{"title":"Client Collection: 899 Collins","description":null,"products":[{"product_id":"owen-rye-pink-jar-3-20","title":"Owen Rye — Blue Jar","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOne of a curated selection of significant works from master potter, Owen Rye. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335559739\":160,\"335559740\":259}'\u003e———\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOwen Rye (b 1944) from Australia is a member of the International Academy of Ceramics. He is known internationally for being at the forefront of the contemporary woodfiring movement. Through his artwork, his writing and his teaching many ceramic artists have been inspired to follow the woodfirer’s path. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecently for health reasons he has ceased woodfiring and is working with a variety of glazes on stoneware, and photography and sculpture projects. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompleting his doctorate in 1970, the first in Australia in the ceramic arts, he worked with archaeologists at the Smithsonian Institution in Washington DC and the Prehistory Department, ANU. From 1980 he taught ceramics in art schools for 25 years, at the Canberra School of Art and then at Monash University Gippsland, there mainly supervising postgraduate students. About 80 of them graduated. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis teaching has included giving workshops on woodfiring in Australia, the USA and Europe and many public lectures. He has curated woodfire survey exhibitions and he organised the first Australian woodfiring conference in 1986, the precursor to many woodfire conferences and to the Gulgong ceramics events. He retired from art school teaching in 2004. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe has exhibited in Australia and internationally and is represented in public collections in USA, China, Korea, Germany, France, and many Australian collections including the Australian National Gallery, most state and many regional galleries, and in private collections. His recent artist-in-residency stints were in China, Korea, USA and Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis extensive writing has been published in many ceramics magazines around the world, and he is author of five books including The Art of Woodfire, published in 2011. The most recent are a memoir, Beyond Short Street, published by Australian Scholarly; and a book on Palestinian potters; both 2021 publications. He has conducted online and in person workshops on writing. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e——\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"12sdm\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/p\u003e\n\u003cp data-block-key=\"fhtm\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/p\u003e\n\u003cp data-block-key=\"a24ca\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e——\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003estoneware, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eapprox. 39cm x 23cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eContact a Craft consultant shop@craft.org.au for more information or to commission a similar work \u003c\/span\u003e\u003c\/p\u003e","brand":"Owen Rye","offers":[{"title":"Default Title","offer_id":42483146948826,"sku":"C-OR106","price":1495.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_061.jpg?v=1728440381"},{"product_id":"owen-rye-large-black-green-jar-20","title":"Owen Rye — Large Black\/Green Jar","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eOne of a curated selection of significant works from master potter, Owen Rye. One of two major works available. \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335551550\":1,\"335551620\":1,\"335559739\":160,\"335559740\":259}'\u003e———\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOwen Rye (b 1944) from Australia is a member of the International Academy of Ceramics. He is known internationally for being at the forefront of the contemporary woodfiring movement. Through his artwork, his writing and his teaching many ceramic artists have been inspired to follow the woodfirer’s path. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompleting his doctorate in 1970, the first in Australia in the ceramic arts, he worked with archaeologists at the Smithsonian Institution in Washington DC and the Prehistory Department, ANU. From 1980 he taught ceramics in art schools for 25 years, at the Canberra School of Art and then at Monash University Gippsland, there mainly supervising postgraduate students. About 80 of them graduated. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe has exhibited in Australia and internationally and is represented in public collections in USA, China, Korea, Germany, France, and many Australian collections including the Australian National Gallery, most state and many regional galleries, and in private collections. His recent artist-in-residency stints were in China, Korea, USA and Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis extensive writing has been published in many ceramics magazines around the world, and he is author of five books including The Art of Woodfire, published in 2011. The most recent are a memoir, Beyond Short Street, published by Australian Scholarly; and a book on Palestinian potters; both 2021 publications. He has conducted online and in person workshops on writing. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e——\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"12sdm\"\u003eAs a participant in the inaugural Melbourne Design Fair, Craft Victoria will present a curated collection of the most exciting makers in Australian craft and design. The exhibition will feature 13 makers working across ceramics, textiles, glass and metal, including textile artist Anastasia La Fey, ceramic artist Belle Thierry, textile artist Caro Pattle, ceramic artist Danielle Thiris, furniture and lighting designer Dean Toepfer, artist and experimental designer Jessie French, metalsmith Kenny Yong-Soo, multidisciplinary artist and weaver Lisa Waup, glass artist Misseu, ceramicist Owen Rye, ceramicist Vanessa Lucas, and ceramicist Yoko Ozawa.\u003c\/p\u003e\n\u003cp data-block-key=\"fhtm\"\u003eMakers will come together in an immersive installation with emerging practitioners featured alongside established designers, showcasing creative ingenuity and material mastery.\u003c\/p\u003e\n\u003cp data-block-key=\"a24ca\"\u003eInitiated by the NGV Department of Contemporary Design and Architecture and delivered in collaboration with the Melbourne Art Foundation, the fair is a new platform for the craft and design community to bring their collective creative energy together and sell one-off, limited edition pieces in a unique, cultural experience over five days.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e——\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eMaterials: \u003c\/strong\u003estoneware, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cstrong\u003e \u003c\/strong\u003e\u003c\/span\u003eapprox. 54cm x 35cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eContact a Craft consultant shop@craft.org.au for more information or to commission a similar work on a 12 week lead time\u003c\/span\u003e\u003c\/p\u003e","brand":"Owen Rye","offers":[{"title":"Default Title","offer_id":42483148128474,"sku":"C-OR107","price":3400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_053.jpg?v=1728440464"},{"product_id":"christopher-plumridge-bird-teapot-in-matte-black-crystal-matte","title":"Christopher Plumridge  —  'Bird' Teapot in Matte Black Crystal Matte","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eA beautifully proportioned teapot from Melbourne based Christopher Plumridge. Holding 600ml, it's the perfect teapot for one, or to share with friend. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e —\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChristopher Plumridge is the artist behind Claystone Pottery in Highett, Victoria. His work is highly regarded for its precision, studied form and exquisite use of glazes. Originally studying in the 70s under Chinese, Japanese, English and Australian potters, his work has been featured in countless publications and his thriving practice includes commissions for the likes of Attica and the National Gallery of Australia. His outstanding work with glazes is the result of long term development of formulae he originally began testing as a student and have been refined through years of practice. This extensive research and development ensures that the colour, texture and depth remain utterly unique. His pieces are some of the last of individually made industrial quality, commercial ceramic wares to be created in Australia. \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e porcelain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e height approx. 13.5cm, diameter approx. 20cm handle to spout. Holds 600ml.\u003c\/p\u003e\n\u003cp\u003eDishwasher and microwave safe\u003c\/p\u003e","brand":"Christopher Plumridge","offers":[{"title":"Default Title","offer_id":42788663460058,"sku":"C-CP548","price":225.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/193_Craft_Product_FutureAmbition_C_Armstrong_2025.jpg?v=1748410671"},{"product_id":"owen-rye-2","title":"Owen Rye – Untitled, 2023","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOwen Rye (b 1944) from Australia is a member of the International Academy of Ceramics. He is known internationally for being at the forefront of the contemporary woodfiring movement. Through his artwork, his writing and his teaching many ceramic artists have been inspired to follow the woodfirer’s path. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCompleting his doctorate in 1970, the first in Australia in the ceramic arts, he worked with archaeologists at the Smithsonian Institution in Washington DC and the Prehistory Department, ANU. From 1980 he taught ceramics in art schools for 25 years, at the Canberra School of Art and then at Monash University Gippsland, there mainly supervising postgraduate students. About 80 of them graduated. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHe has exhibited in Australia and internationally and is represented in public collections in USA, China, Korea, Germany, France, and many Australian collections including the Australian National Gallery, most state and many regional galleries, and in private collections. His recent artist-in-residency stints were in China, Korea, USA and Australia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHis extensive writing has been published in many ceramics magazines around the world, and he is author of five books including The Art of Woodfire, published in 2011. The most recent are a memoir, Beyond Short Street, published by Australian Scholarly; and a book on Palestinian potters; both 2021 publications. He has conducted online and in person workshops on writing.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eVessel Project\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eJune 1- July 29\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe Vessel Project is an exploration of the vessel en masse, as imagined by Melbourne’s most creative practitioners. The showcase continues the examination of modern amphorae in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eJugs\u003c\/em\u003e, and celebrates Craft's curatorial collaboration with the NGV for\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVessels\u003c\/em\u003e – now showing as part of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMelbourne Now\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eat The Ian Potter Centre: NGV Australia. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead about the exhibition.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e \u003cspan\u003estoneware,  glaze.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  approx. 48 x 28cm\u003c\/p\u003e","brand":"Owen Rye","offers":[{"title":"Default Title","offer_id":43931467284698,"sku":"C-OR118","price":2200.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/H-Trumble-CRAFT-Atrium_11_e0b2b016-eba4-4350-8449-23d36a20d83c.jpg?v=1685503327"},{"product_id":"copy-of-katie-ann-houghton-tall-carved-babushka-decanter","title":"Katie-Ann Houghton – Tall Carved 'Babushka' Decanter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCarved Bamboo style Babushka Decantor with black glass stopper.