cultural burning ritual, 'Otakiage' – a tradition she observed as a child. The ceremony is rich in symbolism and acts as a collective demarcation of time with the opportunity for plans to be reborn. For the artist, including this burning element in her practice allows her to work alongside and embrace fire’s transformative nature. 'The fire assists the wood in transcending beyond what an artist can do and pulls nature back into the creative process.' Ryujin completed a Bachelor of Fine Art (Photography) at RMIT before studying woodworking with mentor Carl Lutz. Ryujin has exhibited locally and internationally and is found in both public and private collections. In 2020 Ryujin collaborated with Michael Gittings on a piece commissioned by the NGV and presented in the 2021 Triennial exhibition.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e —\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e  C\u003cspan data-olk-copy-source=\"MessageBody\"\u003eharred Cypress\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003e10 x 39 x 42 cm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Makiko Ryujin","offers":[{"title":"Default Title","offer_id":47076198416602,"sku":"W-MR154","price":3300.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_112.jpg?v=1762146536"},{"product_id":"makiko-ryujin-shinki-252","title":"Makiko Ryujin  — Shinki #253","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003eMakiko Ryujin’s Burning Series are informed by the cultural ceremony of burning traditional sacred ornamental vessels, a ritual she observed as a child. In Japanese the character ‘Shin’ represents God and ‘Ki’ translates as ‘vessel’. The ceremony is rich in symbolism and is undertaken to mark both an end and a beginning; a demarcation of time that allows new plans to be reborn.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRyujin carefully turns the wood on a lathe to create high-sided bowls, urns and platters based on the forms of sacred Japanese temple vessels. During the long air drying process, the forms begin to shift as the green wood loses moisture. The final dramatic transformation takes place as the timber chars and splits during the unpredictable burning process.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMakiko Ryujin is a Naarm\/Melbourne-based artist and woodturner working with timber to create sculptural objects, vessels, installations, and lighting.  Her practice is informed by her Japanese heritage and draws on the cultural burning ritual, 'Otakiage' – a tradition she observed as a child. The ceremony is rich in symbolism and acts as a collective demarcation of time with the opportunity for plans to be reborn. For the artist, including this burning element in her practice allows her to work alongside and embrace fire’s transformative nature. 'The fire assists the wood in transcending beyond what an artist can do and pulls nature back into the creative process.' Ryujin completed a Bachelor of Fine Art (Photography) at RMIT before studying woodworking with mentor Carl Lutz. Ryujin has exhibited locally and internationally and is found in both public and private collections. In 2020 Ryujin collaborated with Michael Gittings on a piece commissioned by the NGV and presented in the 2021 Triennial exhibition.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e —\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Red Cedar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 20 x 24\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan\u003ecm\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Makiko Ryujin","offers":[{"title":"Default Title","offer_id":47076354588890,"sku":"W-MR141","price":1210.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_098.jpg?v=1762150073"},{"product_id":"pauline-mead-paper-plate","title":"Pauline Meade — Small 'Paper Plates' in Various Glazes","description":"\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"sc-GJyyB fWweWs\"\u003e\n\u003cdiv class=\"sc-bCDidY hAnwcB phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-cPlDXj ccIXNa phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fnxdBY kPNdKz\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 3\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 3\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThis hand built ceramic saucer echoes the texture and form of paper plates, elevating the everyday disposable into a lasting object. It can serve food or function sculpturally. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e \u003cstrong\u003eDue to the handmade nature of this item, slight variances may occur between pieces.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline Meade is a ceramic artist based in Melbourne\/ Naarm, working from her home studio where she both creates and fires her pieces in an electric kiln.