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesigned and handcrafted by Katie-Ann Houghton, KAH aims to challenge the culture of mass consumption by creating work with innovative design and handmade quality. Katie's design philosophy is based around the idea that the objects that we engage with every day should engage our senses and bring us joy through use. Designed to be both functional and practical, KAH aims to change the conventional expectations of tableware, and have us view each piece as both a piece of contemporary design and an object of use. Katie-Ann Houghton is an Artist, Designer and Maker based in Sydney Australia. Her contemporary works are inspired by early 20th Century Design and embody a decade long passion for traditional Venetian glassmaking techniques\u0026gt;\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003c\/p\u003e","brand":"Katie-Ann Houghton","offers":[{"title":"Default Title","offer_id":44119009067226,"sku":"G-KAH091","price":345.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/H-Trumble_Craft-Oct-Product_100.jpg?v=1696548862"},{"product_id":"terunobu-hirata-twist-faceted-vase-in-ash-glaze","title":"Terunobu Hirata — Twist Faceted Vase in Ash Glaze","description":"\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA narrow vessel with a calming wave-like surface in an olive green ash glaze. \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Terunobu Hirata is a Melbourne based potter who has been working in stoneware and porcelain for over 25 years. Terunobu originally trained as a chef and for many years worked at Kuni's Japanese restaurant - one of the oldest Japanese restaurants in Australia. His history as both a chef and potter has meant that the use of his work is essential to his practice and each piece is made with careful consideration of both its form and function. There is an awareness of detail and balance in Hirata's work which means they are as beautiful to use as they are in appearance. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Hirata has been the recipient of numerous awards and his work has been vastly exhibited throughout Victoria in both group and solo exhibitions. Hirata studied at the Warrandyte Potter's cottage in the early 1990s. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eglazed stoneware\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. \u003c\/p\u003e","brand":"Terunobu Hirata","offers":[{"title":"Default Title","offer_id":44119122936026,"sku":"C-TH466","price":440.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/products\/H-Trumble_Craft-Oct-Product_213.jpg?v=1696553571"},{"product_id":"kenny-yong-soo-son-circular-bronze-vessel-2023","title":"Kenny Yong-soo Son – Circular Bronze Vessel, 2023","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA circular vessel cast in solid bronze. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e–\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eUnobstructive Beauty \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003eNovember 16 – January 20\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/unobstructive-beauty\/\"\u003e\u003cstrong\u003eRead about the exhibition\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"148c4\"\u003e\u003cem\u003e–\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eCast bronze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx 29 x 29 x 3cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e: 15kg \u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":44261250924762,"sku":"J-KYS017","price":1850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft-Oct30_247.jpg?v=1699936605"},{"product_id":"kirsten-perry-folded-medium-sculptural-vessel","title":"Kirsten Perry —  Medium 'Folded' Vase","description":"\u003cp\u003e\u003cem\u003e\u003cspan lang=\"EN-US\"\u003eKirsten Perry has a background in industrial design, gold \u0026amp; silversmithing and multimedia and is currently teaching at RMIT. \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eAnthropomorphism and character design feature heavily in her work, and the small scale of her production allows her to explore variations on similar concepts. Known for exploring tensions between error, chance and humour through crafted sculpture and digital media, Perry's practice is a diverse one. Where culturally \u003c\/span\u003e\u003cspan lang=\"EN-US\"\u003eerrors are discarded or covered over, Perry's work challenges this aesthetic, highlighting and exaggerating them — especially through her use of humour and contemporary text language.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan lang=\"EN-US\"\u003ePerry holds a Bachelor of Arts(Fine Art) Gold \u0026amp; Silversmithing with First Class Honours from RMIT. Exhibitions includes but are not limited to Bad Hair Day (2014, Mr Kitly Gallery, Brunswick, VIC); Ahhh (2013, Craft Victoria Window, Melbourne, VIC); I’m Revolting (2012, Creatures of Comfort, Los Angeles, USA); Stevie Dreams (2012, Lowrise Projects, Richmond, Melbourne, VIC); Home Time (2012, Craft Victoria Gallery, Melbourne, VIC).\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e midfire ceramic, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 13 x 13 x 13cm\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cstrong\u003eDue to the handmade nature of this item, slight variances may occur between pieces \u003c\/strong\u003e\u003c\/p\u003e","brand":"Kirsten Perry","offers":[{"title":"Default Title","offer_id":44521508962522,"sku":"J-KP227","price":140.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/326_Fresh_Product_C_Armstrong_2026.jpg?v=1774503570"},{"product_id":"lauren-joffe-equilibrium-sculptural-vessel","title":"Lauren Joffe — 'Equilibrium', Sculptural Vessel","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003eLauren Joffe was selected by award-winning Australian ceramicist, Prue Venables, as an artist who is producing outstanding work in their field of practice. Together, their work was exhibited for Treasures – an exhibition at Australian Design Centre in Sydney in June 2024.\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLauren Joffe is a ceramic artist born in Cape Town, who immigrated to Melbourne as a child. She studied Fine Art (Gold \u0026amp; Silversmithing) at RMIT and after graduating began her art practice as a contemporary jeweller and object maker, before changing medium to ceramics. Lauren’s work has been exhibited throughout Australia and internationally. She has been a finalist in a number of national and international awards and her work has been acquired by private collectors, RMIT and the Toowoomba Regional Art Gallery.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe hand builds her pieces, which are often large in scale, and is primarily concerned with exploring the aesthetics of the vessel form and in the surfaces of her pieces through mark making and texture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan\u003etoneware, slip, glaze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 31 x 42 x 47cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Lauren Joffe","offers":[{"title":"Default Title","offer_id":44521551691994,"sku":"C-LAJ012","price":6000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/46_E-COMMERCE_SF_240205.jpg?v=1707440166"},{"product_id":"minna-graham-after-the-fire-2","title":"Minna Graham — 'After The Fire 2'","description":"\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cdiv class=\"sc-eMshUc gzMKkW\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\u003cspan\u003eThis hand-carved vase is a perfect sculptural vase from artist Minna Graham which is perfect for floral arrangements or as a centerpiece. \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sc-hNeXkk eJrdLz\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMinna Graham is a ceramic artist living and working near Daylesford on Dja Dja Wurrung country. Heavily influenced by nature, she uses contrasting elements to achieve balance in her ceramic forms. Through processes of carving, tearing, cutting and ripping she exposes what is below the surface. Graham incorporates slips, pigments and glazes in her work to create tonal contrast and texture. These processes are an emotional response to the contrasting seasons, cultures and traditions.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGraham has been the finalist for numerous Australian ceramic awards and has collaborated with the hospitality and entertainment industry to create commission-based works.  \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGraham studied a Diploma of Ceramics at the University of Ballarat, 2009 and a Bachelor of Fine Arts at Federation University in Victoria, 2014. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-US\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e s\u003cspan data-mce-fragment=\"1\"\u003etoneware, ash glaze, porcelain black slip thrown and carved\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlease note: t\u003cspan\u003ehis vase is watertight\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox.  25.5 x 16 x 16cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Minna Graham","offers":[{"title":"Default Title","offer_id":45446830194906,"sku":"C-MG067","price":400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/168_E-Commerce_CraftVictoria_240611_1_3a6469c3-2c46-4827-9831-1d8a579787d5.jpg?v=1719446348"},{"product_id":"belinda-wiltshire-tall-drop-sculpture-2024","title":"Belinda Wiltshire — 'Tall Drop' Sculpture, 2024","description":"\u003cp\u003e\u003cspan\u003eTall Drop is an original, one of a kind sculptural artwork. A tall organic form balances on a flat, concealed foot and features end to end black iron oxide atomic stripes and natural clay. The piece was made using wheel throwing and hand building techniques, as part of Belinda's 2023 Echo series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelinda Wiltshire is a ceramics artist and painter based in Melbourne\/Naarm. \u003c\/em\u003e\u003cem\u003eWiltshire's ceramic sculptures are made predominately on the wheel, she then constructs the final forms by joining and altering sections through hand building. Her pieces are often decorated with a limited palette of metallic glazes and black iron oxide. For more intricate sculptural works she will extend the process after firing to incorporate elements such as steel armature, paint, brass, and epoxy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough the progression of her ceramics practice, Wiltshire has abandoned functionality and moved toward producing purely sculptural artworks. This shift has allowed her to explore interests in architecture, geometry, engineering, and design, and bring rudimentary elements of these influences into the medium of clay in an intentionally human and sympathetic way. A sense of play and spontaneity in design are important to her work, which she introduces through unexpected angles, hidden joins, and the quiet revealing of details. \u003c\/em\u003e\u003cem\u003eRecently Wiltshire featured in The Design Files Studio Visit (2022), as well as two solo exhibitions at Michael Reid Clay, Northern Beaches, NSW \u0026amp; Sorse Gallery, Brunswick, VIC( 2023).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003emidfire clay, black iron oxide\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 52 x 17 x 17cm\u003c\/p\u003e","brand":"Belinda Wiltshire","offers":[{"title":"Default Title","offer_id":45551251882202,"sku":"C-BEW013","price":680.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/087_E-Commerce_CraftVictoria240715.jpg?v=1721350300"},{"product_id":"scott-elk-dusk-and-dust-grief-kantharos-sculpture-2024","title":"Scott Elk — 'Dusk and Dust Grief Kantharos' Sculpture, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cspan data-sheets-root=\"1\"\u003eThis ceramic funeral urn within trophy like form is part of Scott's latest series Dusk + Dust, an exploration of grief that began with the creation of a soundscape. The series was initiated by the loss of Scott's father and serves as a meditation on grief and the journey through the grieving process. \u003c\/span\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cspan data-sheets-root=\"1\"\u003eIn this body of work, life is depicted as a landscape we traverse, with color acting as a remnant of that life. Life is movement and colour. The recurring ring motif symbolizes the transition of energy up and out into the ether of the great nothingness. Through these themes of grief, the work also speaks to the beauty, harshness, and vitality of a uniquely Australian landscape. The primary form I use in the ceramics is the funeral urn, sometimes placed within a bronze cast trophy forms inspired by the ancient Greek vessel, the Kantharos. This duality reflects a journey through grief, navigating unfamiliar terrains toward an afterlife, and ultimately finding acceptance and celebration for a life well lived.\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eScott Elk is a multidisciplinary artist from Sydney Australia, exploring the world through ceramics and painting, with a strong undercurrent of drawing that runs through his entire creative output. At times this searching veers into printmaking, and sound as he looks for the right expression of an idea. With his formative years spent in visual arts, Scott’s disillusionment with the commercialisation of his creative energy pushed him to make the decision to pursue art full time, wishing to use his powers for good, working on art and projects personally driven, and for causes he believes in. The various mediums Scott uses in his artwork has guided his foray into professional work experience, such as screen printing wallpaper, as well as pursuing tertiary education and teaching ceramics and drawing at some of the world’s leading art schools with the sole intention of expanding his learning as a student to better produce artwork. \u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003es\u003cspan\u003etoneware, glaze, and bronze\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e \u003cspan\u003e83 x 31 x 20cm \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Scott Elk","offers":[{"title":"Default Title","offer_id":45911466148058,"sku":"C-SE002","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/25_Craft_Products_241021.jpg?v=1730160953"},{"product_id":"jill-symes-sculptural-vessel-2026","title":"Jill Symes — 'Bowled' Sculptural Vessel, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eUsing mainly recycled clays and age-old handbuilding techniques of pinch, coil, slab and layer, these forms were spontaneously created, utilizing clays various, allowing the qualities of the clay and handbuilding methods to feature. Some of her works in this show were fired using a shallow in-ground pit, stacked with scrounged timbers and layers of sawdust plus some salt, until the fire (and pots) reached the desired heat colour (red\/orange), turning the raw clay into ceramic, and colouring with the oxidising flame and reduction from the timbers and other combustible materials surrounding the pots. Others were saggar-fired in a gas kiln. Most of these forms were either sanded on the outside surface, or burnished several times as they dried, using a finely polished gemstone, before committing them to the fire.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eJill Symes is a Melbourne-based ceramic artist producing a continuously developing body of ceramic vessels and sculptures which demonstrate developed hand-building skills and a mature understanding of the possibilities of earthenware clays and glazing techniques. \u003c\/em\u003e\u003cem\u003eJill has been working with clay since the 1970’s, responding to the tactile qualities of the material to produce one off forms and sculptures by using handbuilding processes of pinch, coil and slab and layer. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003ep\u003cspan data-olk-copy-source=\"MessageBody\"\u003eorcelain clay, handbuilt, pinched, burnished,, saggar-fired in sawdust  (Sgraffito drawings inside)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx.  19 x 19 x 14cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Jill Symes","offers":[{"title":"Default Title","offer_id":45918887772378,"sku":"C-JSY072","price":920.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/276_Craft_Products_241021.jpg?v=1730169338"},{"product_id":"jill-symes-sculptural-vessel-2028","title":"Jill Symes — 'Bottle' Sculptural Vessel, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eUsing mainly recycled clays and age-old handbuilding techniques of pinch, coil, slab and layer, these forms were spontaneously created, utilizing clays various, allowing the qualities of the clay and handbuilding methods to feature. Some of her works in this show were fired using a shallow in-ground pit, stacked with scrounged timbers and layers of sawdust plus some salt, until the fire (and pots) reached the desired heat colour (red\/orange), turning the raw clay into ceramic, and colouring with the oxidising flame and reduction from the timbers and other combustible materials surrounding the pots. Others were saggar-fired in a gas kiln. Most of these forms were either sanded on the outside surface, or burnished several times as they dried, using a finely polished gemstone, before committing them to the fire.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eJill Symes is a Melbourne-based ceramic artist producing a continuously developing body of ceramic vessels and sculptures which demonstrate developed hand-building skills and a mature understanding of the possibilities of earthenware clays and glazing techniques. \u003c\/em\u003e\u003cem\u003eJill has been working with clay since the 1970’s, responding to the tactile qualities of the material to produce one off forms and sculptures by using handbuilding processes of pinch, coil and slab and layer. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003ecoiled and pinched: earthenware clays, pit-fired with sawdust and salt\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28 x 23 x 23cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Jill Symes","offers":[{"title":"Default Title","offer_id":45918890295514,"sku":"C-JSY067","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/282_Craft_Products_241021.jpg?v=1730169372"},{"product_id":"jill-symes-sculptural-vessel-2029","title":"Jill Symes — 'Vessel' Sculptural Vessel, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eUsing mainly recycled clays and age-old handbuilding techniques of pinch, coil, slab and layer, these forms were spontaneously created, utilizing clays various, allowing the qualities of the clay and handbuilding methods to feature. Some of her works in this show were fired using a shallow in-ground pit, stacked with scrounged timbers and layers of sawdust plus some salt, until the fire (and pots) reached the desired heat colour (red\/orange), turning the raw clay into ceramic, and colouring with the oxidising flame and reduction from the timbers and other combustible materials surrounding the pots. Others were saggar-fired in a gas kiln. Most of these forms were either sanded on the outside surface, or burnished several times as they dried, using a finely polished gemstone, before committing them to the fire.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eJill Symes is a Melbourne-based ceramic artist producing a continuously developing body of ceramic vessels and sculptures which demonstrate developed hand-building skills and a mature understanding of the possibilities of earthenware clays and glazing techniques. \u003c\/em\u003e\u003cem\u003eJill has been working with clay since the 1970’s, responding to the tactile qualities of the material to produce one off forms and sculptures by using handbuilding processes of pinch, coil and slab and layer. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" rel=\"noopener\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003ecoilbuilt terracotta,  pit-fired  with sawdust and salt\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 27 x 31 x 18cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Jill Symes","offers":[{"title":"Default Title","offer_id":45918891671770,"sku":"C-JSY064","price":1380.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/285_Craft_Products_241021.jpg?v=1730169389"},{"product_id":"jill-symes-sculptural-vessel-2032","title":"Jill Symes — 'Looking at You' Sculptural Vessel, 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eUsing mainly recycled clays and age-old handbuilding techniques of pinch, coil, slab and layer, these forms were spontaneously created, utilizing clays various, allowing the qualities of the clay and handbuilding methods to feature. Some of her works in this show were fired using a shallow in-ground pit, stacked with scrounged timbers and layers of sawdust plus some salt, until the fire (and pots) reached the desired heat colour (red\/orange), turning the raw clay into ceramic, and colouring with the oxidising flame and reduction from the timbers and other combustible materials surrounding the pots. Others were saggar-fired in a gas kiln. Most of these forms were either sanded on the outside surface, or burnished several times as they dried, using a finely polished gemstone, before committing them to the fire.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eJill Symes is a Melbourne-based ceramic artist producing a continuously developing body of ceramic vessels and sculptures which demonstrate developed hand-building skills and a mature understanding of the possibilities of earthenware clays and glazing techniques. \u003c\/em\u003e\u003cem\u003eJill has been working with clay since the 1970’s, responding to the tactile qualities of the material to produce one off forms and sculptures by using handbuilding processes of pinch, coil and slab and layer. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" rel=\"noopener\" data-mce-href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003eFables \u0026amp; Folklore  \u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNovember 14, 2024 - January 25, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCurated by Simone Haag\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003cspan\u003eCraft is thrilled to invite internationally renowned Australian decorator Simone Haag as the guest curator of Craft’s final main gallery exhibition of 2024. Making her curatorial debut, Haag presents a group exhibition featuring works by more than 30 Australian artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/fables-folklore\/\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e\u003cspan data-olk-copy-source=\"MessageBody\"\u003eburnished, saggar-fired with salt and sawdust\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 22 x 20.5 x 20cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Jill Symes","offers":[{"title":"Default Title","offer_id":45918899339482,"sku":"C-JSY065","price":1100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/296_Craft_Products_241021.jpg?v=1730169447"},{"product_id":"steph-wallace-gold-mine-sculptural-vessel-2024","title":"Steph Wallace — 'Gold Mine' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eCreated from clay dug directly from the landscape by the artist, this vessel references the gold mining history of Ballarat still active deep below the city. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eThis piece is fully vitrified ceramic meaning it is watertight. \u003c\/span\u003e\u003cspan\u003eCaution is advised if used with water on a non-waterproof surface.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003esite specific clay dug and processed by the artist, slip, glaze, 12k gold lustre\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan data-mce-fragment=\"1\"\u003e20 x 13 x 13cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023721189594,"sku":"C-SWA022","price":900.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_085.jpg?v=1733186049"},{"product_id":"steph-wallace-fragment-sculptural-vessel-2024","title":"Steph Wallace — 'Fragment' Sculptural Vessel, 2024","description":"\u003cdiv class=\"sc-gHyekI iuMAhG\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-FeKFz cuOWlg\"\u003e\n\u003cp data-block-key=\"hnbp3\"\u003e\u003cspan\u003eIn an exploration of sustainable studio practices this sculptural work has been smoke fired in a reduction environment lending it a surface permanently imbued with carbon. Referencing traditional methods of pottery repair the work has been imbedded with hand formed brass staples. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\" data-mce-style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-cmEail bwbXzU\"\u003e\n\u003cdiv class=\"phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYdXmn Cknvc\"\u003e\n\u003cp\u003e\u003cem\u003eSteph Wallace is a ceramic artist working on Waddawurrung country, Ballarat. Steph's practice challenges established norms by combining traditional techniques with experimental approaches. Her sculptural work is created in a monochromatic palette of black clay with fine inlaid linework. Alongside clays dug directly from the landscape she decorates her forms with layers of slips, oxides and glazes. Through Steph's work she weaves narratives that reflect the complexities of cultural identity and the legacies of colonialism on the contemporary landscape. Her work serves as a platform for dialogue, encouraging reflection and understanding of diverse histories.