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePauline predominantly hand builds her sculptural and functional pieces but is skilled on the pottery wheel and continues to use this as a way of modifying and enhancing her work. Using a combination of glazes, oxides and engobes, where the final firing is in a oxidation kiln. The visual palette and the tactile feel comes from a dry landscape and sclerophyll bush of her childhood that she continuously draws from. Pauline is influenced by the artist John Wolseley who lives and draws in this same Pyrenees region of Victoria.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer most recent work, a series of tableware hand formed and altered on the wheel , is a way of creating a cohesive link between sculptural and functional, both for the table and the wall.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e \u003c\/em\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003estoneware, glaze\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e 2.5 x 16 x 16cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Pauline Meade","offers":[{"title":"Earth Tones","offer_id":47645141139674,"sku":"C-PAM001","price":120.0,"currency_code":"AUD","in_stock":false},{"title":"Yellow Tones","offer_id":47645141172442,"sku":"C-PAM012","price":120.0,"currency_code":"AUD","in_stock":true},{"title":"Green Tones","offer_id":47645141205210,"sku":"C-PAM013","price":120.0,"currency_code":"AUD","in_stock":false},{"title":"Blue Tones","offer_id":47645141237978,"sku":"C-PAM014","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/370_Fresh_Product_C_Armstrong_2026_c0194ed4-9b59-4763-9c57-aaa9f824dd82.jpg?v=1772586029"},{"product_id":"femme-brutale-signal-ceiling-object-or-wall-sconce-in-smoke","title":"Femme Brutale — 'Smoke Signal', Architectural Lamp","description":"\u003cdiv class=\"sc-eZSpzM dTSawo\"\u003e\n\u003cdiv class=\"sc-bAehkN eXOdeP phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-gahYZc osAnh phx-GridCell phx-GridCell--col3\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e'Smoke Signal' forms part of Femme Brutale's Sensual Living Systems™ series creating harmonious clashes of positive and negative from.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eAlchemy is the mythical process of transmuting base materials into gold. Femme Brutale’s base materials are glass, leather and wood. Formal Brutalism affords the system; this is then subverted beyond the primitive to become a \"sensual system for\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eliving\".\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003eTherianthropy refers to human-animal shapeshifting\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003ein mythology and folklore. Medusa and the Sirens\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003edisrupt normative structures and challenge cultural anxieties of femininity, power dynamics and the fluidity of identity. Femme Brutale is how I shapeshift. Ember speaks to the sun.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eHelen Claire Davies is an industrial designer and interior architect, and the founder of Femme Brutale. She splits her time between Naarm (Melbourne) and New York.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eAt the foundation of Femme Brutale is a simple form, a cube with a single curved edge, which in isolation is stark, unyielding, brutal. The form is repeated and treated; carved, clad, burnt. Wood becomes undulating, fur is etched to invoke wood grain, glass becomes molten and is preserved in sensual, lucid forms. Some shimmer, some seemingly deaden light, and some invoke touch.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eOver the past two decades, she has collaborated with leading studios in New York and Los Angeles, contributing to projects across hospitality, Broadway, and award-winning furniture and exhibition design.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe exhibition forms part of\u003cspan\u003e \u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/invest-in-conscious-craft\/\" target=\"_blank\"\u003e\u003cb\u003eConscious Craft\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e– a Craft Victoria initiative showcasing innovative creations by makers and designers who are actively considering sustainability and ethics in their production methods and use of materials.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis event is part of Melbourne Design Week 2026, an initiative of the Victorian Government through Creative Victoria\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/felled\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterials: \u003c\/b\u003eWaxed canvas. Can be wall, or ceiling mounted. Plug-in or hardwired\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDimensions:\u003c\/b\u003e 37 x 37 x 8cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Femme Brutale","offers":[{"title":"Default Title","offer_id":47902075355354,"sku":"F-FB015","price":2200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/066_Craft_Product_June_2026_C_Armstrong.jpg?v=1782179012"}],"url":"https:\/\/shop.craft.org.au\/collections\/client-collection-chloe-matters-x-craft.oembed","provider":"SHOP@Craft","version":"1.0","type":"link"}