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWallace has been the recipient of the Finalist National Emerging Art Prize 2023 Finalist Klytie Pate Ceramics Prize 2023 Solo Exhibition Art Gallery of Ballarat (upcoming April 2024) and attended Edinburgh College of Art (2002), Foundation Studies in Fine Art - Leeds Arty University (1999).\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\" target=\"_blank\" data-mce-href=\"https:\/\/craft.org.au\/whats-on\/all-events\/holding-the-void\/\"\u003e\u003cb\u003e\u003cspan data-contrast=\"none\" mce-data-marked=\"1\"\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/a\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eMaterial: \u003c\/strong\u003eclay, 12k gold lustre, brass, microcrystalline wax\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e25 x 18 x 18\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Steph Wallace","offers":[{"title":"Default Title","offer_id":46023735279834,"sku":"C-SWA023","price":1500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_089.jpg?v=1733186182"},{"product_id":"kate-jones-pink-singlet-on-sculptural-vessel-2024","title":"Kate Jones – 'Pink Singlet On', Sculptural Vessel, 2024","description":"\u003cp\u003e\u003cem\u003eKate Jones is a Melbourne-based artist with a practice grounded in clay. She has written about ceramic practice, material ethics, and impulses for making. Teaching is an integral part of her practice. In 2021, she completed a residency at Study in Brunswick called the Provenance Project, which combined politics, poetry, and pottery. Kate was also commissioned to create work for the inaugural exhibition From Impulse to Action at Bundanon Museum of Art in 2022 and through Craft, for Melbourne Now at the NGV in 2023. Currently, she is the president of The Australian Ceramics Association and is undertaking an MFA at VCA.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"Rte\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eterracotta, slips, glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eDimensions:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e approx.\u003c\/span\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003e \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e66 x 34 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Kate Jones","offers":[{"title":"Default Title","offer_id":46024042152154,"sku":"C-KAJ060","price":3300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_NOV24_180.jpg?v=1733199786"},{"product_id":"studio-kaytar-rockpool-sculptural-catchall-dish-in-brass-2024","title":"Studio Kaytar —  'Rockpool' Sculptural Catchall Dish in Brass 2024","description":"\u003cdiv class=\"OutlineElement Ltr SCXW218460697 BCX0\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eRockpool sculptural catchall is sand-cast by hand and alchemy to represent the unity of matter, spirit and energy. Rockpool references the rugged beauty of coastal rock formations in a sandcast metal sculpture. Its contours reflect the organic forms shaped by nature's elements and the shallow crevices provide a sanctuary for treasured items and jewellery.\u003c\/p\u003e\n\u003cp\u003eThis solid metal piece was sand cast by hand. Due to the nature of the material, the uniquely poured ripples, and pitting are to be celebrated for their individual beauty. Raw aluminium, brass and bronze will naturally develop a patina over time, adding to its living inherent beauty. If desired, a high-quality metal polish can be used to restore original brightness and shine.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian living on Turrbal and Yuggera country. Since beginning her creative journey in textile design, Kaytar has developed her stylistic vocabulary in the creation of objects and space over more than 20 years. Kaytar’s artistic process is guided by alchemic experimentation and the modification of natural matter. This focus on transformation is borne of her interest in the consciousness of things. Working with materials from nature, such as metal, flax, minerals and beeswax – all selected for their symbolic associations – Kaytar believes that this matter, when imbued with her human touch, becomes animate. This spark of life is not only present during the process of artistic transformation, but also resonates with viewers interacting with Kaytar’s finished forms. The artist’s hope is that her works in lighting, sculpture, textiles and the built environment take us to realms of sensory pleasure, memory and contemplation, allowing us to regain a sense of awe in all things.\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/fables-folklore\" target=\"_blank\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMaterial: \u003c\/b\u003e s\u003cspan\u003eand-cast brass\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. \u003cspan\u003e14 x 12 x 4cm \u003c\/span\u003e\u003c\/p\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":46061552271578,"sku":"M-SK008","price":480.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/StudioKaytar-Rockpool-BrassCatchAll-HiRes-1..jpg?v=1734575858"},{"product_id":"claire-bridge-torus-sculpture-2022","title":"Claire Bridge —  'Torus' Sculpture, 2022","description":"\u003cp class=\"MsoNormal\"\u003eBiomorphic forms incorporating hints of the symbolic, drip with painterly exuberance, tactile glazed colour and intriguing details. Considering contemporary social and ecological concerns, Claire blends and reframes cross-cultural mythologies, archetypal narratives, and intimately personal biographies.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eClaire Bridge is a multi-disciplinary practitioner based in Melbourne\/Naarm. Claire’s work spans sculpture, ceramics, painting, video and installation. Claire hand-builds hybrid ceramic sculptures with a keen sensitivity to collaborating with her medium, combining clay’s fluid materiality with traces of the body’s touch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eDrawing on her Indian and Anglo-European mixed-cultural heritages, her work navigates landscapes of cultural and ecological hybridity. Through combining experimental approaches and hybrid materials, she explores concepts of the ‘body’ as collective, multiple, relational, and more-than-human. Claire’s work is held in distinguished collections including The Maroondah City Council Art Collection, The University of Melbourne (SAB), Honorary Consulate of Monaco, and private collections across Australia and internationally. Claire studied a Master of Contemporary Art (First Class Honours), VCA-MCM, University of Melbourne, (2021). Recent projects include Vessels for ‘Melbourne Now (2023), NGV Australia, Acephalous, Beechworth Biennale (2024), Vas Holos, Meat Market (2023).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed ceramic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 13 x 25 x 35cm\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Claire Bridge","offers":[{"title":"Default Title","offer_id":46064421273818,"sku":"C-CBR002","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/ClaireBridge-Torus-2022-glazedstonewareceramic-13x35x35cm-PhotoSimonStrong-3_9991e263-c7f5-4976-b57f-7a6a77de14dc.jpg?v=1734673030"},{"product_id":"claire-bridge-thousand-petal-lotus-sculpture-2022","title":"Claire Bridge —  'Thousand Petal Lotus' Sculpture, 2022","description":"\u003cp class=\"MsoNormal\"\u003eBiomorphic forms incorporating hints of the symbolic, drip with painterly exuberance, tactile glazed colour and intriguing details. Considering contemporary social and ecological concerns, Claire blends and reframes cross-cultural mythologies, archetypal narratives, and intimately personal biographies.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eClaire Bridge is a multi-disciplinary practitioner based in Melbourne\/Naarm. Claire’s work spans sculpture, ceramics, painting, video and installation. Claire hand-builds hybrid ceramic sculptures with a keen sensitivity to collaborating with her medium, combining clay’s fluid materiality with traces of the body’s touch.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003eDrawing on her Indian and Anglo-European mixed-cultural heritages, her work navigates landscapes of cultural and ecological hybridity. Through combining experimental approaches and hybrid materials, she explores concepts of the ‘body’ as collective, multiple, relational, and more-than-human. Claire’s work is held in distinguished collections including The Maroondah City Council Art Collection, The University of Melbourne (SAB), Honorary Consulate of Monaco, and private collections across Australia and internationally. Claire studied a Master of Contemporary Art (First Class Honours), VCA-MCM, University of Melbourne, (2021). Recent projects include Vessels for ‘Melbourne Now (2023), NGV Australia, Acephalous, Beechworth Biennale (2024), Vas Holos, Meat Market (2023).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e glazed ceramic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 14 x 26 x 26cm\u003cspan style=\"font-size: 11.0pt; font-family: 'Calibri',sans-serif;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Claire Bridge","offers":[{"title":"Default Title","offer_id":46064424845530,"sku":"C-CBR003","price":2500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/ClaireBridge-ThousandPetalLotus-2022-glazed-stoneware-ceramic-14x26x26cm-SStrong-HIres.jpg?v=1734673037"},{"product_id":"claudia-de-salvo-large-contemporary-artefact-14-sculptural-vessel","title":"Claudia De Salvo — 'Large Contemporary Artefact 14' Sculptural Vessel","description":"\u003cp\u003e\u003cspan\u003eA wheel-thrown vessel with a playful sculptural quality. Handmade with iron-bearing stoneware stoneware and fired to cone 8.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClaudia De Salvo is a ceramic artist based on the Gold Coast\/Yugambeh. She is interested in both the functional and sculptural potential of clay. Her work often explores a contemporary approach to traditional silhouettes, creating pieces that evoke a playful sense of nostalgia. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClaudia completed a Bachelor of Fine Art and Queensland College of Art Masters in Creative Production and Arts Management, Queensland University of Technology. She recently had her works exhibited in Inhabiting States of Tension – Artisan, (2022) as well as SWELL Sculptural Festival (2020\/22).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, glaze\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 35 x 15 x 15cm\u003c\/p\u003e","brand":"Claudia De Salvo","offers":[{"title":"Default Title","offer_id":46211644653786,"sku":"C-CD022","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_385.jpg?v=1740020197"},{"product_id":"laura-de-carteret-composting-a-thought-2024","title":"Laura de Carteret — 'Composting A Thought', 2024","description":"\u003cp\u003e\u003cspan\u003eThis series comprises of hybrid organic forms, crafted with metal and glass, that evoke dualities such as pleasure and discomfort, or containment and release. Each piece serves as a container of stories, emotion and memory, where expanding bubbles of glass push against the constraints of forged metal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e The viscosity of glass allows for experimentation whilst simultaneously requiring precision and control. Heat, air and gravity dictate which direction a form takes. Working with glass engages both unconsciousness and focused awareness, playing with its fluid state allows me to create forms that are animated and frozen in motion. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLaura's intuitive approach to the material is grounded in a dialogue with pleasure, enamoured by the satisfaction of working with such an enigmatic translucent material. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e—\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura de Carteret is a multidisciplinary artist based in Naarm (Melbourne, Australia). They are working predominantly as a glass blower and metal-smith, completing their Bachelor of Fine Arts (Gold and Silversmithing) at RMIT. Their hybrid practice places pleasure and discomfort in dialogue generating visceral and animated forms. With an intuitive approach to materials, Laura creates biomorphic artefacts that are otherworldly. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e— \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eI Forgot My Keys, So I Climbed Through The Window\u003c\/b\u003e\u003c\/p\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cb\u003eVitrine\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDecember 10, 2024 — January 25, 2025\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/i-forgot-my-keys-so-i-climbed-through-the-window\/\" rel=\"noopener\" target=\"_blank\"\u003eRead about the exhibition\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 23 x 15cm\u003c\/p\u003e","brand":"Laura de Carteret","offers":[{"title":"Default Title","offer_id":46257989648602,"sku":"G-LDC017","price":2300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/HT_CRAFT_FEB25_338.jpg?v=1741129347"},{"product_id":"kenny-yong-soo-son-solid-brass-staircase-paperweight-copy","title":"Kenny Yong-soo Son – 'Water Tower IX' Vase in Brass","description":"\u003cp\u003eA handcrafted brushed brass vase, made for the water tower series. Part of an ongoing series from Kenny Yong-soo Son which explores the creation of vessels using metal and geometrical forms.\u003c\/p\u003e\n\u003cp\u003e–\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebrass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 28 x 9 x 9cm\u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":46313208086746,"sku":"J-KYS032","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/101_Craft_OldSchool_Product_2025_C_Armstrong.jpg?v=1742520904"},{"product_id":"kenny-yong-soo-son-decagonal-vase-in-brass","title":"Kenny Yong-soo Son – 'Decagonal' Vase in Brass","description":"\u003cp\u003eA handcrafted brushed brass vase. Part of an ongoing series from Kenny Yong-soo Son which explores the creation of vessels using metal and geometrical forms.\u003c\/p\u003e\n\u003cp\u003e–\u003c\/p\u003e\n\u003cp data-block-key=\"eq4rr\"\u003e\u003ci\u003eKenny Yong-soo Son is an object maker based in Sydney, Australia.\u003c\/i\u003e\u003ci\u003eWith background in metal craft and object design, the focus behind Son's practice is to create work that resemblance a sense of longevity and hand-craftsmanship. The design aesthetics of Son's work relate to the idea of reduction and simplicity with emphasis on modern and traditional craftsmanship in the physical work process.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"brhr9\"\u003e\u003ci\u003eSon is interested in producing work that has the ability to interact with the user and its surroundings, allowing a trigger of emotions and senses of the user when using the object. \u003c\/i\u003e\u003ci\u003eSon has exhibited across Australia at Modern Times, Craft Victoria and in Korea at Gallery Ahwon, Seoul\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e–\u003c\/em\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ebrass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 23 x 9 x 9cm\u003c\/p\u003e","brand":"Kenny Yong-soo Son","offers":[{"title":"Default Title","offer_id":46313224437978,"sku":"J-KYS033","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/98_Craft_OldSchool_Product_2025_C_Armstrong.jpg?v=1742521077"},{"product_id":"georgia-black-boddington-sculptural-ceramic-2024","title":"Georgia Black — 'Boddington' Sculptural Ceramic, 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003eDistant Blues, from Naarm based artist Georgia Black responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in\u003cbr\u003eceramic production. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach sculptural tile is made of waste glaze, oxide and porcelain material blends. The blue-grey hues are generated from the presence of cobalt and copper in the accumulated waste glaze from class experiments conducted at the School of Clay and Art, where the artist works as a teacher. There is waste material in both the clay body and the surface. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAll images were printed in waste glaze pre-firing with a paper lithography technique, then single fired.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach tile depicts a Google Earth image of a copper and\/or cobalt mine (these minerals are often extracted together). Today, twenty countries are home to the top producing quarries of the world’s cobalt and copper. This is a small selection from over one hundred mines. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cem\u003eGeorgia Black is an early career artist based in Naarm\/Melbourne. Originally from Canberra, Georgia has a Bachelor of Visual Arts from the Australian National University, where she graduated with honours, majoring in drawing and printmaking. Since moving to Melbourne in 2018, she retrained in ceramics and completed a Master of Fine Arts at the VCA, University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer research is driven by a growing concern for the ways in which her art practice connects to the ongoing environmental crisis. Through process-led and alternative methods of making that use ceramic waste material, Georgia's practice explores ceramics as a medium for fostering ecological awareness and connection to place.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/distant-blues\/\" target=\"_blank\"\u003e\u003cstrong\u003eDistant Blues: Georgia Black\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 9 - June 14, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDistant Blues,\u003c\/i\u003e\u003cspan\u003e from Naarm\/Melbourne based Georgia Black, responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in ceramic production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eDistant Blues\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ealso\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eforms part of Conscious Craft – a movement to redefine our relationship with materials in a considered, responsible and responsive way.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/to-return-to\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e\u003cspan\u003eporcelain, waste glaze, oxides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMine Location: \u003c\/strong\u003e\u003cspan\u003eAustralia\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 10 x 22cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Georgia Black","offers":[{"title":"Default Title","offer_id":46468946002138,"sku":null,"price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Boddington_116_Craft_Install_FutureAmbition_C_Armstrong_2025.jpg?v=1747708855"},{"product_id":"georgia-black-el-salvador-sculptural-ceramic-2024","title":"Georgia Black — 'El Salvador' Sculptural Ceramic, 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003eDistant Blues, from Naarm based artist Georgia Black responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in\u003cbr\u003eceramic production. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach sculptural tile is made of waste glaze, oxide and porcelain material blends. The blue-grey hues are generated from the presence of cobalt and copper in the accumulated waste glaze from class experiments conducted at the School of Clay and Art, where the artist works as a teacher. There is waste material in both the clay body and the surface. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAll images were printed in waste glaze pre-firing with a paper lithography technique, then single fired.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach tile depicts a Google Earth image of a copper and\/or cobalt mine (these minerals are often extracted together). Today, twenty countries are home to the top producing quarries of the world’s cobalt and copper. This is a small selection from over one hundred mines. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cem\u003eGeorgia Black is an early career artist based in Naarm\/Melbourne. Originally from Canberra, Georgia has a Bachelor of Visual Arts from the Australian National University, where she graduated with honours, majoring in drawing and printmaking. Since moving to Melbourne in 2018, she retrained in ceramics and completed a Master of Fine Arts at the VCA, University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer research is driven by a growing concern for the ways in which her art practice connects to the ongoing environmental crisis. Through process-led and alternative methods of making that use ceramic waste material, Georgia's practice explores ceramics as a medium for fostering ecological awareness and connection to place.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/distant-blues\/\" target=\"_blank\"\u003e\u003cstrong\u003eDistant Blues: Georgia Black\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 9 - June 14, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDistant Blues,\u003c\/i\u003e\u003cspan\u003e from Naarm\/Melbourne based Georgia Black, responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in ceramic production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eDistant Blues\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ealso\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eforms part of Conscious Craft – a movement to redefine our relationship with materials in a considered, responsible and responsive way.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/to-return-to\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e\u003cspan\u003eporcelain, waste glaze, oxides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMine Location: \u003c\/strong\u003e\u003cspan\u003eChile\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 10 x 22cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Georgia Black","offers":[{"title":"Default Title","offer_id":46469111251162,"sku":"C-GBL42","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/ElSalvador-Chile_134_Craft_Install_FutureAmbition_C_Armstrong_2025.jpg?v=1747712382"},{"product_id":"georgia-black-dikuluwe-sculptural-ceramic-2024","title":"Georgia Black — 'Dikuluwe' Sculptural Ceramic, 2024","description":"\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003eDistant Blues, from Naarm based artist Georgia Black responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in\u003cbr\u003eceramic production. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach sculptural tile is made of waste glaze, oxide and porcelain material blends. The blue-grey hues are generated from the presence of cobalt and copper in the accumulated waste glaze from class experiments conducted at the School of Clay and Art, where the artist works as a teacher. There is waste material in both the clay body and the surface. \u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eAll images were printed in waste glaze pre-firing with a paper lithography technique, then single fired.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eEach tile depicts a Google Earth image of a copper and\/or cobalt mine (these minerals are often extracted together). Today, twenty countries are home to the top producing quarries of the world’s cobalt and copper. This is a small selection from over one hundred mines. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\n\u003cp\u003e\u003cem\u003eGeorgia Black is an early career artist based in Naarm\/Melbourne. Originally from Canberra, Georgia has a Bachelor of Visual Arts from the Australian National University, where she graduated with honours, majoring in drawing and printmaking. Since moving to Melbourne in 2018, she retrained in ceramics and completed a Master of Fine Arts at the VCA, University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHer research is driven by a growing concern for the ways in which her art practice connects to the ongoing environmental crisis. Through process-led and alternative methods of making that use ceramic waste material, Georgia's practice explores ceramics as a medium for fostering ecological awareness and connection to place.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/distant-blues\/\" target=\"_blank\"\u003e\u003cstrong\u003eDistant Blues: Georgia Black\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProject Space\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMay 9 - June 14, 2025\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eDistant Blues,\u003c\/i\u003e\u003cspan\u003e from Naarm\/Melbourne based Georgia Black, responds to the ongoing environmental crisis and the ecologically destructive systems of extractivism inherent in ceramic production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ci\u003eDistant Blues\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003ealso\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eforms part of Conscious Craft – a movement to redefine our relationship with materials in a considered, responsible and responsive way.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/to-return-to\/\" target=\"_blank\"\u003e\u003cspan\u003eRead more here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-block-key=\"xb3zw\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003e\u003cspan\u003eporcelain, waste glaze, oxides\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMine Location: \u003c\/strong\u003e\u003cspan\u003eDemocratic Republic of Congo\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e approx. 10 x 22cm\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e","brand":"Georgia Black","offers":[{"title":"Default Title","offer_id":46469118722266,"sku":"C-GBL47","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Dikuluwe_132_Craft_Install_FutureAmbition_C_Armstrong_2025.jpg?v=1747712641"},{"product_id":"maia-kreisler-parihaka-vessel-2025","title":"Maia Kreisler — 'Parihaka' Vessel, 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThis work forms part of a major body of sculptural ceramics developed over two years by Māori artist Maia Kreisler.\u003c\/p\u003e\n\u003cp\u003eKo te Pūtake o te Aho stands as a central pou within this body of work — an anchor in both scale and symbolism. The vessel’s form draws from ceremonial waewae and wharenui silhouettes, asserting its presence with a quiet authority. The silver-painted kōwhaiwhai pattern encircles the body like a karakia in motion, referencing the genealogical spirals of whakapapa and the continual movement of time. The two spherical forms at the vessel’s shoulders gesture toward celestial bodies — atua or tīpuna — watching over and entwined with us. These mirrored orbs reflect back the viewer’s gaze, situating them within the work’s cosmological field. \u003c\/p\u003e\n\u003cp\u003eRendered through pit firing and hand-carving, the textured surface carries the scars and residue of fire, reinforcing its role as both an object of ritual and passive resistance. This piece, like many in this series, resists simple readings. It is not made to be explained but felt — to be approached as a vessel that holds mauri, memory, and speculative futures.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eMaia Kreisler is a cross-disciplinary Māori artist whose practice explores the human condition and our complex relationship with the environment, with a primary focus on value creation through art. Working predominantly with uku (clay), Maia has exhibited both nationally and internationally for over twenty years.\u003cbr\u003eMaia holds a Bachelor of Fine Arts (Honours) from Massey University, Wellington, and a Diploma in Māori Art and Design, awarded in 2017 after studying under renowned Māori uku master, Wi Taepa. Her artworks are held in esteemed public and private collections, including Peter McLeavey Gallery, the Wallace Arts Trust, Wellington Museum, Puke Ariki Museum, the Wellington City Art Collection, and The Dowse Art Museum. In addition to her artistic practice, Maia has held roles within government and local councils, representing her hapū and iwi.  \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKa Mua, Ka Muri - Walking Backwards into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKa Mua, Ka Muri — Walking Backwards into the Future — is a powerful Māori concept that acknowledges the past as a guiding force. We move forward with our backs to the future, eyes fixed on what has come before. The works reflect this ideology, drawing strength and insight from memory, tradition, and ancestral wisdom. Black silhouettes evoke timeless human forms, while intricate kowhaiwhai patterns flow across them, symbolising genealogy, continuity, and the ever-present influence of whakapapa. \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/ka-mua-ka-muri-walking-backwards-into-the-future\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ePit fired ceramic, silver-painted text\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  27 \u003cspan\u003ex 46cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maia Kreisler","offers":[{"title":"Default Title","offer_id":46538754916570,"sku":"C-MRM012","price":5000.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/109_Craft_Products_May_C_Armstrong_2025.jpg?v=1749524893"},{"product_id":"maia-kreisler-kaihaukai-shared-meal-2025","title":"Maia Kreisler — 'Kaihaukai' (Shared Meal), 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003eThis work forms part of a major body of sculptural ceramics developed over two years by Māori artist Maia Kreisler.\u003c\/p\u003e\n\u003cp\u003eThis bowl reflects the simplicity and significance of returning home — for a meal, for comfort, for connection. The surface is softly burnished with silver, the inside luminous, like the welcome of a warm whare. A single koru rests on the outer wall, quiet and unembellished — a symbol of growth, return, and familial roots.\u003c\/p\u003e\n\u003cp\u003eKaihaukai gestures toward the act of gathering: sitting at a table, passing food, and speaking stories. It honours whānau, not through grand gesture, but through the objects that anchor us — humble, familiar, and made by hand.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eMaia Kreisler is a cross-disciplinary Māori artist whose practice explores the human condition and our complex relationship with the environment, with a primary focus on value creation through art. Working predominantly with uku (clay), Maia has exhibited both nationally and internationally for over twenty years.\u003cbr\u003eMaia holds a Bachelor of Fine Arts (Honours) from Massey University, Wellington, and a Diploma in Māori Art and Design, awarded in 2017 after studying under renowned Māori uku master, Wi Taepa. Her artworks are held in esteemed public and private collections, including Peter McLeavey Gallery, the Wallace Arts Trust, Wellington Museum, Puke Ariki Museum, the Wellington City Art Collection, and The Dowse Art Museum. In addition to her artistic practice, Maia has held roles within government and local councils, representing her hapū and iwi.  \u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKa Mua, Ka Muri - Walking Backwards into the Future\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJune 19 – July 26\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKa Mua, Ka Muri — Walking Backwards into the Future — is a powerful Māori concept that acknowledges the past as a guiding force. We move forward with our backs to the future, eyes fixed on what has come before. The works reflect this ideology, drawing strength and insight from memory, tradition, and ancestral wisdom. Black silhouettes evoke timeless human forms, while intricate kowhaiwhai patterns flow across them, symbolising genealogy, continuity, and the ever-present influence of whakapapa. \u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/ka-mua-ka-muri-walking-backwards-into-the-future\/\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eHandbuilt ceramic, black iron oxide, silver-painted surface\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  17 \u003cspan\u003ex 27cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Maia Kreisler","offers":[{"title":"Default Title","offer_id":46538815045850,"sku":"C-MRM018","price":1800.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/309_Craft_Products_May_C_Armstrong_2025.jpg?v=1749525840"},{"product_id":"ruth-allen-large-frosted-orange-punch-bowl-copy","title":"Ruth Allen — Large Punch Bowl in Olive","description":"\u003cp class=\"font_8\"\u003eThe frosted exterior and shiny interior provides a duality of surfaces for light to be absorbed and evenly emitted giving these prominent pieces a magnificent presence.\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e—\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cem\u003eRuth Allen's history stems from the Canberra School of Art where she graduated from a Bachelor of Arts degree in Glass in 1993, Ruth later went on to graduate from Monash University with a Masters of Fine Art in Sculpture \u0026amp; Glass in 2006.  Ruth has exhibited, taught and participated in workshops in prominent glass venues around the world.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003ehand blown glass\u003c\/p\u003e\n\u003cp class=\"font_8\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 28 x 19 cm\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003ci\u003eShipping costs may be estimates. Please feel free to contact \u003ca href=\"https:\/\/aus01.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fshop.craft.org.au%2Fcollections%2Fdancing-hands%2Fproducts%2Fshop%40craft.org.au\u0026amp;data=05%7C02%7Cryan%40craft.org.au%7C0622872a98ff43ecee5408ddc8e2daf0%7C87f6012046a74664a021084f08df53d9%7C0%7C0%7C638887598913894588%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C\u0026amp;sdata=ABrbLebs46zrjuc29gwEoGzisxenv3VCqyxRchu%2Ftos%3D\u0026amp;reserved=0\"\u003eshop@craft.org.au\u003c\/a\u003e who will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e","brand":"Ruth Allen","offers":[{"title":"Default Title","offer_id":46694678528218,"sku":"G-RA015","price":660.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/064_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1752731681"},{"product_id":"belinda-wiltshire-asterisk-sculpture-2024","title":"Belinda Wiltshire — 'Asterisk' Sculpture, 2024","description":"\u003cp\u003eAsterisk, 2024 is an original, one of a kind sculptural artwork. The piece is comprised of two parts and stands on end supported by a steel rod fixed to a minimal steel base. The piece was made using wheel throwing and hand building techniques and decorated with a series of hand brushed Black Iron Oxide lines.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBelinda Wiltshire is a ceramics artist and painter based in Melbourne\/Naarm. \u003c\/em\u003e\u003cem\u003eWiltshire's ceramic sculptures are made predominately on the wheel, she then constructs the final forms by joining and altering sections through hand building. Her pieces are often decorated with a limited palette of metallic glazes and black iron oxide. For more intricate sculptural works she will extend the process after firing to incorporate elements such as steel armature, paint, brass, and epoxy.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThrough the progression of her ceramics practice, Wiltshire has abandoned functionality and moved toward producing purely sculptural artworks. This shift has allowed her to explore interests in architecture, geometry, engineering, and design, and bring rudimentary elements of these influences into the medium of clay in an intentionally human and sympathetic way. A sense of play and spontaneity in design are important to her work, which she introduces through unexpected angles, hidden joins, and the quiet revealing of details. \u003c\/em\u003e\u003cem\u003eRecently Wiltshire featured in The Design Files Studio Visit (2022), as well as two solo exhibitions at Michael Reid Clay, Northern Beaches, NSW \u0026amp; Sorse Gallery, Brunswick, VIC( 2023).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003emidfire clay, black iron oxide, steel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 55 x 16 x 16cm\u003cbr\u003e\u003c\/p\u003e","brand":"Belinda Wiltshire","offers":[{"title":"Default Title","offer_id":46712509169882,"sku":"C-BEW027","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/009_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753150636"},{"product_id":"laura-velef-specimen-gully-vessel-2","title":"Laura Veleff — 'Specimen Gully' Vessel #2","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with eucalyptus ash glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, eucalyptus ash glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  14 x 14 x 14cm\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719229722842,"sku":"C-LV002","price":650.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/192_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753323750"},{"product_id":"laura-velef-specimen-gully-vessel-11","title":"Laura Veleff — 'Specimen Gully' Vessel #11","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with collected wild ochre rocks, processed to create an iron oxide slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, ochre oxide, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 33 x 22.5 x 22.5\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46719875285210,"sku":"C-LV011","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/156_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753325680"},{"product_id":"laura-velef-specimen-gully-vessel-19","title":"Laura Veleff — 'Specimen Gully' Vessel #19","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware with eucalyptus ash glaze and slate rocks processed to create a textured slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e stoneware, slate rocks, glazes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 8 x 17.5 x 17.5\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46720954761434,"sku":"C-LV019","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/199_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753333750"},{"product_id":"laura-velef-specimen-gully-vessel-22","title":"Laura Veleff — 'Specimen Gully' Vessel #22","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and uses collected white ochre that has been processed by the artist to create a textured slip glaze. This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, white ochre slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32.5 x 22 x 22\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721005519066,"sku":"C-LV022","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/166_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334666"},{"product_id":"laura-velef-specimen-gully-vessel-23","title":"Laura Veleff — 'Specimen Gully' Vessel #23","description":"\u003cp\u003eThis sculptural vessel is wheel thrown and assembled stoneware and collected yellow ochre that has been processed by the artist to create a textured slip glaze.  This vessel references the upturned and rearranged Central Victorian Goldfields landscape where the artist lives and works, on Dja Dja Wurrung Country.  The work asks us to contend with the lasting impacts of our actions while at the same time valuing what remains- celebrating this landscape in recovery.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura Veleff is an artist and maker living and working in the Central Victorian Goldfields on Dja Dja Wurrung Country. Laura works predominantly on the potters wheel to create sculptural and functional ceramic work that is imbued with her deep love for the natural world and respect for its materials, often incorporating materials that she collects from the environment. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince moving from Melbourne to Djarra Country, Laura's more recent work engages with the complex narrative and history of her surroundings and is interested in how our surrounding environment can influence how and what we make, use and  value.\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/span\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003estoneware, ochre oxide slip, glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e 32 x 25 x 25\u003cspan style=\"font-size: 0.875rem;\"\u003ecm\u003c\/span\u003e\u003c\/p\u003e","brand":"Laura Veleff","offers":[{"title":"Default Title","offer_id":46721036878042,"sku":"C-LV023","price":1150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/153_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753334814"},{"product_id":"angela-hayes-light-through-lifting-fog-8-sculptural-vessel","title":"Angela Hayes — 'Light through Lifting Fog #8' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis ceramic piece originates from a body of work which focuses on the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic handmade forms. The expressive application presents the delights the artist finds in her urban habitat. The vessel is watertight to hold exquisite floral display yet departs from purely functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand-built slab ceramic, stoneware, glazes \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 27 x 18.4 x 7cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":46723583574234,"sku":"C-AH022","price":1180.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/375_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753410041"},{"product_id":"angela-hayes-radiant-2-sculptural-vessel","title":"Angela Hayes — 'Radiant #2' Sculptural Vessel","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003eThis ceramic piece originates from a body of work which focuses on the study of the classic pouring vessel. Here, the lip, the body, the foot, the spout, and the handle are evolved contemporary architectonic handmade forms. The expressive application presents the delights the artist finds in her urban habitat. The vessel is watertight to hold exquisite floral display yet departs from purely functional constraints of the vessel to stand alone as a striking sculptural art piece.\u003c\/div\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAngela Hayes is a Naarm\/Melbourne-based ceramic artist. Her geometric sculptures reference classic pouring vessels. The lip, the body, the foot, and the handle have evolved from wheel thrown vessels to contemporary slab-made architectonic forms. Hayes studied Fine Art (Ceramics) at Queensland College of Art and has completed both a Bachelor and Master of Landscape Architecture at the University of Melbourne.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e hand-built slab ceramic, stoneware, glazes \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 23.3 x 16.3 x 7cm\u003c\/span\u003e\u003c\/p\u003e","brand":"Angela Hayes","offers":[{"title":"Default Title","offer_id":46723596681434,"sku":"C-AH026","price":900.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/387_Craft_DancingHands_Product_C_Armstrong_2025.jpg?v=1753410762"},{"product_id":"belinda-wiltshire-long-pod-in-gold-sculpture-2025","title":"Belinda Wiltshire — 'Long Pod in Gold' Sculpture, 2025","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e'Long Pod in Gold' is a simple geometric sculptural form comprised of two wheel thrown conical shapes which were joined before firing, then glazed in a black iron oxide and dark gold glaze. There is a slightly levelled section at the base to assure stability.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cp\u003e\u003cem\u003eBelinda Wiltshire has based her visual art practice within Naarm (Melbourne) Northern suburbs since 1999. Working as a multidisciplinary artist she focuses mainly on painting and ceramic art. Both mediums ebb and flow within their boundaries, shifting from abstraction to realism, sculptural to functional, with an intention of freedom in purpose for artist and viewer alike.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandmade in her Preston studio, Belinda Wiltshire's ceramic artworks are created using a combination of wheel-throwing and hand-building techniques. Each one-off piece is made with a spontaneity for design and love of form in mind.  \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem style=\"font-size: 0.875rem;\"\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeavy as in Earth\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAugust 7 – September 13\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a core of geometric simplicity, Belinda’s sculptures often combine kinetic movement and multi-component assemblages introducing a sense of playfulness and intrigue.\u003cbr\u003e \u003cbr\u003e“There is a certain level of risk that stays with my work throughout the whole process and remains once installed. Working with ceramics, there will always be risk involved but this rings especially true for me. My sculptures often undergo somewhat unhinged processes while coming to life, and even more so while balancing in the kiln. And then, if they make it that far, they are destined to spend the rest of their days balancing, or suspended, or both. Completely at the whim of their surroundings.”\u003cbr\u003e \u003cbr\u003eThis idea is evident in the evolving theme of her work and with this exhibition the interpretation leans into the vulnerability not only of the clay and forms themselves, but the volatile nature of living as a human, on Earth, suspended in space.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eHeavy, as in gravity.\u003cbr\u003eHeavy, as in turmoil.\u003cbr\u003eHeavy, as in Earth. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/heavy-as-in-earth\/\" rel=\"noopener\" target=\"_blank\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003eRead more about the exhibition here:\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial: \u003c\/strong\u003eMidfire clay, black iron oxide,glaze\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e  65 \u003cspan\u003ex 20 x 20cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note when purchasing, exhibition works are to be collected when exhibition closes.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please feel free to contact\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ewho will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e","brand":"Belinda Wiltshire","offers":[{"title":"Default Title","offer_id":46750368563418,"sku":"C-BEW035","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/137115543_long_pod_in_gold-img1-b_wiltshire-2025.jpg?v=1754359945"},{"product_id":"corbet-kepler-tray-in-bronze","title":"Corbet — 'Kepler Tray', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe elliptical flat Kepler Tray features a bowl to house the small things we use every day: rings, keys or trinkets. \u003c\/span\u003e\u003cspan\u003eInspired by Johannes Kepler's first law of planetary motion from 1605, the tray pays homage to a lifelong love of space and to the impact of science on the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Kepler tray is visually light and streamlined, almost floating, like the planets in their elliptical dance across the sky, that was accurately described by Kepler over 400 years ago.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 28 x 18 x 3cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 1.5kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817336197338,"sku":"M-SC005","price":550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/142_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275346"},{"product_id":"corbet-eccentric-bowl-in-bronze","title":"Corbet — 'Eccentric Bowl', in Bronze","description":"\u003cdiv class=\"sc-fYzRkI bCzEca\"\u003e\n\u003cdiv class=\"sc-dQelHR gsfJfa phx-GridRow row phx-GridRow--large\"\u003e\n\u003cdiv class=\"sc-bCDidY hSYvYm phx-GridCell phx-GridCell--col3\"\u003e\n\u003cdiv class=\"sc-eGFuAX ciOtkg\"\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 3\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eEccentric Bowl in sand cast bronze. Perfect as a decorative object or a dynamic sculptural catchall for keys and trinkets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHemispherical in form, the internal bowl is ex-centric, shifting the centre of gravity to balance at an angle, making it easy to spin and play with.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"rte-setting mega-subtitle\"\u003e\n\u003cp\u003e\u003cem\u003eAshley Corbett-Smith is a Sydney based designer working in product, furniture and lighting design. Not limited to a single material, style, theme or process, instead works within a reductionist framework, he strives to create works as simply as possible. \u003c\/em\u003e\u003cem\u003eOver the past decade he has worked on projects of all sizes from small objects, to furniture, lighting, sculptures and event displays.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom upholstery to wood carving, turning, machining and cabinetry, marquetry, cast and welded metals, blown, cast and slumped glass, stone, ceramics, lighting, resin and possibly more, he is comfortable with uncertainty.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMaterials:\u003c\/strong\u003e cast bronze\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003cspan\u003e approx. 15 x 15 x 15cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e 2.5kg\u003c\/span\u003e\u003c\/p\u003e","brand":"Corbet","offers":[{"title":"Default Title","offer_id":46817349009626,"sku":"M-SC006","price":690.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/140_Craft_InTheMaking_Product_C_Armstrong_2025.jpg?v=1756275489"},{"product_id":"sam-woo-ram-choi-forgotten-wood-reborn-ii-2025","title":"Sam Woo-Ram Choi — Forgotten Wood, Reborn II, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cp class=\"container\"\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e—\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003eForgotten wood, once abandoned, was broken, burned, and scarred. In this process of destruction and repair, new patterns and colours surfaced, revealing the quiet resilience of the material.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWoo-Ram (Sam) Choi is a New Zealand-based artist, designer, and maker behind Walk In The Park. Originally from Korea, Sam studied woodworking and furniture design at Hongik University. He began woodturning in 2016 and has since developed a practice-led approach to crafting both functional and sculptural objects. Working from his Auckland studio, Sam handmakes each piece, thoughtfully responding to the unique qualities of New Zealand’s native timbers. His work reflects a commitment to tactility and craftsmanship—merging natural materials with refined form to create objects that are both beautiful and functional.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn recognition of his ongoing contribution to contemporary craft and design, Sam was awarded the Creative Fellowship Fund by Creative New Zealand in 2024.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/header\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial: \u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003ePohutukawa (New Zealand native timber), brass\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 21 x 31 x 31cm\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sam Woo-Ram Choi","offers":[{"title":"Default Title","offer_id":47011925295322,"sku":"W-SWC002","price":3200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_177.jpg?v=1760582444"},{"product_id":"steve-lees-bleach-round-vase-i-2025","title":"Steve Lees —  Bleach Round Vase I, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 19 x 17 x 17cm\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030242083034,"sku":"C-SL013","price":420.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_117.jpg?v=1760660472"},{"product_id":"steve-lees-bleach-round-vase-iii-2025","title":"Steve Lees —  Bleach Round Vase III, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp class=\"header\" id=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" rel=\"noopener\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca rel=\"noopener\" title=\"Discover more about Joseph Gardner\" href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" rel=\"noopener\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 34 x 19 x 19cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030246703322,"sku":"C-SL015","price":720.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_123.jpg?v=1760660589"},{"product_id":"steve-lees-table-wall-vase-2025","title":"Steve Lees — Table \/ Wall Vase, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003eThis series explores deterioration as both process and surface language. Wood and leaf ash are used not to darken but to lighten, bleaching the black iron glaze beneath. These rounded forms carry this transformation on their surface, where ash settles to reveal subtle shifts in tone and texture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eSteve Lees (b.1988) is an emerging ceramic artist based in Trentham, Australia. He began his creative career in graphic design, earning a Bachelor of Design (Hons) from Swinburne University, before discovering a deep connection to ceramics. Since then, he has honed his practice under the mentorship of Shane Kent and Kate Wischusen at the School of Clay and Art (SOCA).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDrawn to nature’s constant state of change, Steve’s work explores how elements exist, interact, transform, and deteriorate over time. He reinterprets these natural processes through form, surface, and decoration, specialising in functional works created using wheel-thrown and hand-built techniques.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Stoneware, glaze, oxides, wood ash\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 6 x 37 x 5cm\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Steve Lees","offers":[{"title":"Default Title","offer_id":47030249423066,"sku":"C-SL018","price":480.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_142.jpg?v=1760660955"},{"product_id":"david-austin-green-waka-pil-sculptural-vessel","title":"David Austin 'Green Waka Pill', Sculptural Vessel","description":"\u003cp\u003eMade in\u003cspan\u003e a raku kiln at low temperatures, this vessel from David Austin shows his signature pill shaped form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unique work is not waterproof.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e—\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003eDavid Austin is a ceramic artist\/designer who makes in New Zealand, Australia and England. David is primarily a RAKU maker. This process involves raku clay which is able to withstand the sudden heat change in a gas fired raku kiln. All pieces are bisque fired first and then subjected to heat and then oxidised in a smoke chamber producing an endless array of surface finishes. Austin has New Zealand Māori ancestry and explores Māori concepts such as 'Kitiakitanga' - a concept of looking after our environment and everything in it ; 'Whakapapa', the concept that we are the product of all of ancestors and should acknowledge this. \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaterial:\u003c\/strong\u003e r\u003cspan\u003eaku clay, raku glazes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 40 x 20 x 10cm\u003c\/p\u003e","brand":"David Austin","offers":[{"title":"Default Title","offer_id":47042274590938,"sku":"C-DA003","price":950.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_401.jpg?v=1761099875"},{"product_id":"rachelle-austen-untitled-pending-information","title":"Rachelle Austen — Acceptio - Naturalis Mutatio, 2025","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 6\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDONE\/UNDONE \u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eCurated by Joseph Gardner\u003cbr\u003e\u003cbr\u003eVISIONARIES 2025:\u003c\/strong\u003e Presenting the future of Australian art, craft and design through the lens of one of the country's most influential creatives.\u003c\/p\u003e\n\u003cp\u003e—\u003c\/p\u003e\n\u003cp\u003e“It’s best to accept life as it really is and not as I imagined it to be.” - Paulo Coelho\u003c\/p\u003e\n\u003cp\u003eThe beauty of life is that it’s unpredictable. Nothing is permanent; things change, and of course, a lot of things can happen that can transform who you are and your perceptions of how your life might be. Acceptio ~ Acceptance representation of a journey of acceptance and new perspectives.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eRachelle Austen is a ceramic sculptural artist based in the Macedon Ranges on Dja Dja Wurrung Country. With a background in Industrial Design and over eight years of exploring and working with clay, Austen combines design rigour with artisan hand-building. Working primarily in dense, slab-built clay, she assembles abstract series through slab construction and various components, incorporating controlled cracking, surface finishing, and considered firing. Her practice maintains a dialogue between contrasts—light and dark, delicacy and solidity, control and chance—shaping objects that embody tactile tension and quiet balance, creating space for reflection. Light and repetition are central to her work, where shifting daylight and subtle variations reveal new contours, inviting a slowing of time. Austen’s work exists between material investigation and poetic resonance.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv data-v-396eebe8=\"\" class=\"container\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eDONE\/UNDONE\u003c\/a\u003e \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cp id=\"header\" class=\"header\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cp\u003e\u003cstrong\u003e14 November 2025 - 7 February 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener\" href=\"https:\/\/shop.craft.org.au\/collections\/done-undone\" target=\"_blank\"\u003eView the collection\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eJoseph Gardner is the 2025 Visionaries curator – presenting \u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDONE\/UNDONE:\u003c\/i\u003e\u003cspan\u003e an exhibition of 50+ artists, and one of Craft’s largest exhibitions to date – featuring artists working across medium, scale and practice, representing exceptional Australian talent. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ci\u003eDONE\/UNDONE\u003c\/i\u003e explores the creative process as a space of constant negotiation – a series of decisions to build, erase, repeat, or let be. It’s about that intuitive moment when a maker chooses to pause, to push further, or to dismantle entirely. These are the choices that define the rhythm of making – choices familiar to artists, designers, and creators across disciplines.\u003c\/p\u003e\n\u003cp data-block-key=\"bu6j1\"\u003e\u003ca href=\"https:\/\/craft.org.au\/makers\/maker-directory\/joseph-gardner\/\" title=\"Discover more about Joseph Gardner\" rel=\"noopener\" target=\"_blank\"\u003eJoseph Gardner\u003c\/a\u003e is the Style Editor at Vogue Living, with a decade of experience in publishing and styling, and the founder of Sydney-based gallery, Studio Gardner. \u003c\/p\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/craft.org.au\/whats-on\/all-events\/doneundone\/\" target=\"_blank\"\u003eDiscover more\u003c\/a\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e—\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Solid black clay, danish oil applied to its surface, and a petite porcelain\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 35 x 27 x 10cm\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003ci\u003ePlease note: purchased works are to be collected at the conclusion of the exhibition (7 February 2026).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cem\u003eShipping costs may be estimates. Please contact us via\u003c\/em\u003e \u003ca href=\"mailto:shop@craft.org.au\"\u003e\u003cem\u003eshop@craft.org.au\u003c\/em\u003e\u003c\/a\u003e \u003cem\u003eand we will be available to provide an Art Courier quote or shipping costs for larger items.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rachelle Austen","offers":[{"title":"Default Title","offer_id":47060919550170,"sku":"C-RA073","price":1450.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_DoneUndone_Product_2025_C_Armstrong_346.jpg?v=1761616372"},{"product_id":"studio-kaytar-ripple-2025","title":"Studio Kaytar — Ripple, Wall Relief, 2025","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 6\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cp\u003eHandcrafted from aluminium, this wall relief sculpture captures the fleeting patterns of wind-shaped sand. The process began with a 3D capture of a favourite shoreline, later immortalised through the sand casting of molten metal. The organic contours, poured ripples, and subtle pitting are to be celebrated for their individual beauty. This work forms part of an ongoing exploration into the alchemical transformation of matter and spirit.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e—\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cem\u003eJacqueline Kaytar is a Croatian Australian artist and designer. Beginning her creative journey in textile design, she has developed a distinctive vocabulary over more than twenty years in the making of objects and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKaytar’s work moves between art and design. Some pieces are pure artistic expression, while others are both sculptural and functional. Her lighting works engage with space through form and illumination, blurring the boundaries between object and atmosphere. Guided by alchemical experimentation, Kaytar transforms natural matter in ways that reveal its inner essence. Sandcast metals, plant fibres, natural dyes, minerals, and beeswax are chosen for their symbolic resonance. When shaped by human touch, this material becomes animate.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe spark of life present in their making extends to the finished works, inviting moments of sensory pleasure, memory, and contemplation.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e—\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cheader id=\"header\" class=\"header\"\u003e\u003c\/header\u003e\n\u003cdiv class=\"container\" data-v-396eebe8=\"\"\u003e\n\u003cdiv class=\"flex flex-col lg:flex-row\"\u003e\n\u003cdiv class=\"streamfield event__body\"\u003e\n\u003cdiv class=\"richtext rsp-mb-60\"\u003e\n\u003cheader class=\"header\" id=\"header\"\u003e\u003c\/header\u003e\n\u003cp data-block-key=\"ehnp7\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eM\u003c\/b\u003e\u003cstrong style=\"font-size: 0.875rem;\"\u003eaterial:\u003c\/strong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e Sandcast aluminium\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions: \u003c\/strong\u003eapprox. 35 x 35 x 5cm\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Studio Kaytar","offers":[{"title":"Default Title","offer_id":47061342355674,"sku":"M-SK010","price":1300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/files\/Craft_Product_DoneUndone_2_October_C_Armstrong_2025_233.jpg?v=1762123094"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0033\/5002\/collections\/062_Lean_In_Install_Updates_C_Armstrong_2026_13222773-a71c-4381-8119-0a34ad318916.jpg?v=1794285302","url":"https:\/\/shop.craft.org.au\/collections\/client-collection-899-collins.oembed?page=2","provider":"SHOP@Craft","version":"1.0","type":"link"}